Titles
A-C
D-G
H-K
L-O
P-S
T-Z
. Infratecture: Exploring the urban and architectural design...A Decolonial Vision of Cities, Rural Areas, and Life A Material Return to Gendered Labor in Modern Architecture v...A New Suburbia in a post-COVID World?A Tour of the Monuments of Jinwen Train line: Infrastructura...Alternative housing models in action. Public-community ecosy...Architectural Investigation of Urban Villages in Shenzhen an...Architecture, technology and the environment: proposals for ...Balancing ACT: transgressing boundaries, asserting community...Biomimicry Thinking: fostering quality of life and sustainab...Changing landscapes and places in fluxChanging Physical and Societal Landscape in the New Normal: ...Cities without Country: High-density urban agriculture and t...Co-creating with design Urban-Rural food systems for sustain...Colonizing the harbour - The role of architecture in creatin...Colour seduction: Foster Associates strategies for architect...Concept of Garden city in Wrocław (Breslau) after World War...Counterculture Countryside: Unveiling Stories of a Fallen Oh...Covid Distancing and its Effect on Shared Mental Models & ZP...Defining Wilderness: The Evolving Boundaries of Banff Nation...Designing for Sustainable Community Transformation: Age-Frie...Designing in the Anthropocene. How living and designing with...Designing Virtual Cultural Memories for Asian Cities: the Ca...Ecotopia – Architectural Ecotopes as an approach to combat...Ethics in the Outside between Transpacific Coastal Centres a...Expanding Service Learning Projects in Design Education Beyo...Exploration for an Inclusive approach for Historical Settlem...Factors Sustaining City’s Distinctiveness. Case Study Sura...Façade as Façade: Northern Ireland’s parallel realityFrom alternate realities, to the urban impossible: Drawing o...Greened Out: Exploring the understanding and effects of gree...Hunting the Kingfish: On Uncovering and Reclaiming Exurban Q...Indigenous Weaving Techniques in Shaping Building SkinsInfinite Space of the U.S. Interior Justice through (Re)Planting Aotearoa New Zealand’s Urban ...Keynote IntroductionKEYNOTE: Don’t be second hand American – build on Count...KEYNOTE: Ethical SpacesKEYNOTE: From Countryside to Country-sideMapping 18th-century London through Hogarthian ArtMapping Everyday Community Life in Exurban Areas around Toky...Mapping lifelines and tracing tendencies: how the design of ...Mapping of social initiatives as a model of local developmen...Memory, emotions and everyday heritage in good architectural...Micro Project - Macro Subjects: Waste and reuse as strategy ...Multicultural Design Projects and Openness to Diversity Multiculturalism in Public Transport HubsNarrative and Sustainability: An Interpretation and a Case S...Networks of Circular Economy Villages: Garden Cities for the...Neuro-Participatory Urbanism: Sensing Sentiments and Trackin...New communities and new values? Exploring the interplay betw...Non-urban zero emission neighbourhoods: Two cases from Norwa...(Not Just) Another Roadside Attraction: Documenting Roadside...Participatory methodology for the inventory of Intangible Cu...Pedagogy of Integration of L+Arch. The Last Pristine Place i...Poipoia te Kākano, Kia Puāwai – Enabling Māori communit...Protecting, Integrating & Allocating Agriculture in Urban De...Reflecting on the Urban and the Regional: Designing for a po...Resilient futures through collaborative teaching Revalue. Heritage as idea and project.Revisiting the notion of landscape in Landscape ArchitectureRings of Urban Informality – Manifestations, Typologies an...Rites and Myths. A new form of countryside regenerationRural Parks and the Urban Renaissance: Finding a Blueprint f...Rural Resourcefulness: Lessons from the American School Rurbanism or a transversal overlook in our territoriesSegregating the Suburbs: The History of the Ladera Housing C...Smudge, Prayer and SongSustainable Civil Infrastructure: A Historical Survey Teaching non-designers a designThe "K" shaped recovery: The impact of COVID 19 on housing i...The analysis of public space qualities in terms of flexibili...The Black Panthers, Rat Park, and Opioid Addiction – A Rur...The Cultural Capital of Urban MorphologyThe Garden in the Machine: new symbols of possibility for a ...The Influence and Importance of Sacred Places in Community A...The Life of the River: Currents and Torrents at the Edge of ...The Reach of a Morpho-Topical ArchitectureThe street, the place where the life is. A rudofskian though...The sustainability of urban ruins—Shougang Group industria...The World Park and the CountrysideUrban CatalystsUrban Design Projects for University CampusUrban Protected Areas – between cities and rural hinterlan...Urban Revitalization –Defragmenting the Lahore CanalValue-Inclusive Design for Socially Equitable Communities Virtual Tourism relocation (VTr) - to experience the lost, t...Welcome & IntroductionWelcome and IntroductionWhat does it mean to see cows grazing in American cities? Wild Ways – A scoping review of literature on understandin...
Schedule

