I propose to present my article that analyses an Internet task market, usually referred to as a crowdsourcing platform. My research focuses on the working system of crowdsourcing platforms that provide an unconventional way of connecting workers and jobs. While crowdsourcing platforms often involve collaborative brainstorming from a large group of workers, their corporations often misuse the efforts that online workers contribute. My writing elaborates on how human labor is undervalued in the Internet task market, and how this negatively affects the creative industries at large. In particular, I mainly investigate a creative crowdsourcing marketplace called Fiverr, to address artists and graphic designers degraded into the organs of capitalism. My objectives are to raise awareness of the overlooked phenomena of injustice in the digital space and suggest possible solutions for the creative industry. I will discuss Fiverr’s unethical systems of control imposed on designers’ creativity and authorship over their work. Its cheap pricing model is threatening the autonomy of the graphic design industry; its market system values quantity and speed over quality and originality. It undermines the ethos of numerous graphic designers who dedicate their time, knowledge, and passion for well-thought-out design. The digital transformation of the graphic design market is reshaping its infrastructure. As a rising number of graphic designers are going freelance following the pandemic, it is a crucial moment to evaluate the current working condition and implement changes to improve the welfare and the market system of new platforms. Furthermore, a partial backbone of Fiverr’s workforce is young novice designers who just stepped out of college. It causes devaluation of graphic design education and loss of motivation when they face the horrifying reality of competing with untrained practitioners and technicians for limited compensation. I expect my presentation to open up opportunities for a proper debate on the digital transformation of the graphic design market and suggest possible solutions to secure sustainable growth of the industry.
Dho Yee Chung is a graphic designer and media artist originally from South Korea. Her research and work examine how visual media has been shaped historically and how its related culture has proliferated in response to the evolution of technology. In recent years, she has delved into how cultural and social inequality is inherent in emerging visual media and technology. She has observed injustice related to identity, race, and social status in the digital space, and analyzed it from a graphic design perspective. She had group exhibitions and screenings at UCLA New Wight Gallery and MIT Museum, among others. She holds an MFA in Graphic Design at Yale University. Currently, she is an Assistant Professor at Oakland University in Michigan, U.S.A.