Titles
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City Body / Body geometry as guiding principle. A practitio...A City and a Scene: Observing the Limitations of San Francis...A Constellation of “Central Parks” in the Multicenter Ba...A Deeper Look into Boyle Heights, Los Angeles: An Ethnograph...A novel form of redlining? 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Barcelon...Commerce, Cruise and Community: Kingston Harbour and Urban C...Community Engagement and Groundwater Flood Risk Management. ...Considerations of Frontality and Formality in FacadesCrafting Change: A Comprehensive Examination of the Channapa...Cultural Heritage and Transitional Justice: The Compromises ...Dark Travel: Exhuming the Racialized Transit Gaps beneath 20...Deanthropic UrbanismDesert Ecologies: Recent Architecture in the United Arab Em...Digital Map of Chinese Literature: Visible Data, Invisible C...Drawing Divine Water: Drawing Divine Water: Analyzing the Nu...Empowering Cultural Heritage: A Design-Driven Approach for O...Encoded Artifacts: Stormwater Management and Surface Geometr...Ephemeral Landscapes: Civic Engagement for Urban Permeabilit...Estates: the History of an IdeaExisting amidst Power Plants: Shifting Landscapes, Heritage ...Experimental Infrastructures: Large Scale Planning and Clima...Exploring the Akairós: Contemporary Art and Cultural Herita...From authentic neon light toNight: A Comparative Study of Pr...From Exploitation to Stewardship: How a Legacy of Whaling in...From Insurmountable Differences Towards Unity in Diversity. ...From Philippine Chautauqua to National Heritage Site: The O...From Strategy to Implementation: Blue-Green Infrastructure i...Frontiers of Brazilian heritageGardens of Rubió: A Manifestation of Public Spaces in Barce...History and Film, Past, Present and Future: Navigating the D...Holywell Street, London: Cheap Print, Pornography, and Urban...How memory embeds in the city: Everyday cultural memory in K...In Context: Preservation of the Digital Interpretation of Ar...Industrial Identities, Urban Heritage Communities and Tempor...Integrated Strategy for Buildings and Urban Environment towa...Karoo Art Deco: Survival Strategies of Three Hotels, A Compa...La Passeggiata in Siena: A Public Performance of Cultural In...Lessons of Passive Environmental Design in the Sarabhai and ...Lifestyle Carbon Footprinting as tool for a transformative c...Lighting and Spatial Cognition in Environmental Design: Insi...Loss of Free Citizenship?Mapping Contemporary Art in the Heritage Experience. A Case ...Mapping the Degree of Change: A Morphological Approach to th...Mapping the History of the Cinemas of Santiago de Cuba (1906...Materially Manifest? Exploring Hand-Painted Advertising and ...Mistakes, Not Rules! On Rome, politics and heritageModernity, Culture and City Life in Iran Through the Apertur...Moving Walls - The Painted Matatu as Liminoid DesignNew York NoiseNovel methods to keep Hong Kong’s Shek Kip Mei Park Founta...Old House at the Edge of the Sea: Sketching Personal and Pla...On Gardens and Wax Brains: Where Ideas TouchOttoman Era Manastir (Bitola): A Brief Historical Reflection...Painting Walls in a Divided City: Street Art in a Post-Brexi...Past, Present and Future Visions on Hazardous LandscapesPast’s Future: Visible Memories of Inaccessible SitesPerception as a tool for modern urban Placemaking: A case st...Placenames, Intangible Cultural Heritage and Urban Atmospher...Prompt and Circumstance: Artificial Intelligence and Alexand...(Re)RecordRe-Making “Ukrainian Stalingrad”: Kharkiv’s Cultural H...Reading the Impacts of Spatial Change on Pedestrian Experien...Reclaiming Home: Contemporary Seminole ArtRegeneration processes of Brownfields as a resource of the u...Sagrada Familia and the Making of an Architectural and Civic...Sansalvador Villa, Life in the Dark Side of Park GüellSaving Konkan Geoglyphs from Developmental Pressures: Use of...Silk Road Image-Making and National Identity: The Historic C...Situating Stories of Place Through CityscapesSocial and behavior change communication for sustainable liv...Sonic Heritage VS Sound Gentrification: Notes from an Ongoin...Structuring the Past: Leveraging HBIM and Decision-Making fo...Sustainability in Cultural heritage after the earthquake: Pu...Sustainable Development Principles for Historical Rural Sett...Territorial Museums Exhibitions - The Encounter Between Digi...The Appropriation of Verticality - Zagreb’s Historicistic ...The Building as Witness: visual narratives from Post-War Bei...The End of the City and the Last Man: Shane Jesse Christmass...The Everyday PastoralThe Inca Ceque System and its Possible Contributions Nowaday...The Legacy of Modernism in Cyprus: Architect Abdullah OnarThe Magi myth: More Overpowering than Digital Magic? 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Presenters
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A. AgrawalN. AliR. AlmalkiS. AlvanidesH. AtmacaI. AyralT. BasiricoS. BaşE. BilbaoD. Blanco LobainaQ BonastraM. Bozic MarojevicN. BulutA. BurtonS. Carta et alY. CengizM. ChavezY. ChenC. ChoyN. Cintra TorresS. Colitti et al.D. CookneyS. Cortinez AlbarracinB. Cortizo de AguiarC. CoveyR. DaviesC. de los ReyesH. DebesH. DestebanogluO. DincyurekB. Dogu et al.E. DorostiK. DoshiT. DoğuD. DrozdzewskiJ. DuffellB. D’aquinoG. Edwards(1)M. Edwards(2)E. ErgülI. F. PotgieterC. Farreras-CollellK. FischerJ. Florit-Femenias et al.A. FroletR. GajareJ. Garza MedinaU. GehmannJ. Geo et al.R. GigliottiG. GjataA. GlobaF. GoodingD. GossK. GrchevR. GutierrezS. Hage et al.A. HakemyJ.P. Hall(1)M. Hall(2)S. HancockL. HasanR. HeaveyM. HettingerV. HolmikM. HonmaH. HsiehS. HuqM. IdrizM. IgloliorteZ. IlbeyN. JakšićC. JonesB. KalfaG. KellyS. KethamR. Khanna et al.M. KhouryS. KosekiM. KouckaV. Kravchenko et al.L. LaquidaraS. LeeC. LeitaoJ. LennonX. LiuG. LizarraldeC. LudwigS.Y. LuiD. M. Benjumea MejiaB. Mac an BhreithiúnM. MallalieuO. Martins et al.T. MasseckX. Matilla AyalaP. MeersC. MichellD. MonodM. MuminovicM. MünsterJ. NagamK. NandyC. Nsobya et al.C. Nuñez CiuffaM. OliverI. Owen et al.F. Ozdogan et al.R. O’DonnellP. Papageorgiou et al.I. Peraza CurielM. Reina OrtizE. ReinhuberL. Resta et al.J. Rivera-SorianoA. RobakC. RobeD. RodriguezR. RoggemaC. Salve et al.E. SaracinoE. SarlakB. SeideK. SeitzE. ShemiltA. SiessR. SilbermanA. Sivula et al.E. Sjödahl et al.M. SmeeS. StrumJ. Sánchez-GarcíaK. TakanoL. TeseiS. Thaivaleth Venugopalan et al.R. TurskyK. Ustundag et al.I. Vega AinsaC. VoslooJ. Vázquez-CastroM. WangT. WardW. WillemsJ. WilliamsO. WlusekP. YamaguchiY. ZhangS. Özçelik
Schedule

