Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A dialogue with Italo Calvino: moulds for a new future - A r...A Global Intercultural Project Experience (GIPE)A TV Cabinet, of CuriositiesAdapting Practice-Based Learning in Transdisciplinary Teams ...Adaptive Design By MakingAfter-Care: A Cross-Cultural Classroom to Practice Empatheti...Analysis of the Impact of Acoustics on Students with Autism ...Are we Producing Teachers for the 4IR Digitized Classroom? -...Being CuriousBelow the Surface, Beyond IntentionBeta Mode: An Interdisciplinary Pedagogical Model for the 21...Can You Share Your Screen? Looking at Students' New Literaci...Children’s Poetry and L2 Studies in Japanese UniversitiesCommunity Engaged Learning: Addressing Real World Problems U...Connecting Environment and Community: Building Students’ C...Constructing Light – An Experimental Pedagogy in Three Env...Constructs of Local KnowledgeContributions of multimodal narratives for the construction ...Creating a Transformative Experience in the First Year of St...Creating Materials for Transformative Language Development i...Creative and Intellectual Resilience: a new agenda for Archi...Creative Parameters: Reimagining Film PracticeCreativity, Uncertainty and Social Responsibility in Educati...Critical Reflection and Painful Pedagogy: Students’ Reflex...Dare to Imagine: Creative Scaffolding for Transformative Tea...DC (in)Context: Connecting the Curriculum to the CityDesign Economies – Connecting the Academy to Creative Indu...Design Education for Sustainable Development through Hands-o...Digital Innovation in The Critical Geographies of EducationDiscovering Quandaries while Instituting [attempting to inst...Distributed Learning in Virtual SpaceDocumentation for Designers: Media-Based Self-Reflection Too...Education in Future Tense. A “Phigital” Experience in th...Embedding live client led engagement in undergraduate study ...Emerging Technology Collaborative Design StudioEnhance Design Undergraduates’ Entrepreneurship, Employabi...Epistemology of Praxis in Creation of ArtworksEstablishing and Evaluating a CSR Focused Corporate Partner ...Establishing Relevance of Traditional Indian Architecture in...Evaluating the Future: Capability and Knowing through Design...Exploring concepts of time in design through movement and re...Exploring Teaching Beliefs on Students’ Learning: a Case S...Flipped Out: Co-Constructing a Community of Inquiry Focus on Transformative Pedagogy: The Architectural Design ...Freedom, Choice, and the Psychology of Design’s Final Year...Future of Industrial Design Education from the student persp...Giving Way and Educational TransformationHuman-mediated Digital Simulations for Education Students: S...Inclusion of Children with Special Educational Needs in the ...Insta-education. Social media channels as an amplifier of th...Is the Music Education Paradigm Changing? Learning Through Freire: Applying Transformative Pedagogy to...Lessons from the Pandemic: the Entanglement of Architectural...Life Narratives as Sites of Architectural Learning and Teach...Making Matters: The Scope of Material Effects in the Transfo...Mismatch: Inclusive Design Strategies through Pedagogy and P...Multilingual Typography Class for Culture ExchangeNature-based Extended Reality LearningNeighbourhood: More Than Human CommunitiesOnline Learning Strategies for Designing A Playscape Perceptual Shift Rule as an Educational ToolProposal Investigating Creative Practices in Teaching Art an...Quick, Ridiculous and Low-Stakes Prototyping as a Spur to Cr...Re-imagined Connectedness: TREC in practiceReconfiguration of Pedagogical Practice: The Effect of Digit...Reimagining educational quality through transformative learn...Rethinking the Art History Curriculum for Art and Design Stu...Revitalization Of Design Education After Pandemic-Driven Shi...Shared Learning AgreementSocial Emotional Learning for Educational Equity: Teacher ca...Something Has Changed: Gauging the contemporary climate of s...Spatial pedagogy for directors of social institutions to und...Stories from the Hybrid StudioStrategies for Enhancing International EAL Students’ Virtu...Strengthening Education for Sustainable Development: A Digit...Students’ Perceptions of Blended Learning in University Ma...Support teams for innovative teaching practices in higher ed...Teaching in a VUCA WorldThe Application of Simulation Technology to Higher Education...The Black Box of Zoom – Transformative Facilitation for M...The Dewey Decimal Project - Meaning Inside the Event. The End of Human Dominance: a Transformative University Semi...The Impact of Virtual Reality on The Design Process: The Cas...The Rebel Tartan Project: Transformative Teaching: Cross Ins...The Syllabus Quiz: A Simple Tool for Familiarizing and Engag...The Thick Timeline as Method for Design-oriented EducationThe Traps of Creativity: The Solution of 3RPlay’s Educatio...The Use of VR in Task-Based Teaching for Mandarin ChineseThe Value of Art in Education, a Space to Perceive. Training Future Architects towards Energy Poverty ChallengesTransformational approaches to the delivery of business ethi...Transformative Learning, Activism and Reflexivity in Educati...Transformative Learning: Developing Community-based Particip...Transformative Teaching Online: an Examination of Online Tea...Transforming Outer/Inner Worlds through Reflexive Inquiry Welcome and Introduction What Does It Mean To Be a Student in a H.E. Setting Post-Pan...What is Hyperflexible Learning? Risks and Benefits in Post-C...What Matters Matters: Methods for Student EngagementWhere to land after the pandemic? Towards an amphibious wate...Working with First Australians
Schedule

