Titles
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City Body / Body geometry as guiding principle. A practitio...A City and a Scene: Observing the Limitations of San Francis...A Constellation of “Central Parks” in the Multicenter Ba...A Deeper Look into Boyle Heights, Los Angeles: An Ethnograph...A novel form of redlining? Investigating the impacts of gree...A Taste of Home – The Cultural Significance and Design of ...Ajodhya – An Exemplary Model for Heritage City DevelopmentArchitectural Master-Planning on Complex Terrains: Leveragin...Are Indian Cities Deteriorating Socio-Culturally due to the ...Artefacts of Disaster Memory: Understanding Disaster Memoria...Arts with(out) a distance: The impacts of new media, artifi...Backtracking Monterrey from 1924 to 2124: Solving Future Cha...Balancing Transformation: Design insights for navigating riv...Beyond Human Realms: Exploring the Comprehensive Ecological ...Breaking with the Past to Deliver a Decarbonized Future: The...Bridging Past Wisdom with Future Needs: A Comprehensive Stud...British Colonial Railways in Cyprus and Their Impacts on Arc...Building Heritages from the Air: Commercial Aviation and the...Capitalizing upon Black Statue Symbology in Washington, DCCarbon Sequestration of Landscape in Tropical Urban Areas: A...Cities Facing the Future: Towards the City we Want. Barcelon...Commerce, Cruise and Community: Kingston Harbour and Urban C...Community Engagement and Groundwater Flood Risk Management. ...Considerations of Frontality and Formality in FacadesCrafting Change: A Comprehensive Examination of the Channapa...Cultural Heritage and Transitional Justice: The Compromises ...Dark Travel: Exhuming the Racialized Transit Gaps beneath 20...Deanthropic UrbanismDesert Ecologies: Recent Architecture in the United Arab Em...Digital Map of Chinese Literature: Visible Data, Invisible C...Drawing Divine Water: Drawing Divine Water: Analyzing the Nu...Empowering Cultural Heritage: A Design-Driven Approach for O...Encoded Artifacts: Stormwater Management and Surface Geometr...Ephemeral Landscapes: Civic Engagement for Urban Permeabilit...Estates: the History of an IdeaExisting amidst Power Plants: Shifting Landscapes, Heritage ...Experimental Infrastructures: Large Scale Planning and Clima...Exploring the Akairós: Contemporary Art and Cultural Herita...From authentic neon light toNight: A Comparative Study of Pr...From Exploitation to Stewardship: How a Legacy of Whaling in...From Insurmountable Differences Towards Unity in Diversity. ...From Philippine Chautauqua to National Heritage Site: The O...From Strategy to Implementation: Blue-Green Infrastructure i...Frontiers of Brazilian heritageGardens of Rubió: A Manifestation of Public Spaces in Barce...History and Film, Past, Present and Future: Navigating the D...Holywell Street, London: Cheap Print, Pornography, and Urban...How memory embeds in the city: Everyday cultural memory in K...In Context: Preservation of the Digital Interpretation of Ar...Industrial Identities, Urban Heritage Communities and Tempor...Integrated Strategy for Buildings and Urban Environment towa...Karoo Art Deco: Survival Strategies of Three Hotels, A Compa...La Passeggiata in Siena: A Public Performance of Cultural In...Lessons of Passive Environmental Design in the Sarabhai and ...Lifestyle Carbon Footprinting as tool for a transformative c...Lighting and Spatial Cognition in Environmental Design: Insi...Loss of Free Citizenship?Mapping Contemporary Art in the Heritage Experience. A Case ...Mapping the Degree of Change: A Morphological Approach to th...Mapping the History of the Cinemas of Santiago de Cuba (1906...Materially Manifest? Exploring Hand-Painted Advertising and ...Mistakes, Not Rules! On Rome, politics and heritageModernity, Culture and City Life in Iran Through the Apertur...Moving Walls - The Painted Matatu as Liminoid DesignNew York NoiseNovel methods to keep Hong Kong’s Shek Kip Mei Park Founta...Old House at the Edge of the Sea: Sketching Personal and Pla...On Gardens and Wax Brains: Where Ideas TouchOttoman Era Manastir (Bitola): A Brief Historical Reflection...Painting Walls in a Divided City: Street Art in a Post-Brexi...Past, Present and Future Visions on Hazardous LandscapesPast’s Future: Visible Memories of Inaccessible SitesPerception as a tool for modern urban Placemaking: A case st...Placenames, Intangible Cultural Heritage and Urban Atmospher...Prompt and Circumstance: Artificial Intelligence and Alexand...