Titles
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3D digital models using photogrammetry applied to works of a...A Digital Database for Collective Urban ExperienceA Phenomenological Approach to The Cabinet of Dr. Caligari V...A shared terminology for hypothetical 3D digital reconstruct...A Tale of Two Structures: Confronting the duplicity of imageA Technical Representation of Office Environments Archive th...Accumulated HeritageAmbiguity between the Past and Present: The West Market of t...Ambisonic Composition for the Immersive Reimagination of Urb...An expression of the system: the repurposing of 'home'Anticipating potentialities: Re-presenting artefacts tempora...Architectural project in social housing: understanding, deci...Archival Constraints in the Preservation of Physical and Dig...Athens Battle of Heritages Between permanence and change - The living Museum of Fábric...Between preservation and composting: The queer ecologies of ...Beyond Eye Candy: Designing the Digital Charles Willson Peal...Beyond the Naked Building – Virtual Tours and the Temptati...BIM analysis of the cast sculpture storage of the faculty of...Bridges in Pune and collective memoryBridging the tangible/intangible gap: motivational goal mode...Building a Topological Knitted Surface TerrainCallimachus and the Corinthian Capital. Animating Francesco ...Capsa Memento: An Exploration of Black Box and its Relation ...Captivating the Attention of StrangersCinematographic Ecosystem of the City and Transfer with New ...City Archive: A tool for raising a city from the ashes. The ...Collaborative development of hybrid urban environment for co...Colonial plantations in São Tomé and Principe: spatial lay...Conservation in the Post-pandemic Era: Avatar-based Virtual ...Consumer LIDAR in Tangible Heritage DocumentationContaining Multitudes: Exposure to Design Histories in a Tim...Crafted: fostering craft heritage in the digital sphere Creative Reconstruction: Preservation and Expression in 3D H...Cuban Modernism through Digital Artefacts and Virtual Exhibi...Cultivation: Re-imagining Heritage through Urban Micro-FarmsCultural Objects: Vernacular Industrial Design, Empathy and ...Delusional architecture and unreliable narration and in mind...Design Hybrid Archives: Daciano da Costa legacy and collabor...Designing urbanity on a continuous construction of the landDevelopment of the methodology and infrastructure for digita...Digital Environments: understanding built heritage in the po...Digital Family ObjectsDigital practices for generating interaction: exhibits and m...Digital reenactment and the representation of the memory of ...Digital storytelling formats for the communication of intang...Digital technologies in urban regeneration – a case study ...Discovering Architecture Through Animated NarrativesDiscovering the Architectural and Landscape Heritage of the ...Disruptive Realities. Exploring the Paradoxes of Architectur...Domesticating Heritage – An Expanded History of the 1956 G...e-monia - digital map and the Song of the SirensEncoding the Whole-of-Environment Knowledge for Intangible C...Ephemeral Media(s), Mutable Narratives: Creative Digital Pra...Ermita as a Conflicted Heritage Zone in ManilaExploring the use of Generative Adversarial NetworksEyetrackers and heritage management in the context of “sma...Facadism in London: exploring the gap between critical herit...Facsimile Heritage: Photogrammetry and the Critical Reconstr...FAIR-Data Architecture –Study, Preservation and Diffusion ...From ancient to meta artefacts: Explorative participatory mu...From heritage facades to digital media screensFrom Smartphone 3D Scanning to Parametric Form-finding, AR a...Heritage and memory in the design of emotional well-being ci...Heritage preservation in the way of resilient micro-regenera...Heritage traumas and their overcoming: religious architectur...Historic Phenomena in the Contemporary Public: The Inhabitat...Historical and traditional trade: a fundamental element of t...How to preserve Industrial Heritage: the memory and signific...Icon as Environment: Practices in Re-membering HeritageIf these walls could talk: Two case studies representing con...