Titles
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City Body / Body geometry as guiding principle. A practitio...A City and a Scene: Observing the Limitations of San Francis...A Constellation of “Central Parks” in the Multicenter Ba...A Deeper Look into Boyle Heights, Los Angeles: An Ethnograph...A novel form of redlining? Investigating the impacts of gree...A Taste of Home – The Cultural Significance and Design of ...Ajodhya – An Exemplary Model for Heritage City DevelopmentArchitectural Master-Planning on Complex Terrains: Leveragin...Are Indian Cities Deteriorating Socio-Culturally due to the ...Artefacts of Disaster Memory: Understanding Disaster Memoria...Arts with(out) a distance: The impacts of new media, artifi...Backtracking Monterrey from 1924 to 2124: Solving Future Cha...Balancing Transformation: Design insights for navigating riv...Beyond Human Realms: Exploring the Comprehensive Ecological ...Breaking with the Past to Deliver a Decarbonized Future: The...Bridging Past Wisdom with Future Needs: A Comprehensive Stud...British Colonial Railways in Cyprus and Their Impacts on Arc...Building Heritages from the Air: Commercial Aviation and the...Capitalizing upon Black Statue Symbology in Washington, DCCarbon Sequestration of Landscape in Tropical Urban Areas: A...Cities Facing the Future: Towards the City we Want. Barcelon...Commerce, Cruise and Community: Kingston Harbour and Urban C...Community Engagement and Groundwater Flood Risk Management. ...Considerations of Frontality and Formality in FacadesCrafting Change: A Comprehensive Examination of the Channapa...Cultural Heritage and Transitional Justice: The Compromises ...Dark Travel: Exhuming the Racialized Transit Gaps beneath 20...Deanthropic UrbanismDesert Ecologies: Recent Architecture in the United Arab Em...Digital Map of Chinese Literature: Visible Data, Invisible C...Drawing Divine Water: Drawing Divine Water: Analyzing the Nu...Empowering Cultural Heritage: A Design-Driven Approach for O...Encoded Artifacts: Stormwater Management and Surface Geometr...Ephemeral Landscapes: Civic Engagement for Urban Permeabilit...Estates: the History of an IdeaExisting amidst Power Plants: Shifting Landscapes, Heritage ...Experimental Infrastructures: Large Scale Planning and Clima...Exploring the Akairós: Contemporary Art and Cultural Herita...From authentic neon light toNight: A Comparative Study of Pr...From Exploitation to Stewardship: How a Legacy of Whaling in...From Insurmountable Differences Towards Unity in Diversity. ...From Philippine Chautauqua to National Heritage Site: The O...From Strategy to Implementation: Blue-Green Infrastructure i...Frontiers of Brazilian heritageGardens of Rubió: A Manifestation of Public Spaces in Barce...History and Film, Past, Present and Future: Navigating the D...Holywell Street, London: Cheap Print, Pornography, and Urban...How memory embeds in the city: Everyday cultural memory in K...In Context: Preservation of the Digital Interpretation of Ar...Industrial Identities, Urban Heritage Communities and Tempor...Integrated Strategy for Buildings and Urban Environment towa...Karoo Art Deco: Survival Strategies of Three Hotels, A Compa...La Passeggiata in Siena: A Public Performance of Cultural In...Lessons of Passive Environmental Design in the Sarabhai and ...Lifestyle Carbon Footprinting as tool for a transformative c...Lighting and Spatial Cognition in Environmental Design: Insi...Loss of Free Citizenship?Mapping Contemporary Art in the Heritage Experience. A Case ...Mapping the Degree of Change: A Morphological Approach to th...Mapping the History of the Cinemas of Santiago de Cuba (1906...Materially Manifest? Exploring Hand-Painted Advertising and ...Mistakes, Not Rules! On Rome, politics and heritageModernity, Culture and City Life in Iran Through the Apertur...Moving Walls - The Painted Matatu as Liminoid DesignNew York NoiseNovel methods to keep Hong Kong’s Shek Kip Mei Park Founta...Old House at the Edge of the Sea: Sketching Personal and Pla...On Gardens and Wax Brains: Where Ideas TouchOttoman Era Manastir (Bitola): A Brief Historical Reflection...Painting Walls in a Divided City: Street Art in a Post-Brexi...Past, Present and Future Visions on Hazardous LandscapesPast’s Future: Visible Memories of Inaccessible SitesPerception as a tool for modern urban Placemaking: A case st...Placenames, Intangible Cultural Heritage and Urban Atmospher...Prompt and Circumstance: Artificial Intelligence and Alexand...