(IN)TANGIBLE HERITAGE(S)
Abstract
Who hasn’t ever toured a treasure map? Even, many people will have drawn it, incorporating data, information, references of the territory, keys, clues, in short, to follow a route. Every treasure map was drawn by someone whose intention was to transfer the route to someone else to reach the final treasure through an informational procedure that today we would call geolocation. We are currently developing a computer application for mobile (App), which will be operational in June 2022, so that, in individual or group visit, you can practice screen tourism, using geolocation systems, and discover the Cinematographic Ecosystem of our city where cinemas, many already disappeared, and films shot there interweave a history of material and immaterial culture powerful linked to cinema. We have produced the necessary information for this (texts, plans, maps, renders, infographics, edits, story-telling, image retrieval, movies fragments) to feed the database, which we have called FilmcityDB, which will support the App, which we have called CineMAPP. The user experience of the possible routes of this ecosystem will allow access and enjoy the cinematographic history of the city of the last century and face some reflections on cinema, media and new technologies, such as the relationships between the physical and the virtual, the understanding of time and the dialogue between past and present, the immaterial culture and the new technologies and the reactivation of the past through new practices from the cinema and the digital technology.
Eusebio Alonso-García: Ph. Doctor in Architecture, Professor, Teaching in Architectural Projects since 1992. MEC Fellow 1988-1992. Academy of Rome Award 1990-91. Extraordinary Doctorate Award University of Valladolid 2002-03. Finalist IV Arquithesis Prize 2003. PRIZED at the XV Spanish Biennial of Architecture and Urbanism (BEAU) 2021. Coordinator of the Recognized Research Group “Architecture and Cinema” GIRAC. Visiting Scholar, CAVA, LSA, Liverpool (Oct-Dec 2017). Research Projects: Audiovisual landscapes in the architecture of the middle city, 2018-20, JCYL; Cinematographic ecosystem of the city and transfer with new technologies, 2020-2022, JCYL. Publications: La imagen como materia y material. Arquitecturas avanzadas y experimentación audiovisual (ARIS 34, 1, 2022). Arquitecturas pantalla en la era de la información (Estoa 2022). Architecture and cinema in Valladolid. Strategy for the protection and management of modern cultural heritage (Universitas 2020). The presence of the Media and the moving image on the Architecture (video, Amps, Canterbury, 2020); Giuseppe Samonà. Competition for the Chamber of Deputies, Rome, 1967 (ZARCH 14, 2020); James Stirling and the Tate Gallery project in Albert Dock, Liverpool (PPA 19, 2018); The houses are normal (Pioneers of modern Spanish architecture, 2018); Windows in cinema, art and architecture. Views, relationships and information (Avanca, Portugal 2017).
Sara Pérez-Barreiro: Ph. Doctor in Architecture. Professor of the Department of Theory of Architecture and Architectural Projects of the University of Valladolid. Member of the Recognized Research Group: “Architecture and Cinema”. Co-director of the courses “Fotograma. Course of Architecture and Cinema” since 2007. Participation in conferences and courses on Architecture of the Modern Movement and Architecture and Cinema, in various countries. Curator of several exhibitions. Author of articles on architecture, cinema and their relations and on Architecture of the Modern Movement. La imagen como materia y material. Arquitecturas avanzadas y experimentación audiovisual desde la mirada inclusiva de Herbert Bayer (ARIS 34, 1, 2022). Arquitecturas pantalla en la era de la información (Estoa, 11, 21, 2022). Architecture and cinema in Valladolid. Strategy for the protection and management of modern cultural heritage (Universitas. 33, 2020) . Author of the books: “Star Wars. Architecture, Fiction or Reality”, “Dark Futures in Science Fiction Cinema” and “Utopias. Science Fiction Architecture”. Research Projects: Audiovisual landscapes in the architecture of the middle city, 2018-20, JCYL; Cinematographic ecosystem of the city and transfer with new technologies, 2020-2022, JCYL.
Iván Rincón-Borrego: PhD in Architecture -Cum Laude with European Mention- in the field of Architectural Composition (2010). Professor of Architectural Composition since 2005. Member of the Architecture and Cinema Research Group (GIRAC). Main research line: Architecture, plastic arts and cinema: relations and interferences with new technologies. Publications:
La imagen como materia y material. Arquitecturas avanzadas y experimentación audiovisual desde la mirada inclusiva de Herbert Bayer (ARIS 34, 1, 2022). Arquitecturas pantalla en la era de la información (Estoa, 2022). Architecture and cinema in Valladolid. Strategy for the protection and management of modern cultural heritage (Universitas. 33, 2020). “Interiores domésticos y urbanos. Fotograma 007” (2016); “Urban Spaces. Photogram 008” (2016); “Objective: the house. Fotograma 009” (2016); “Arquitectura de Cine” (2017); “do.co,mo.mo_Valladolid. Iberian DOCOMOMO Register, 1925-1975. Industry, housing and equipment” (2018). Research Awards: FINALIST at the XI Ibero-American Biennial of Architecture and Urbanism (BIAU) 2019; PRIZED at the XV Spanish Biennial of Architecture and Urbanism (BEAU) 2021. International Research Stay: Oslo School of Architecture and Design (AHO), Norway. 1 month. Arnaldo Araújo Study Centre (FCT uID 4041). 7 months. Research Projects: Audiovisual landscapes in the architecture of the middle city, 2018-20, JCYL; Cinematographic ecosystem of the city and transfer with new technologies, 2020-2022, JCYL.