(Im)material Witness - the lost legacy of the interiorImmaterial Urbanism: Spanning Virtual/Physical Experiences o...Impact of social media on the perception of built heritageImpermanent: Designing for DeclineIn the doldrums: the Viking Ship Hall between high seas and ...In the Wake of Disappearing Traces: Cultural Heritage of the...Influence of Critical Regionalism on structures in Bhopal, M...Intangible cultural heritage in the Afro rurality of the Col...Intangible Heritage: A taxonomy of StorytellingKampung Life: Reconstructing the historic Malayan - Singapor...La Promenade Architecturale: Le Corbusier, Hadrian’s Villa...Lacan’s "Alethosphere": An Early Psychoanalytic Model for ...Laser scanning as a method to record 3D data of residential ...Latent Histories: A designer’s approach to Adaptive Reuse.Lending Order to the World or Something to Take Its Place: P...Lightness or Heaviness in the Space Between ObjectsLong-form multimedia storytelling for the communication of s...Mapping a functional Heritage city: Perspectives from design...Mapping Memory: An Exploration of Sensorial ArchivingMaterial versus immaterial dichotomy: The territorialization...Matter of the Manor: everyday magicMedia Rehabilitation in Sacred PlacesMediation of building stock transformations through game-bas...Memory LaundretteMetal as Medium: An Artisan Bladesmith’s Insights into the...Metropolitan Enchantment and Disenchantment. Metropolitan an...Missing architectures in China: the European Palaces of the ...MissionsConnect - Virtual Reality and Aboriginal HeritageMixed Reality Simulations for Space HabitatsMixing realities to awake the future: visiting the Monastery...Moholy-Nagy’s Light Prop, the Replica as LegacyMontage and Dialectical History: The Accession Day Tilts, Wh...More than Bric-a-Brac: Building Bricks and Materiality in th...Mountain and water concept, heritage as referenceNature(s) of Landscape: A Trilogy Between Human Behaviour, E...Ningen-Kokuho and reformulating local identities in Yame, Ja...Odds and Ends in Experiencing ArchitectureOrganizational Inheritance: On Grasping Immaterial HeritageOverlapping Cities: An imaginary vision into the future of Q...Participation and the more-than-physical qualities of built ...PATRIM, about a research experiencePaved and repaved: Circular and social sustainable materiali...Pivotal Constructions of Unseen Events: How Architecture Sha...PIX-ellll OP-eration{s} Playing the past: Using WebXR to rebuild the Lost CityPlural authenticities: how can digital representation enhanc...Political ideology-based government policies to promote cult...Power of Display: Museum Making via Miniature Art Practices of mapping as a strategy of memorializationProject Soane: The worldwide crowdsourced BIM reconstruction...Projective TypologiesPsychologizing the Metaverse, a place for cultural extensionPublic Interiority: Revelatory HistoriesPātai: A new Heritage and the 3rd space in Aotearoa New Zea...Random Access Memory: Preservation in the Age of Informated ...Reading Atmospheres: A Confluence of Comics and Architecture...Reality of Virtual / Representations through ArchitectureRecollecting Urban Nonsense: Production Gas, Nonsense Art in...Reconstructing the American Square: Seeking to Re-establish ...Reconstruction of Ancient Settlement of Akrotiri, Thira in 1...Redefined – Coms. (Redefined 1970’s mobile Identity and ...Rejuvenating Links between Estates and their Hinterlands: A ...Research Case Studies on Architectural Heritage and Mixed Re...S[Y/N]thetic Territories; Waste[Is]lands & WWW.onderlandsSafeguarding of Iranian Intangible Cultural Heritage from Ir...Scanning an Outpost at the Edge of Conflict: Modeling the Na...See-through: Building facades as contested groundSeeing Statues in Living ColorSense of Place: Where is the Flower Market?Shared Motives: Coincidence -Transmitions - Memory - AmnesiaShared Territories: Indigenous Archaeology in Architectural ...Sonic Heritage - Listening to the PastSoundpaths: Heptonstall; Using Placed Sound and Augmented Re...Space or Hyperspace? The Stage Design of Kunqu Opera Restore...Spatial authenticity and integrity: a configurational approa...Stanisław Wyspiański’s Search for Arche In the Digital E...Strengthening a Community’s Social & Historic Fabric throu...Sunghaksipdo VR, Tangible Philosophy with Virtual Reality fo...Symbol of pessimism or a wise prophet? New meaning of Velho ...Symbolic Design: The Hat Form and the Origins of Conceptual ...Tangible learning: a methodology for designing experience of...Temporal landmarks of landscape conformation in Póvoa de Va...The [in] tangible neo-Andalusian Jesuit heritage. The case o...The Archaeological Simulation: Blending Times and Time Trave...The