Constructed in 1845, the Damalas/Zervoudakis Mansion in Ermoupoli, Syros, Greece, is an exemplary neoclassical edifice situated near the vibrant Port of Ermoupoli. This historic mansion, during the Eyes Walk Digital Festival 2023, hosted the display of three innovative contemporary artworks, underscoring its integral role as a cultural heritage site. The primary objective of this study is to examine how the integration of contemporary art within the confines of the Damala House transforms both the structure and the visitor’s experience into a comprehensive heritage narrative. This transformation enables a sophisticated interplay among diverse spatial contexts, varying temporal dimensions, and multiple experiential modalities. The presentation will argue that this enriched heritage experience is facilitated by a curatorship grounded in sensory, affective, and meteorological elements, which collectively foster an immersive ‘atmospheric experience.’ This atmosphere, encapsulated by the concept of akairós—an antithesis to kairós—emphasizes the untimely, the dissonant, and the out of place, thereby expanding the understanding and appreciation of heritage through art. The study also explores how this approach not only enhances the visitor experience but also redefines the interaction between art and architectural heritage in a contemporary cultural context. Through meticulous curatorship, the mansion metamorphoses into a space that interweaves different temporalities and modes of being, providing a new lens through which to view both the artworks and the heritage site. The integration of art thus becomes a catalyst for reinterpreting and revitalizing historical narratives, highlighting the dynamic potential of heritage sites as platforms for contemporary cultural discourse.
Cristina Farreras-Collell is a PhD student in Education, Society and Quality of Life at the University of Lleida. She has a background in education, where her strong point is the creation of an inclusive educational context. Now, she is at the end of her doctorate working on an interdisciplinary project on affective atmospheres, embodiment and contemporary artistic practices. Her passion for understanding the movement of bodies in space and inclusive transformative practices, has led her to research heritage sites intersected by contemporary art how can affect atmospherically different people.
Quim Bonastra is a lecturer in Geography at the Department of Geography, History and Art History at the University of Lleida (Spain). He is the principal investigator of the SENSCLUSION research project that works within the paradigm of affective atmospheres through community artistic projects. He’s also a member of the artistic collective MITO. He has done research on different topics, such as the history of spaces of control; the geography of crime; art, education, and geography; art and geography; art and cartography; affective atmospheres. All this research has been materialised in numerous academic and dissemination publications, and in artistic and curatorial projects.