(Re)RecordRe-Making “Ukrainian Stalingrad”: Kharkiv’s Cultural H...Reading the Impacts of Spatial Change on Pedestrian Experien...Reclaiming Home: Contemporary Seminole ArtRegeneration processes of Brownfields as a resource of the u...Sagrada Familia and the Making of an Architectural and Civic...Sansalvador Villa, Life in the Dark Side of Park GüellSaving Konkan Geoglyphs from Developmental Pressures: Use of...Silk Road Image-Making and National Identity: The Historic C...Situating Stories of Place Through CityscapesSocial and behavior change communication for sustainable liv...Sonic Heritage VS Sound Gentrification: Notes from an Ongoin...Structuring the Past: Leveraging HBIM and Decision-Making fo...Sustainability in Cultural heritage after the earthquake: Pu...Sustainable Development Principles for Historical Rural Sett...Territorial Museums Exhibitions - The Encounter Between Digi...The Appropriation of Verticality - Zagreb’s Historicistic ...The Building as Witness: visual narratives from Post-War Bei...The End of the City and the Last Man: Shane Jesse Christmass...The Everyday PastoralThe Inca Ceque System and its Possible Contributions Nowaday...The Legacy of Modernism in Cyprus: Architect Abdullah OnarThe Magi myth: More Overpowering than Digital Magic? A Colla...The Regeneration of Minor Centres: from Planning Scenarios t...The Role of Details in Urban Conservation: Three Critical Ru...The Role of Frank Street in the Public Life of Izmir in 19th...The unique architectural features of the mosques in Kutticha...The Virtual Reconstruction Of The Village Of Portomarín (Lu...To the Rescue: Addressing Modern Heritage in SharjahTo what extent the digitalisation of artefacts in Ithra muse...Towards Inclusive City streets: Combining Streetscape Segmen...Transforming Heritage Discourse on the Landscape at Gettysbu...Translating Ethnographic Data into Spatial Representations o...Transmedia Communication and Responsible Tourism. New Narrat...Two Centuries and Two Poles of Rural Architectural Manifests...UNESCO and the Holocaust: Complicated World HeritageUnpacking Tension between Historical Preservation and Pedest...Unravelling the Architectural Topology of Portmeirion: Explo...Urban AI: Platforms, Tools and the Sustainable Development o...Urban futures cultural past. Edinburgh a Lost World.Urban Futures- Cultural Pasts: an Urban Analytics Approach t...Urban Graphic Heritage — Case Studies Framing the Creation...Urban layers of violence: military pasts, regenerative futur...Waking the Puma: Urban Planning and Historical Disorder in C...War Memorials as Heritage in Bangladesh: A Living Cultural E...Welcome & IntroductionWhispers of Time: Rediscovering and Preserving Hyderabad's C...
Presenters
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A. AgrawalN. AliR. AlmalkiS. AlvanidesH. AtmacaI. AyralT. BasiricoS. BaşE. BilbaoD. Blanco LobainaQ BonastraM. Bozic MarojevicN. BulutA. BurtonS. Carta et alY. CengizM. ChavezY. ChenC. ChoyN. Cintra TorresS. Colitti et al.D. CookneyS. Cortinez AlbarracinB. Cortizo de AguiarC. CoveyR. DaviesC. de los ReyesH. DebesH. DestebanogluO. DincyurekB. Dogu et al.E. DorostiK. DoshiT. DoğuD. DrozdzewskiJ. DuffellB. D’aquinoG. Edwards(1)M. Edwards(2)E. ErgülI. F. PotgieterC. Farreras-CollellK. FischerJ. Florit-Femenias et al.A. FroletR. GajareJ. Garza MedinaU. GehmannJ. Geo et al.R. GigliottiG. GjataA. GlobaF. GoodingD. GossK. GrchevR. GutierrezS. Hage et al.A. HakemyJ.P. Hall(1)M. Hall(2)S. HancockL. HasanR. HeaveyM. HettingerV. HolmikM. HonmaH. HsiehS. HuqM. IdrizM. IgloliorteZ. IlbeyN. JakšićC. JonesB. KalfaG. KellyS. KethamR. Khanna et al.M. KhouryS. KosekiM. KouckaV. Kravchenko et al.L. LaquidaraS. LeeC. LeitaoJ. LennonX. LiuG. LizarraldeC. LudwigS.Y. LuiD. M. Benjumea MejiaB. Mac an BhreithiúnM. MallalieuO. Martins et al.T. MasseckX. Matilla AyalaP. MeersC. MichellD. MonodM. MuminovicM. MünsterJ. NagamK. NandyC. Nsobya et al.C. Nuñez CiuffaM. OliverI. Owen et al.F. Ozdogan et al.R. O’DonnellP. Papageorgiou et al.I. Peraza CurielM. Reina OrtizE. ReinhuberL. Resta et al.J. Rivera-SorianoA. RobakC. RobeD. RodriguezR. RoggemaC. Salve et al.E. SaracinoE. SarlakB. SeideK. SeitzE. ShemiltA. SiessR. SilbermanA. Sivula et al.E. Sjödahl et al.M. SmeeS. StrumJ. Sánchez-GarcíaK. TakanoL. TeseiS. Thaivaleth Venugopalan et al.R. TurskyK. Ustundag et al.I. Vega AinsaC. VoslooJ. Vázquez-CastroM. WangT. WardW. WillemsJ. WilliamsO. WlusekP. YamaguchiY. ZhangS. Özçelik
Schedule

