Architectural history is the material history of ideological form, as Henri Lefebvre reminds us, through the construction and articulation of our shared built environments. Always asymmetrical, the preservation of histories privileges the dominant, particularly the built form which requires large-scale manipulation of political and economic resources. How, then, can we cultivate and preserve alternate landscapes and promote an inclusive and egalitarian society? We believe that XR (eXtended Reality) provides a powerful new way of worldbuilding. Inspired by Lefebvre and Edward Soja’s Thirdspace, we utilize XR to identify historic absences in existing built environments, in order to unearth feminist spaces historically obfuscated and construct alternative futures born from our embodied experiences. Our grassroots community project, “Things I Wish to See,” demonstrates the productive potential of such inquiry. In close partnership with community members in a Bedouin village, this multi-year, co-created worldbuilding acts as a preservation tool, unearthing forgotten histories and buried landscapes. We look at how the virtual or “imagined” environments simultaneously re-historicize and reconstitute heretofore erased urban forms, particularly the untold stories of Bedouin women in the Middle East. We hope to show how XR enables a powerful form of virtual ethnography that animates suppressed narratives in a newly embodied built environment. We propose this new method that works to remap our phenomenological understanding and embodied experience of what it means to both live in, and adjacent to, historic societies in transition.
Nicholas Pilarski is an Associate Professor of XR and Virtual Production at the Sidney Poitier New American Film School, School of Art’s, Media, and Engineering, and MIX Center at Arizona State University. He is an award-winning filmmaker who co-creates interactive and emerging media focused on historicized poverty and class-based trauma. He and his work have been profiled as one of Filmmaker Magazine’s 25 New Faces of Cinema, an exemplar by the MIT Co-Creation Studio, archived in the permanent collection of The Smithsonian Institute, recognized by the Tim Hetherington Trust, and has appeared
Sarah Bassett is a Professor of Practice in the School of Public Affairs at Arizona State University. She is an urban planner and geographer working on multiscale planning challenges, combining media and technology, placemaking, and spatial justice to help vulnerable communities respond to and recover from climate change and rapid urbanization. Bassett and her work have been recognized by the American Planning Association, featured at the National Academies of Sciences, Engineering, and Medicine, The New York Times, The Smithsonian Institution, and MIT’s Co-Creation Studio. Bassett was also a U.S. Fulbright Scholar to Mongolia, focusing on sustainable urban development.