In the Summer of 2022, a group of designers worked with English Heritage* to create an installation at Aydon Castle, a 13th century fortified manor house in the north of England. The project – Re-imagining Aydon – exhibited contemporary domestic artefacts designed in response to the history, aesthetics and atmosphere of the place. Using a number of the artefacts by way of illustration, this paper will examine how heritage sites offer a valuable opportunity to connect past, present and future in the creation and (re)interpretation of material culture. We considered Aydon Castle to have, what archaeologist Michael Shanks might term, ‘polytemporal’ potential—a perfect location for a form of ‘archaeological imagination’ to flourish and draw together past, present and future in order to discuss how humans have lived, and how they could and should live. Re-imagining Aydon represented a dialogical engagement with time and place, proposing new ways to engage visitors with the site at the same time as introducing an alternative sensibility in the way contemporary objects draw on the past. The installation prompted visitors to reconsider the otherwise empty castle as a place once full of life, both different and familiar to their own. As an inspiration to design practice, the castle effected a valuable decentring of our present priorities, towards a position that actively engages with the past in a more balanced past-present-future continuum. * a charity that manages over 400 heritage sites
Anthony Forsyth is Head of Subject in Industrial Design at Northumbria University School of Design. His PhD examined the application of design philosophies – namely Everyday Aesthetics and Thing Theory – to design practice. His current research focuses on the intersection of design, history and heritage. He uses collaborative design projects and exhibitions, in partnership with heritage organisations, to explore how the past can inform design and, in turn, use design to engage publics with history and heritage sites.
Philip Luscombe is a designer, woodworker and lecturer. His design practice and research is focussed on the history, philosophy and aesthetics of woodworking practice.