(Re)RecordRe-Making “Ukrainian Stalingrad”: Kharkiv’s Cultural H...Reading the Impacts of Spatial Change on Pedestrian Experien...Reclaiming Home: Contemporary Seminole ArtRegeneration processes of Brownfields as a resource of the u...Sagrada Familia and the Making of an Architectural and Civic...Sansalvador Villa, Life in the Dark Side of Park GüellSaving Konkan Geoglyphs from Developmental Pressures: Use of...Silk Road Image-Making and National Identity: The Historic C...Situating Stories of Place Through CityscapesSocial and behavior change communication for sustainable liv...Sonic Heritage VS Sound Gentrification: Notes from an Ongoin...Structuring the Past: Leveraging HBIM and Decision-Making fo...Sustainability in Cultural heritage after the earthquake: Pu...Sustainable Development Principles for Historical Rural Sett...Territorial Museums Exhibitions - The Encounter Between Digi...The Appropriation of Verticality - Zagreb’s Historicistic ...The Building as Witness: visual narratives from Post-War Bei...The End of the City and the Last Man: Shane Jesse Christmass...The Everyday PastoralThe Inca Ceque System and its Possible Contributions Nowaday...The Legacy of Modernism in Cyprus: Architect Abdullah OnarThe Magi myth: More Overpowering than Digital Magic? A Colla...The Regeneration of Minor Centres: from Planning Scenarios t...The Role of Details in Urban Conservation: Three Critical Ru...The Role of Frank Street in the Public Life of Izmir in 19th...The unique architectural features of the mosques in Kutticha...The Virtual Reconstruction Of The Village Of Portomarín (Lu...To the Rescue: Addressing Modern Heritage in SharjahTo what extent the digitalisation of artefacts in Ithra muse...Towards Inclusive City streets: Combining Streetscape Segmen...Transforming Heritage Discourse on the Landscape at Gettysbu...Translating Ethnographic Data into Spatial Representations o...Transmedia Communication and Responsible Tourism. New Narrat...Two Centuries and Two Poles of Rural Architectural Manifests...UNESCO and the Holocaust: Complicated World HeritageUnpacking Tension between Historical Preservation and Pedest...Unravelling the Architectural Topology of Portmeirion: Explo...Urban AI: Platforms, Tools and the Sustainable Development o...Urban futures cultural past. Edinburgh a Lost World.Urban Futures- Cultural Pasts: an Urban Analytics Approach t...Urban Graphic Heritage — Case Studies Framing the Creation...Urban layers of violence: military pasts, regenerative futur...Waking the Puma: Urban Planning and Historical Disorder in C...War Memorials as Heritage in Bangladesh: A Living Cultural E...Welcome & IntroductionWhispers of Time: Rediscovering and Preserving Hyderabad's C...
Presenters
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A. AgrawalN. AliR. AlmalkiS. AlvanidesH. AtmacaI. AyralT. BasiricoS. BaşE. BilbaoD. Blanco LobainaQ BonastraM. Bozic MarojevicN. BulutA. BurtonS. Carta et alY. CengizM. ChavezY. ChenC. ChoyN. Cintra TorresS. Colitti et al.D. CookneyS. Cortinez AlbarracinB. Cortizo de AguiarC. CoveyR. DaviesC. de los ReyesH. DebesH. DestebanogluO. DincyurekB. Dogu et al.E. DorostiK. DoshiT. DoğuD. DrozdzewskiJ. DuffellB. D’aquinoG. Edwards(1)M. Edwards(2)E. ErgülI. F. PotgieterC. Farreras-CollellK. FischerJ. Florit-Femenias et al.A. FroletR. GajareJ. Garza MedinaU. GehmannJ. Geo et al.R. GigliottiG. GjataA. GlobaF. GoodingD. GossK. GrchevR. GutierrezS. Hage et al.A. HakemyJ.P. Hall(1)M. Hall(2)S. HancockL. HasanR. HeaveyM. HettingerV. HolmikM. HonmaH. HsiehS. HuqM. IdrizM. IgloliorteZ. IlbeyN. JakšićC. JonesB. KalfaG. KellyS. KethamR. Khanna et al.M. KhouryS. KosekiM. KouckaV. Kravchenko et al.L. LaquidaraS. LeeC. LeitaoJ. LennonX. LiuG. LizarraldeC. LudwigS.Y. LuiD. M. Benjumea MejiaB. Mac an BhreithiúnM. MallalieuO. Martins et al.T. MasseckX. Matilla AyalaP. MeersC. MichellD. MonodM. MuminovicM. MünsterJ. NagamK. NandyC. Nsobya et al.C. Nuñez CiuffaM. OliverI. Owen et al.F. Ozdogan et al.R. O’DonnellP. Papageorgiou et al.I. Peraza CurielM. Reina OrtizE. ReinhuberL. Resta et al.J. Rivera-SorianoA. RobakC. RobeD. RodriguezR. RoggemaC. Salve et al.E. SaracinoE. SarlakB. SeideK. SeitzE. ShemiltA. SiessR. SilbermanA. Sivula et al.E. Sjödahl et al.M. SmeeS. StrumJ. Sánchez-GarcíaK. TakanoL. TeseiS. Thaivaleth Venugopalan et al.R. TurskyK. Ustundag et al.I. Vega AinsaC. VoslooJ. Vázquez-CastroM. WangT. WardW. WillemsJ. WilliamsO. WlusekP. YamaguchiY. ZhangS. Özçelik
Schedule

