Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Search for a Solution beyond the Public-Private Space Dich...Affordable Living in Historic Urban Centers: Architectural a...An Ethnographic Exploration of Muslim Hui Women's Education ...Beirut’s Adaptive Modernism: A Canvas for the Perpetual Re...Beneath the Surface: The Forgotten Voices of New Haven’s U...Biophilic Design: The Case of Park am Nordbahnhof (Berlin).Contemporary Hybrid Spaces: Art And ArchitectureCreative Identity in Urban Design(De)(Re)Humanizing Community: Resolution Through Empathy in ...Decoding the Fusion: Exploring AI-BIM Integration Challenges...Dense Matter: In Search of the Anti-HeroicDevelopment of a Small-Area Urban Livability Index in New Yo...Enhancing thermal comfort in contemporary housing through wi...Explore the Relationship between Architectural Culture and L...Food on the Street: Culture, Community and Urban IdentityFrom Tradition to Modernity: Tracing the Transformation of A...From “Boxes” to “Place”: A Multidisciplinary Case St...Greening Urban and Residential Spaces: Enhancing Performance...How do Adolescents Engage with Urban Green Spaces and What D...Imaginative Heritage: Innovating User Experience to Preserve...Implementation of a new intervention in a local authority fo...Inclusive and Accessible CitiesInvolving Local Communities in the Conception of Context-Spe...Learning Outside-In: How City Places Become Pedagogical Path...Lisbon as a Successful Smart City ModelLisbon from the Perspective of Historic Cafés Route: A Symb...Lived Experiences and Urban Dynamics: A Visual Methodology f...Living Large in Small Living SpacesMacroeconomic Shocks and Urban Livability in South Asia: A P...Middletown 2035: Design for Sustainable Urban LivingNonprofit Hospitals as Catalysts for Social Empowerment and ...Nothing About Us without Us: Exploring The Rights of Older R...Origin-Destination Matrix Estimation Without a Base Matrix: ...Pla(y)ce between Urban Borders in Cairo. People, Spaces and ...Poe on the Reuse and Innovation of Waterfront Industrial Her...Powering New Orleans: Converting Restaurants into Resilience...Rebuilding Qingyanliu (青岩刘): A Case Study of Taobao Ur...Reflections on Applying Foucauldian Discourse Analysis in Pu...Reimagining Space: The Potential of Public-Private Transitio...Resisting at the Margins: The Struggle for Housing Rights in...Rethinking A Landscape Framework of Ho Chi Minh MetropolitanRevaluating Livability through the Concept of the In-Between...Scarlet Jungles: Designing Spaces with Seedling TreesSpatial Equity: Assessing Accessibility to Urban Green Spac...Spatial planning instruments for urban informal food systems...Spatially Varying Associations between Community-Level Socio...The Allotment ‘Micro-World’ as an Identity Project of Wa...The City of a Thousand Weird Smells: How to Evaluate Lisbon'...The Dissonances of Spaces and Rear Facades in the Built Pomb...The Heroic City, the Heroic People: The Legacy of the 1954 Y...The Influence of European Cultural Routes on Urban Heritage ...The Influence of Urban Colors on the Construction of Urban I...The Israeli public space offers a rare opportunity for an un...The layered nature of nostalgia in forced displacement: The ...The Problems of Integration between the Use and Flow of Wat...The Random Encounter and the Possibility of CommunityThe role of support services in pathways into and out of ho...The Shop Around the Corner. Dynamics in the Configuration of...The stony paths of care municipalism in Türkiye: The exampl...The Street as Place in Context of the Evolving CityVision Plan for St. Martinville: A Small Louisiana TownWalter Gropius and the Bauhaus School: Postmodernity born du...Welcome and Introduction What we Mean when we Talk about Place and how we Deliver Bet...Women Making: Negotiating Embodiments Through Craft and Fash...
Schedule

VIRTUAL Lisbon Livable Cities

Cities, Culture, People & Place
Women Making: Negotiating Embodiments Through Craft and Fashion in Contemporary Mexico
J. Diego

Abstract

Style-fashion-dress has recently revealed itself as a complex nodule through which young Mexican women from different backgrounds are actively negotiating their individual and collective identities, in a thrust toward autonomy and agency. In post-pandemic times -and as a direct result of Covid’s impact on the livelihood of Mexican women- groups of young urban feminists who engage in craftivism in public spaces have sprouted throughout the metropolitan area’s public squares. Activities are organized around the sale of recycled or upcycled garments as well as around empowerment, solidarity and the reclaiming of a collective body, vis-à-vis societal and governmental negligence toward the safety, integrity and economic dignity of women. Generally speaking, these highly politicized young women adopt strident modes of dressing (piercings, tattoos, bold hair colors and hairstyles) that stand in deliberate opposition to conservative middle-class codifications around modesty and “good” behavior. Meanwhile, for young women in traditional indigenous communities where the collective body and ancestral textile-making are still organized around deep-seated patriarchal systems in which property, labor, financial independence, and political engagement remain the exclusive privilege of men, style-fashion-dress is also a space where individual expression, creation and livelihood are negotiated vis-à-vis an imposed collective identity linked, in-turn, to notions of Mexicanness oftentimes sustained by the idealization of traditional indigenous values. Case studies afford an opportunity to examine style-fashion-dress as the signifying space where the two apparently opposing directions cross paths, where the one becomes -albeit momentarily- the other, where they meet halfway.

Biography

With over 25 years of fashion industry experience traversing a range of competencies, Jeannine Diego is Assistant Professor of Fashion Design at Virginia Commonwealth University. Her research interests lie at the intersection of fashion and politics expressed through self-making practices, particularly in Cuba and Mexico. She serves on the editorial board of Critical Studies in Fashion and Beauty, and is a member of the Union of Concerned Researchers in Fashion. She holds a Bachelor’s degree in Fashion Design and a Master’s Degree in Critical Theory.