architecture exhibition as a stage of mediated narrative...The Archive: Evidence of Unrealized HistoryThe augmented perception paradigm of lighting in Byzantine c...The City as a Museum: restoring the identity and intangible ...The Digital Representation of Historical Monuments and Archa...The digital transformation of online creative market The Dissolution of the Monastery: Negotiating text in place,...The Experience of the Traditional and Digital Production in ...The Focalization of Heritage Through Digital Modelling and R...The Foundations of English CathedralsThe Great Northern: Matter and MemoryThe heritagisation of socio-spatiality: Preliminary observat...The Historic City of CraftsThe Intangible behind the Tangible - an Architectural View o...The Lives of Spaces: A Corner Café in Brixton, JohannesburgThe Madrid balcony: influence on the image of the cityThe Plotlands Archive: Visualizing a personal image archive ...The Productive Village: Vernacular Preservation and Reuse in...The Rhetorical Ambition of the Botanical Displays of Harvard...The Spectacle of a Ruined Armenian City: “Ani” through C...The Thick Interface: Digitally Modeling The Hawa Mahal From ...The White Building: creative resistance and the (re)producti...The Wood Sculptor’s Workshop or A Story in Six Chapters: A...Towards a Holistic Digital Record System of a Heritage Build...Using 3D printing to replicate objects in small museum colle...Using Non-Invasive Sensors to Understand Human Decision Patt...Value-Inclusive Design: Disruptive Innovation, Resistance, a...Viral Cultural Heritage: A Case Study applying Hybrid Discou...Virtual Cities - WinchesterVirtual Tourism Staycation revive (VTSr)Virtually There: (Re)Bounding (Un)Natural Visitation Visualising heritage in period drama – A case study of Bel...Welcome and introduction Where the Past has no Future“Irish Crochet’: design, place-making, and the internati...
Presenters
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H. Achanzar-LaborU. AckahG. Adolfo Saborido-Forster et al.J. AkermanW. AlbouraeeE. Alonso-García et al.M. AlosaimiB. AmarendraL. AmorimP. AndradeI. AnsariA. Ardekani et al.J. Armengot ParadinasG. ArtopoulosY. BaiI. BajenaP. BaldwinP. BasonN. Benitez et al.D. Benvenuti et al.M. BorsottiM. BowersD. BriscoeM. BullardS. ButeK. ByrneT. Cabrera ArzozM. CaineG. CairnsD. Cardoso LlaB. CattoorI. CazzaroZ. ChalliesR. ChandranA. Chasqueira et al.F. Chia Hui LinL. Chimenz et al.H. ChonM. ChristensonF. CioliA. CoelhoY. CollierA. ColumbanoA. ContinJ. ContrerasN. CorreiaF. CostaG. CovreT. CrossleyK. CzapigaP. da SilvaT. DalyT. Dam et al.T. Danielmeier et al.E. de la Torre van AmmersG. DelaneyM. DelVecchioM. DemingÇ. DemirelV. DeupiF. DinisJ. DjabaroutiE. DorostiJ. Duarte SáE. DudzinskaL. DuffieldJ. EcklerA. EdmondsH. EinsteinS. Eloy et al.E. Erbaş GürlerN. Fernández GarcíaN. FosseyP. Found et al.L. Francisco GinjaD. FrancoA. FranzV. GaliuloS. GauleC. GibbsM. GillettA. GilloE. GoddenM. GomesF. GoodingJ. GoodmanK. GrahamA. GrantH. GriffinB. GuazzelliJ. Guzijan et al.E. GökA. HaqE. HarrisS. HastakD. Heuertas NadalS. HossainY. HouA. HouldsworthN. House et al.V. HuiI. HwangP. IacovouN. JahangirT. JinFabian Kastner et al.S. KenderdineN. KeshavanA. KhoudiD. KocaD. Koceska et al.E. KocotR. KonigkA. KosmaA. KosztyK. KoundouriD. KunzeP. KuroczyńskiC. LabordeC. LauS. LeeJ. LejeuneD. LengyelK. LinduffD. LittlefieldR. LoboM. Loren-MéndezJ. LovellP. MacklinL. MaioneS. MathewF. MengB. MilbourneS. MillsB. MitchellR. MohantyA. MonetaJ. MontgomeryR. MooreP. MusaleG. Muschio et al.V. MínguezC. NakaradoJ. NasonA. Nogueira AlvesM. NybergS. PaichV. PanagiotopoulouM. PapanikolaouA. Pasoulas et al.M. Paz SuarezD. PedrabissiB. PelletierD. PeterssonV. Peu Duvallon et al.L. PhillipsN. PiasonT. PnevmonidouM. PotterW. Qi et alM. Quaggiotto (i)S. Quiroga FernandezJ. RaeF. RaleyJ. RanaK. ReaverE. ReinhuberJ. ReznickI. RubioA. RundeM. RusnakM. SarantidouE. SarlakK. SegalA. SeguraB. SeideA. ShahedC. ShearerJ. ShieldsA. ShrefaheM. ShroffR. SiagkriJ. SilvaI. SkarinB. SlaterA. SmithT. SorollaI. SotiriouM. SrivastavaJ. StephensS. SteynM. StrachowskiD. StutesmanM. SzmigielB. TaukeZ. TemcoB. TerimL. TestonF. Themudo BarataR. TiwariC. ToulouseS. TovivichT. TressoL. TuckerE. TuncerP. UrechS. UysalD. Van BelleT. VarelasJ. VenturaV. von EickenR. WeaverD. WilsonS. WithersT. WoodsJ. WorrallJ. WuytsE. Yabaci et al.D. Yee ChungT. Yeual YiC. YonderM. YtterbergS. YunA. Zahid KhanP. ZellnerM. ZhaoJ. Ángel
Schedule