Transformative Teaching

Focus on Pedagogy 2022
The Thick Timeline as Method for Design-oriented Education
M. Moors et al.
5:00 pm - 6:30 pm

Abstract

In a time where students in design-oriented education are confronted with images and (digital) information in a fragmented and unstructured way, the need for tools to process this data in a coherent and structured way is prominent. Furthermore, to understand architecture as a cultural signifier, it is necessary to have sufficient knowledge of architectural history and a broad cultural background. However, it is noticed that students lack a certain maturity to interpret events, edifices, movements, … in all their completeness. Therefore, this article explores the method of the ‘thick timeline’: a tool to develop an interactive combination of various (chosen) topics expressed in the form of different (overlapping) timelines; shown simultaneously, separately or compared by choice. Next to the capacity of a timeline to generate an objective consistency and help a student to clearly classify information (orientation in time and space) in a graphic manner; the implemented interactivity (showing and hiding the specific timelines), stimulates the exploration of new connections between topics (e.g. political, cultural and social happenings). As this article is written in the light of an ongoing PhD research called ‘Belgian MoMo heritage on the radar, re-reading modernist housing estates’, the examined timeline is presented as a work in progress, open for feedback and substantive additions. The article firstly addresses the text ‘Radical Though’ by Vittoria Di Palma, in which the capacity of ‘history’ to form (critical) architectural thought is used as the base for our argument to design this timeline. Secondly, the development and usage of the ‘thick timeline’ method is explained through the lens of the PhD topic. In conclusion, we share our experiences of its first application in architectural education.

Biography

Marie Moors is doing a PhD entitled Belgian momo heritage on the radar, re-reading modernist housing estates in the research group TRACE of the Faculty of Architecture and Arts at Hasselt University (BE) (funded by the Flemish Research Institute, 1116421N). Her master project Citadel of Tides was awarded by several institutions such as the Young Talent Architecture Award by the Fundació Mies van der Rohe (finalist). Marie finished the first year of her internship at the – restoration and heritage-oriented – office TeamvanMeer! (BE). In 2022, she was elected as secretary of Docomomo Belgium.

Bie Plevoets is assistant professor in the research group TRACE of the Faculty of Architecture and Arts at Hasselt University (BE). As a postdoctoral fellow of the Flemish Research Institute, she works on a project ‘Reusing the Ruin: Building on the Fragmentary Fabric’. She is the author of the book ‘Adaptive Reuse of the Built Heritage: Concepts and Cases of an Emerging Discipline’ (with K. Van Cleempoel, Routledge, 2019).;

Koenraad Van Cleempoel is professor in art history in the research group TRACE of the Faculty of Architecture and Arts at Hasselt University (BE). He has a strong interest in the theory of adaptive reuse, more in particular: the notion of memory and ‘built-up meanings’ in the long life of heritage sites. Previously he was the holder of the PP Rubens chair at UCBerkeley. He is co-author with Bie Plevoets of ‘Adaptive Reuse of the Built Heritage: Concepts and Cases of an Emerging Discipline’ (Routledge, 2019).