Titles
A-C
D-G
H-K
L-O
P-S
T-Z
. Infratecture: Exploring the urban and architectural design...A Decolonial Vision of Cities, Rural Areas, and Life A Material Return to Gendered Labor in Modern Architecture v...A New Suburbia in a post-COVID World?A Tour of the Monuments of Jinwen Train line: Infrastructura...Alternative housing models in action. Public-community ecosy...Architectural Investigation of Urban Villages in Shenzhen an...Architecture, technology and the environment: proposals for ...Balancing ACT: transgressing boundaries, asserting community...Biomimicry Thinking: fostering quality of life and sustainab...Changing landscapes and places in fluxChanging Physical and Societal Landscape in the New Normal: ...Cities without Country: High-density urban agriculture and t...Co-creating with design Urban-Rural food systems for sustain...Colonizing the harbour - The role of architecture in creatin...Colour seduction: Foster Associates strategies for architect...Concept of Garden city in Wrocław (Breslau) after World War...Counterculture Countryside: Unveiling Stories of a Fallen Oh...Covid Distancing and its Effect on Shared Mental Models & ZP...Defining Wilderness: The Evolving Boundaries of Banff Nation...Designing for Sustainable Community Transformation: Age-Frie...Designing in the Anthropocene. How living and designing with...Designing Virtual Cultural Memories for Asian Cities: the Ca...Ecotopia – Architectural Ecotopes as an approach to combat...Ethics in the Outside between Transpacific Coastal Centres a...Expanding Service Learning Projects in Design Education Beyo...Exploration for an Inclusive approach for Historical Settlem...Factors Sustaining City’s Distinctiveness. Case Study Sura...Façade as Façade: Northern Ireland’s parallel realityFrom alternate realities, to the urban impossible: Drawing o...Greened Out: Exploring the understanding and effects of gree...Hunting the Kingfish: On Uncovering and Reclaiming Exurban Q...Indigenous Weaving Techniques in Shaping Building SkinsInfinite Space of the U.S. Interior Justice through (Re)Planting Aotearoa New Zealand’s Urban ...Keynote IntroductionKEYNOTE: Don’t be second hand American – build on Count...KEYNOTE: Ethical SpacesKEYNOTE: From Countryside to Country-sideMapping 18th-century London through Hogarthian ArtMapping Everyday Community Life in Exurban Areas around Toky...Mapping lifelines and tracing tendencies: how the design of ...Mapping of social initiatives as a model of local developmen...Memory, emotions and everyday heritage in good architectural...Micro Project - Macro Subjects: Waste and reuse as strategy ...Multicultural Design Projects and Openness to Diversity Multiculturalism in Public Transport HubsNarrative and Sustainability: An Interpretation and a Case S...Networks of Circular Economy Villages: Garden Cities for the...Neuro-Participatory Urbanism: Sensing Sentiments and Trackin...New communities and new values? Exploring the interplay betw...Non-urban zero emission neighbourhoods: Two cases from Norwa...(Not Just) Another Roadside Attraction: Documenting Roadside...Participatory methodology for the inventory of Intangible Cu...Pedagogy of Integration of L+Arch. The Last Pristine Place i...Poipoia te Kākano, Kia Puāwai – Enabling Māori communit...Protecting, Integrating & Allocating Agriculture in Urban De...Reflecting on the Urban and the Regional: Designing for a po...Resilient futures through collaborative teaching Revalue. Heritage as idea and project.Revisiting the notion of landscape in Landscape ArchitectureRings of Urban Informality – Manifestations, Typologies an...Rites and Myths. A new form of countryside regenerationRural Parks and the Urban Renaissance: Finding a Blueprint f...Rural Resourcefulness: Lessons from the American School Rurbanism or a transversal overlook in our territoriesSegregating the Suburbs: The History of the Ladera Housing C...Smudge, Prayer and SongSustainable Civil Infrastructure: A Historical Survey Teaching non-designers a designThe "K" shaped recovery: The impact of COVID 19 on housing i...The analysis of public space qualities in terms of flexibili...The Black Panthers, Rat Park, and Opioid Addiction – A Rur...The Cultural Capital of Urban MorphologyThe Garden in the Machine: new symbols of possibility for a ...The Influence and Importance of Sacred Places in Community A...The Life of the River: Currents and Torrents at the Edge of ...The Reach of a Morpho-Topical ArchitectureThe street, the place where the life is. A rudofskian though...The sustainability of urban ruins—Shougang Group industria...The World Park and the CountrysideUrban CatalystsUrban Design Projects for University CampusUrban Protected Areas – between cities and rural hinterlan...Urban Revitalization –Defragmenting the Lahore CanalValue-Inclusive Design for Socially Equitable Communities Virtual Tourism relocation (VTr) - to experience the lost, t...Welcome & IntroductionWelcome and IntroductionWhat does it mean to see cows grazing in American cities? Wild Ways – A scoping review of literature on understandin...
Schedule

Cultures, Communities and Design

Calgary
Micro Project - Macro Subjects: Waste and reuse as strategy for renewal at the urban edge.
I. Hay.
8:00 am - 10:00 am

Abstract

This paper investigates the importance of interrogating the notion of waste and sustainable design at urban edges, through exploration of a case study. The University of Hertfordshire is in Hatfield; a London edge, with complexity of greenbelt, suburbia, New Town and sprawl. Is there a tactical way to repurpose materials and places at the edges of cities, and can small design interventions contribute? An interactive bench was conceived at the University, for the London Festival of Architecture, as a commentary on assumptions about waste, and to highlight the need to reuse materials. The timber-based installation showcased what can be done by reusing discarded materials. The focus was to collect water bottles from park visitors, measure them, and provide seating. It was hoped busy commuters and visitors would pause at lunchtime to consider how they might directly impact the environment though their plastic use. It was temporarily installed at London Bridge South Bank, a festival venue, which welcomes many visitors in the Summer. The project is made up of two component types. One, a frame, measures bottles, demonstrating amount single use plastic consumed in a period. The second, a series of benches, interlock for support, but also allow for sitting and reflecting on the amount of plastic used. Components are approximately 98% recycled material, and made to be reassembled for future deployment. In the installation’s new home in Old Hatfield, where it has been donated, it is hoped it will continue to contribute to an ongoing discussion by residents and the University, about repurposing materials and also how it can contribute to reinvigorating an existing place. In the age of Covid, outdoor amenities are of value. In an age of climate change, contributed to by manufacturing and production, responsible material use is also important. This micro-sized project, seeks to address macro-issues.

Biography

Ilona Hay is a Senior Lecturer at the University of Hertfordshire (UH), in the School of Creative Arts. She is currently Year 2 MArch. Leader and Year 2 BA Arch. Leader. Originally from Vancouver, her background encompasses experience in both the private architectural sector and teaching in higher education. She is a qualified architect- a Member ARB and RIBA with over 20 year’s professional experience. She is the Director of Texere Studio Architecture. She is an Examiner at the ARB, and a Professional Examiner for the Bartlett Part 3. Ilona is a member of the Centre for Future Societies Research and the Architecture Research Group at UH. She has specialized in the interconnection of Design and Technology, with a focus on making and building. She develops making-based practice, working with sustainable Live Projects. Research includes pedagogy and Live Projects, the micro-urban, and maximising space utility. Her portfolio and research includes over fifty Live Projects, in the UK and Canada. The Woodland Seating project, a collaboration with the Mark Fitzpatrick Nature Reserve and Oxford Brookes students, was shortlisted for the Camden Design Awards. The interactive Pause project, recipient of a Canada-UK seed grant, was exhibited at the London Festival of Architecture.