(IN)TANGIBLE HERITAGE(S)

Canterbury
Building a Topological Knitted Surface Terrain
R. Moore & A. Smith

Abstract

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This textile practice-led research explores digital-crafting methods of creation to generate knitted surface topologies. The research proposes a mode of making for knitted surface that embraces encountered tangible and intangible material forces. The surface captures the essence of photographic landscapes as undulating knitted terrains. Using Shima Seiki Manufacturing Ltd digital knitting technologies the knitted surfaces are built using a hybrid technique, inlay, that combines knit and weave material performances. The research framework is influenced by philosophers Gillies Deleuze and Felix Guattari, applying concepts of folding, assemblage and singular to multiples. Individual stitch topologies are manipulated informing the collective knitted surface. A hybrid methodological approach is employed which blends virtual-physical and digital-craft components of creative practice. The Shima Seiki Manufacturing Ltd knitting technologies are used to code surface constructs. A hand-crafted element of design is embedded into the programmed knitted surface through integration of traditional woven patterns. A knitted textile is built layer upon layer, stitch upon stitch, this practice aims to manipulate the intangible and tangible material forces to activate surface deformations. Convergence of the material forces provides visual pattern disruptions as the knitted surface folds and unfolds. The active matter captures the essence of photographic landscapes translated in to undulating knitted terrains. Material agency is assembled generating haptic encounters, where finger tips read the invisible and visible knitted surface movements. This research proposes a conducive design environment where the technology and designer form a collaborative approach to making that follows the materials resulting in dynamic knitted surface topologies.

Biography

Rachelle Moore: Based in Auckland, New Zealand, Rachelle Moore is a Senior Lecturer in Fashion and Textile Design at Auckland University of Technology. Her main areas of research are digital knit, craft technology and new materials. Her practice-led research focuses on the utilisation of knit as a vehicle investigating the collaborative design relationship between people and digital technologies. Current research projects include collaborative work intended to build knowledge of the design capabilities of the Shima Seiki knit technologies through an exploration of historical craftsmanship in relation to advanced digital platforms. This research connects technical design aspects with materials and craft to extend traditional applications and modes of making for future textile outputs.

Dr Amanda Smith: Professor of Textile design is based at Auckland University of Technology, New Zealand. In a design-led approach, which draws on various modes of textile-making – including craft–digital translations, e-textiles, health applications, and cultural and historic craft knowledge – seamless knitting technology is interrogated. Through research, practice and exhibition, a craft approach reveals a valuable way to ‘unpack’ the digital tools. There are very real human and technical barriers in using the machines to their full potential, and so cross-disciplinary collaborations are needed. As this research progresses beyond the static design practice of mass-production, a more creative, inventive and three-dimensional approach to garment and object design emerges.