IN-PERSON Barcelona. Section B

Urban Futures-Cultural Pasts
Exploring the Akairós: Contemporary Art and Cultural Heritage at the Damalas/Zervoudakis Mansion
C. Farreras-Collell & Q Bonastra
9:00 am - 10:30 am

Abstract

Constructed in 1845, the Damalas/Zervoudakis Mansion in Ermoupoli, Syros, Greece, is an exemplary neoclassical edifice situated near the vibrant Port of Ermoupoli. This historic mansion, during the Eyes Walk Digital Festival 2023, hosted the display of three innovative contemporary artworks, underscoring its integral role as a cultural heritage site. The primary objective of this study is to examine how the integration of contemporary art within the confines of the Damala House transforms both the structure and the visitor’s experience into a comprehensive heritage narrative. This transformation enables a sophisticated interplay among diverse spatial contexts, varying temporal dimensions, and multiple experiential modalities. The presentation will argue that this enriched heritage experience is facilitated by a curatorship grounded in sensory, affective, and meteorological elements, which collectively foster an immersive ‘atmospheric experience.’ This atmosphere, encapsulated by the concept of akairós—an antithesis to kairós—emphasizes the untimely, the dissonant, and the out of place, thereby expanding the understanding and appreciation of heritage through art. The study also explores how this approach not only enhances the visitor experience but also redefines the interaction between art and architectural heritage in a contemporary cultural context. Through meticulous curatorship, the mansion metamorphoses into a space that interweaves different temporalities and modes of being, providing a new lens through which to view both the artworks and the heritage site. The integration of art thus becomes a catalyst for reinterpreting and revitalizing historical narratives, highlighting the dynamic potential of heritage sites as platforms for contemporary cultural discourse.

Biography

Cristina Farreras-Collell is a PhD student in Education, Society and Quality of Life at the University of Lleida. She has a background in education, where her strong point is the creation of an inclusive educational context. Now, she is at the end of her doctorate working on an interdisciplinary project on affective atmospheres, embodiment and contemporary artistic practices. Her passion for understanding the movement of bodies in space and inclusive transformative practices, has led her to research heritage sites intersected by contemporary art how can affect atmospherically different people.

Quim Bonastra is a lecturer in Geography at the Department of Geography, History and Art History at the University of Lleida (Spain). He is the principal investigator of the SENSCLUSION research project that works within the paradigm of affective atmospheres through community artistic projects. He’s also a member of the artistic collective MITO. He has done research on different topics, such as the history of spaces of control; the geography of crime; art, education, and geography; art and geography; art and cartography; affective atmospheres. All this research has been materialised in numerous academic and dissemination publications, and in artistic and curatorial projects.