Cultures, Communities and Design

Calgary
Counterculture Countryside: Unveiling Stories of a Fallen Ohu
C. Olin & D. Adams
3:30 pm - 5:00 pm

Abstract

Rem Koolhaus asserts that “architects imagine, where there’s nothing, a future” and that it’s possible to “unleash futures” if one looks “at the present in a creative way.” Just as the countryside can be where “the most radical modern components of our civilisation are taking place”, energised youth with alternative visions for how we live can complement and extend the efforts of architects and other placemaking experts. In 1973, a group of counterculture youth looked at a piece of Aotearoa New Zealand’s countryside in a creative way and unleashed the future of what would become the most longstanding of eight ohu communities set up around Aotearoa under the Ohu Scheme umbrella. Approved by then Prime Minister Norman Kirk, the scheme enabled those disenchanted with urban life to form intentional communities on unused Crown land centred around a ‘back to the land’ ethos. Ohu is a Māori (indigenous) word meaning ‘communal work group’. This paper presents initial probing and proposed methods to further probe into the landscape, buildings and stories surviving from the Ahu Ahu Ohu, which is located in a remote area on a tributary of the Whanganui River and has been abandoned since 1999. The ohu’s buildings remain standing, but they are no longer occupiable. The ohu’s land is now public and managed by the Department of Conservation, but its use and ownership are contested by local Māori. The aim of this research is to identify – through interviews and multimedia engagement – key determinants of community formation and dispersal, with a particular emphasis on the role of self-constructed homes and community infrastructure in the countryside. The stories shared by former residents, their descendants, and local Māori should unveil social, cultural, planning and design issues associated with the ohu which present lessons relevant to parallel issues faced in our cities today.

Biography

Dr Crystal Olin (previously Filep) is a Research Fellow specialising in urban design and placemaking with the New Zealand Centre for Sustainable Cities, based at the University of Otago, Wellington. Trained and practiced in architecture, urban design and qualitative research, Dr Olin has more than fifteen years’ international experience spanning across practice, local government and academia. Between 2019 and 2021 she was Urban Design Manager at Wellington City Council, where she led and managed the team responsible for delivering the city’s urban design programme of works and key functions: design strategy, design review, and public space delivery. She also led Dunedin City Council’s Urban Design Team between 2016 and 2018. Crystal’s research explores ways in which empirical evidence and lived experiences can better shape conceptualisations of place that inform innovative theories and approaches to placemaking, place attachment and design of the built environment. Her practitioner and local government efforts have ranged from large-scale strategy and masterplanning to localised revitalisation efforts and artistic interventions. Dr Olin is currently Deputy Director of the government-funded multi-year and multi-scale community-based research programme Public Housing and Urban Regeneration: Maximising Wellbeing.

Mr Daniel Gordon Adams transcends his classical music training to explore the multifaceted world of creative research, composition and performance through a variety of mediums. He is a leading authority on music composition and has spoken internationally on explorative approaches to audiovisual composition, videography and place-documentation. Through his open-minded approach to both work and everyday life, Dan embraces the unknown, engages with those voices less often heard, and opens up new experiences for audiences and practitioners. He is currently Lecturer in Composing, Songwriting and Music Technologies at Te Auaha and a Master’s of Musical Composition candidate at Victoria University of Wellington. Previously he has worked at Radio New Zealand as founding Producer of live magazine-style weekday show Upbeat. His live performances span New Zealand and Canada, and have included creating mixed-media music theatre works for the New Zealand Arts Festival and others with band Verona, collaborating musically with acting, narration, videography, archival film and animation.