IN-PERSON Barcelona. Section B

Urban Futures-Cultural Pasts
Sansalvador Villa, Life in the Dark Side of Park Güell
J. de Gispert Hernandez et al.
1:30 pm - 3:00 pm

Abstract

The uniqueness of the Sansalvador villa, the first work designed exclusively by Josep Maria Jujol in Barcelona, awakens in the visitor a series of unknowns about its origin and its conception. The fact that it is not finished, the scarce existing planimetric documentation and the unique combination of modernist and organic elements, make this residential complex an exceptional and personal work of the famous architect. Here we offer a detailed study of its history and conceptualization based on the analysis of the original documents and the detailed photogrammetric survey of the built architectural complex as it is today. One of the singularities of this villa lies in the impossibility of seeing it and understanding it in its entirety, in one go. In itself, Jujol’s modus operandi was fragmentary. On the Sansalvador villa, both the topography of the plot and the erratic course of his commission and the architect’s way of operating favoured a fragmented composition but with a certain harmony, within an apparent unity. Buildings go beyond the historical time of people, and also dialogue with vegetation, stones and fauna. Each representation emerges part of these dialogues. The superposition of the new planimetry, generated from a points cloud resulting from the fieldwork, with the original plans, allows to identify certain singularities, discrepancies and changes not initially foreseen, which represents an advance in the study of the creative process of this personality of Catalan architecture.

Biography

Jordi de Gispert Hernández is an architect graduated ETSAB (2007), PhD ETSAM+EHESS (2018). He works on the representation of architectural projects from process and materiality. The combination of professional activity, based on the design of buildings, landscape and furniture, with academic, editorial and research practices, supposes a theoretical research and professional approach. He has taught at the HEPIA-Geneva, at ETSAM-Madrid, at the UIC -Barcelona, and at ELISAVA-Barcelona. He is currently professor and deputy director of the ETSAV-Vallès and he teaches Architectural Representation.

Sandra Moliner Nuño. Architect ETSAB- Barcelona in 1991-1999. PhD in the Department of Architectural Representation of the ETSAB in 2018. Office with own development of the profession since 2000. Professor of Architectural Graphic Expression at the School of Architecture of La Salle, Ramon Llull University from 2002-2003. Professor of Architectural Graphic Expression at the Vallès School of Architecture, ETSAV, of the Polytechnic University of Catalonia (UPC), since the 2009-2010 academic year.

Isabel Crespo Cabillo. Architect since 1989 from ETSAV and PhD in Architecture from UPC since 2005. Professional practice in his own studio and collaborating with other studios between 1989 and 2010. Professor of Descriptive geometry and technical drawing, at the Escuela Técnica Superior de Arquitectura del Vallés, of the Polytechnic University of Catalonia since 1989. Professor of solar geometry and natural light in the master MBArch of the ETSAB and member of the academic commission of the program of AIEM PhD. He has been a member of the CAIRAT group (Centre d’Aplicacions Informàtiques per a la representació de l’arquitectura i el territoti) of the ETSAV with which he has published various articles and communications to conferences on topics related to the teaching of drawing and has directed two PhD theses on geometry in Gaudí and the impact of the Gaudí phenomenon on the city. She has been director of Studies at ETSAV from 2005 to 2011. Currently a Member of the Architecture, Energy and Environment Research Group, in which she has directed doctoral theses and has participated in research projects on urban morphology and energy.