Chair: Isaac-Leung
Stephanie DeBoer contribution is entitled Elemental LED from Drones to Kites: Scaling Practices for Nocturnal Skies. It asks what can the spatially adjacent practices of drone LED light shows and LED kites tell us about the tensions of what David Harvey once termed the simultaneously “crucial and problematic” matters of scale? LED (light emitting diodes) have become an elemental medium in the infrastructuring of the aspirational digital city. They are part and parcel of a recently unprecedented number of drone-choreographed occupations of nocturnal skies in spectacular performances of light. These wireless organizations of the nation or city’s aerial nightscapes – so often incorporated into macro-level systems of economy, policy, or tourism – are elsewhere also accompanied by more micro-level wired and stringed inhabitations of the nocturnal sky by kites clad in colorful light emitting diodes. Tethered to seasonal parks and people, such everyday LED practices are linked not only to a longer history of kite construction and mobilization, but also, here, to an adjacent trajectory of LED’s smaller-scaled formation. Here LED light and its nocturnal practices function as not only a form of aerial “architecture…[and]…new kind of building material,” but also, as Sandy Isenstadt has elsewhere suggested for electric lighting, “a set of evolving compositional practices, and a host of occupational strategies” over which we struggle to produce new places and ways to live, work, and create. Ka-ming Wu contribution is entitled Engage the City: Urban Infrastructures, urban rights and civic imaginations. It looks at the ways citizens negotiate their everyday experiences with urban spaces, improved city infrastructure, a tighter surveillance regime and emerging urban cultures. Many equate infrastructure investment in China with the country’s GDP or China’s geo-political power in Africa or Latin America. Fewer questions have been asked about how Chinese citizens connect to their changing urban environment, particularly regarding their political, social and cultural experiences to access spaces and services previously unavailable. My talk examines the embodied experiences of mega-cities development, arguing that it is in the thick textures of everyday life, a potential site of arrangements, imaginations and contestations (de Certeau 1988, Lefebvre 1991), that citizens carve out distinct cultural, physical and gender spaces, identities, as well as imaginations that go in directions not intended by the party-state. In this talk, I share ethnographic fieldwork data of citizens who conducted volunteer services at various public spaces and how these practices shape micro-publics of change and alternative encounters in the dominant order of capital and state led urbanization. The talk is an inquiry into the power at play in the everyday experience of mega-cities. It reveals multiple ways citizens translate and negotiate a top-down mega-event urbanization into engaging the city’s temporal, social and spatial relations.
Ka-ming Wu is Associate Professor in the Department of Cultural and Religious Studies at the Chinese University of Hong Kong. Trained as a cultural anthropologist, she has taken up ethnographic research to examine the cultural politics of state and society, waste, and most recently, volunteering and urban infrastructure in contemporary China. Her first book is Reinventing Chinese Tradition: The Cultural Politics of Late Socialism (UIP 2015). Her second book Feiping Shenghuo: Lajichang De Jingji, Shequn Yu Kongjian (CUHK 2016) (Living with Waste: Economies, Communities and Spaces of Waste Collectors in China) discusses the socio-cultural impacts of waste. Her academic papers have been published in many journals such as Feminist Studies, Journal of Asian Studies, Modern China, Hau: Journal of Ethnographic Theories, The China Journal, Urban Geography, and China Perspectives. Lately, she has been invited to be a keynote speaker at the Speaker Dialogues on Flows, Infrastructures, and Citizenship in India and China organized by the India China Institute at the New School for Social Research (2023 February).
Stephanie DeBoer is Visiting Scholar in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong and Associate Professor of Cinema and Media Studies in The Media School at Indiana University. Her research addresses the cultural, material, and spatial formations of media screens and facades; media and video art; media infrastructure; and public, urban, and global media geographies. She is writing a book entitled, Infrastructures on the Edge: On the Material, Poetic, and Political Valences of Screens in Urban Space, and is co-convener of Emergent Visions, a multi-modal project that gathers artists, curators, and scholars for dialogue on the emergent visions, affects, and practices potentiated in and around urban screens and facades.
Prof. Isaac Leung is a practicing artist, curator, and scholar in art and culture. He teaches at the Chiense University of Hong Kong. In 2003, Leung received an Honorary Fellowship of a Bachelor of Fine Arts at the New Media Art Department of the School of the Art Institute of Chicago. Since then, his works have been exhibited in over 30 venues across the globe, including Zolla/Lieberman Gallery (USA), Para Site (Hong Kong), Videotage (Hong Kong), Connecting Space (Hong Kong), MOCA (Shanghai), and Venice Biennale of Architecture (Italy). Leung’s works are centered on critical issues concerning technology and social media, and they have been featured on National Public Radio (USA), and in Agence France-Presse (France), Chicago Tribune (USA), NY Arts Magazine (USA), Chicago Readers (USA) and the South China Morning Post (Hong Kong).