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City Body / Body geometry as guiding principle. A practitio...A City and a Scene: Observing the Limitations of San Francis...A Constellation of “Central Parks” in the Multicenter Ba...A Deeper Look into Boyle Heights, Los Angeles: An Ethnograph...A novel form of redlining? 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A Case ...Mapping the Degree of Change: A Morphological Approach to th...Mapping the History of the Cinemas of Santiago de Cuba (1906...Materially Manifest? Exploring Hand-Painted Advertising and ...Mistakes, Not Rules! On Rome, politics and heritageModernity, Culture and City Life in Iran Through the Apertur...Moving Walls - The Painted Matatu as Liminoid DesignNew York NoiseNovel methods to keep Hong Kong’s Shek Kip Mei Park Founta...Old House at the Edge of the Sea: Sketching Personal and Pla...On Gardens and Wax Brains: Where Ideas TouchOttoman Era Manastir (Bitola): A Brief Historical Reflection...Painting Walls in a Divided City: Street Art in a Post-Brexi...Past, Present and Future Visions on Hazardous LandscapesPast’s Future: Visible Memories of Inaccessible SitesPerception as a tool for modern urban Placemaking: A case st...Placenames, Intangible Cultural Heritage and Urban Atmospher...Prompt and Circumstance: Artificial Intelligence and Alexand...(Re)RecordRe-Making “Ukrainian Stalingrad”: Kharkiv’s Cultural H...Reading the Impacts of Spatial Change on Pedestrian Experien...Reclaiming Home: Contemporary Seminole ArtRegeneration processes of Brownfields as a resource of the u...Sagrada Familia and the Making of an Architectural and Civic...Sansalvador Villa, Life in the Dark Side of Park GüellSaving Konkan Geoglyphs from Developmental Pressures: Use of...Silk Road Image-Making and National Identity: The Historic C...Situating Stories of Place Through CityscapesSocial and behavior change communication for sustainable liv...Sonic Heritage VS Sound Gentrification: Notes from an Ongoin...Structuring the Past: Leveraging HBIM and Decision-Making fo...Sustainability in Cultural heritage after the earthquake: Pu...Sustainable Development Principles for Historical Rural Sett...Territorial Museums Exhibitions - The Encounter Between Digi...The Appropriation of Verticality - Zagreb’s Historicistic ...The Building as Witness: visual narratives from Post-War Bei...The End of the City and the Last Man: Shane Jesse Christmass...The Everyday PastoralThe Inca Ceque System and its Possible Contributions Nowaday...The Legacy of Modernism in Cyprus: Architect Abdullah OnarThe Magi myth: More Overpowering than Digital Magic? 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A. AgrawalN. AliR. AlmalkiS. AlvanidesH. AtmacaI. AyralT. BasiricoS. BaşE. BilbaoD. Blanco LobainaQ BonastraM. Bozic MarojevicN. BulutA. BurtonS. Carta et alY. CengizM. ChavezY. ChenC. ChoyN. Cintra TorresS. Colitti et al.D. CookneyS. Cortinez AlbarracinB. Cortizo de AguiarC. CoveyR. DaviesC. de los ReyesH. DebesH. DestebanogluO. DincyurekB. Dogu et al.E. DorostiK. DoshiT. DoğuD. DrozdzewskiJ. DuffellB. D’aquinoG. Edwards(1)M. Edwards(2)E. ErgülI. F. PotgieterC. Farreras-CollellK. FischerJ. Florit-Femenias et al.A. FroletR. GajareJ. Garza MedinaU. GehmannJ. Geo et al.R. GigliottiG. GjataA. GlobaF. GoodingD. GossK. GrchevR. GutierrezS. Hage et al.A. HakemyJ.P. Hall(1)M. Hall(2)S. HancockL. HasanR. HeaveyM. HettingerV. HolmikM. HonmaH. HsiehS. HuqM. IdrizM. IgloliorteZ. IlbeyN. JakšićC. JonesB. KalfaG. KellyS. KethamR. Khanna et al.M. KhouryS. KosekiM. KouckaV. Kravchenko et al.L. LaquidaraS. LeeC. LeitaoJ. LennonX. LiuG. LizarraldeC. LudwigS.Y. LuiD. M. Benjumea MejiaB. Mac an BhreithiúnM. MallalieuO. Martins et al.T. MasseckX. Matilla AyalaP. MeersC. MichellD. MonodM. MuminovicM. MünsterJ. NagamK. NandyC. Nsobya et al.C. Nuñez CiuffaM. OliverI. Owen et al.F. Ozdogan et al.R. O’DonnellP. Papageorgiou et al.I. Peraza CurielM. Reina OrtizE. ReinhuberL. Resta et al.J. Rivera-SorianoA. RobakC. RobeD. RodriguezR. RoggemaC. Salve et al.E. SaracinoE. SarlakB. SeideK. SeitzE. ShemiltA. SiessR. SilbermanA. Sivula et al.E. Sjödahl et al.M. SmeeS. StrumJ. Sánchez-GarcíaK. TakanoL. TeseiS. Thaivaleth Venugopalan et al.R. TurskyK. Ustundag et al.I. Vega AinsaC. VoslooJ. Vázquez-CastroM. WangT. WardW. WillemsJ. WilliamsO. WlusekP. YamaguchiY. ZhangS. Özçelik
Schedule