IN-PERSON Barcelona. Section B

Urban Futures-Cultural Pasts
Reclaiming Home: Contemporary Seminole Art
O. Wlusek
3:30 pm - 5:00 pm

Abstract

Reclaiming Home: Contemporary Seminole Art exhibition and publication marked The Ringling’s first presentation of contemporary art by Native American artists with ancestral, historical, and present-day connections to Florida. Seminoles are part of the five Southeastern nations—along with the Cherokee, Chickasaw, Choctaw, and Muscogee (Creek)—who were forcibly relocated by the US government in the nineteenth century to present-day Oklahoma and other southern states after the passage of the Indian Removal Act of 1830. The exhibition expanded the conceptual framework of Native American art made in Florida today, provided a fuller understanding of complex issues within the Seminole diaspora, and celebrated the expanse of Indigenous imagination. The exhibition featured over one hundred artworks created after the 1970s by artists working in various media and disciplines whose art—often made from the materials sourced locally, such as clay and wood, as well as recycled fabric and familial photo albums—is rooted in ancestral memory, traditional skills, and intergenerational knowledge systems. The works on view also explored innovative modes of expression
to produce fresh art forms and dialogue about pressing issues that impact Native communities today, including identity and representation, land and language preservation, health, and maintaining traditional ways of knowing. The exhibition amplified a variety of urban and rural, traditional and modern, community and individual Native American perspectives, while illustrating the crucial historical and contemporary influence that Native artists have contributed to visual arts discourse, social commentary, and community wellness. Reclaiming Home celebrated the powerful expressions of resilience and resistance of Native American peoples, bringing greater awareness to Sarasota’s community about enduring Native presence. How can museums better support Native visual sovereignty?

Biography

Ola Wlusek is the Keith D. Monda Curator of Modern and Contemporary Art at The John and Mable Ringling Museum of Art in Sarasota, Florida and holds a curatorial faculty position at the Florida State University in Tallahassee, Florida. She is the recipient of a 2021 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for the development of Reclaiming Home: Contemporary Seminole Art (2023). Wlusek earned an MA in Contemporary Art Theory from Goldsmiths, University of London, UK.