IN-PERSON Barcelona. Section B

Urban Futures-Cultural Pasts
Re-Making “Ukrainian Stalingrad”: Kharkiv’s Cultural Heritage Before, During, and After the Russo-Ukrainian War
V. Kravchenko et al.
11:30 am - 1:00 pm

Abstract

Kharkiv is the second largest city of Ukraine located just about forty kilometers of the Ukrainian-Russian border. Historically, Kharkiv went through several important transformations from its establishment as the Cossack fortress in the middle of the 17th century to the regional center of Russian imperial modernization and the capital of Soviet Ukraine (1920-1934.) Each of Kharkiv’s historical legacies left its vivid imprint on the cityscape. The process of their re-thinking and restructuring, reflected many important aspects of Ukrainian and Russian modern nation-state building since 1991. As a borderland city, Kharkiv found itself in the epicenter of the largest geopolitical upheavals of the “short” twentieth century, in particular during World War II, when the city changed hands several times and suffered greatly from the Nazi genocidal policy. Hence its comparison with Stalingrad, the Soviet Russian city which became one of the symbols of military resistance to the Nazi aggression during WWII. It is the irony of history that nowadays, Kharkiv became the main target of the Russian similar policy of destruction of Ukrainian state and identity. According to official statistics, thousands of Kharkiv’s houses, hundreds of residential buildings, kindergartens and schools, hospitals and clinics, cultural institutions were targeted by Russian missiles. In words of Kharkiv mayor, Ihor Terekhov, the whole city needs to be completely rebuilt. Various ideas and projects of Kharkiv’s post-war reconstruction, including the master plan developed recently by the British architect Norman Foster and his team, are inextricably connected with rethinking of its multiple historical legacies.

Biography

Volodymyr Kravchenko – Professor, Department of History, Classics and Religion; Director of the Contemporary Ukraine Studies Program and the Kowalsky Program, University of Alberta, Edmonton, Canada. He is a specialist in the history of historical writing, Ukrainian-Russian relations, and border and regional studies. He is the author of about 200 scholarly publications, including recently issued monographs: “Kharkov/Kharkiv: A Borderland Capital. NY-London: Berghahn Books, 2023, 313 p. and “The Ukrainian-Russian Borderland: History versus Geography. Montreal:McGill U Press, 2022, 352 p.

Serhii Posokhov, sposokhov@karazin.ua ,V. N. Karazin Kharkiv National University, Ukraine. Serhii Posokhov holds a PhD in history and is a professor in and head of the Department of Historiography, Source Studies, and Archaeology. He participated in the international research project “Ubi Universitas—Ibi Europa. Transfer and Adaptation of University Ideas in the Russian Empire of the Second Half of the 18th–First Half of the 19th Century” (Gerda Henkel Stiftung, 2008-10). He headed the research project “CityFace: Practices of the Self-Representation of Multinational Cities in the Industrial and Post-Industrial Era” (https://cityface.org.ua/) (Canadian Institute of Ukrainian Studies, 2018-21). He has (co) authored 10 books and more than 400 journal and conference papers.

Yevhen Rachkov holds a PhD in history and is an associate professor at the Department of Historiography, Source Studies, and Archaeology. He served as a deputy head of the research project “CityFace: Practices of the Self-Representation of Multinational Cities in the Industrial and Post-Industrial Era” (CIUS, 2018-21). Since 2022, he has served as a coordinator of the project “СITY AND WAR: Destruction, Preservation and Rethinking of the Cultural Heritage of Large Cities in Eastern and Southern Ukraine during the Russo-Ukrainian War” (CIUS). He has authored 1 book, co-authored 5 books, and more than 40 journal articles and conference papers.