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The Image of Public Spaces Through Children's PerspectiveThe Impact of Partial Sleep Deprivation on the Relationship ...The importance of situated activity analysis for the empower...The Legacy of Italian Psychiatry as a Lever for Innovating t...The Legacy of the Charter of ViennaThe Productive House and Suburban Entrepreneurialism: Rethi...The spatial accessibility of an experimental integrated heal...The Walking Fringe - Mobility in the Context of Peri-urban S...This is London: Analysing the Visual Techniques of the ‘Pr...Through The ‘Gaze’ Of the Child: Re-Imagining Florida an...Toward Smart Transportation: Doha as a Case StudyTracing Emergent Spaces for Making the City More Liveable: t...Transforming a highway overpass into a park: The Cheonggyech...Transit-Oriented Developments Towards a Livable CityUnderstanding the Role Human-Environmental relations Play in...Unpacking the perceived scarcity of Town Planners in South A...Urban Livability, Well Being, and Identity: Exploring the Im...Urban Mending – Spatial Strategies For Realising The Socia...Urban Self-Awareness: Applying the Principles of the Metabol...Urban villages in Shenzhen: the meaning of being neglectedVertical Urban gardensWalkability Assessment of Magallanes and Spolarium Street in...Walkability in Planning Proximity: a Critical Review of the ...Welcome and IntroductionWhat Is a Farmers' Market? Exploring the Meanings and Roles ...What's Our Narrative on Liveable Cities? Whatever Happened to Suburbanism: Productive Landscape Prese...When Time is not of the Essence: Slowness and Certainty Beyo...Wild Ways - Mixed-methods Research to Understand Urban-rewil...Willingness to Accept Densification and Urban Renewal Proced...Zero Carbon Precinct – Designing the Protocols, Overrun an...
Presenters
Schedule

VIRTUAL: Livable Cities – New York

A Conference on Issues Affecting Life in Cities
Street Vending in the Liveable City: an autoethnographic exploration
A. Warakanyaka
2:00 pm - 3:30 pm

Abstract

In Jakarta, Indonesia, street vending is widely acknowledged as an enabler of economic growth. However, despite its contribution, the authorities still do not recognise its significance and continuously develop urban strategies to prosecute the practice. This situation ensures that street vendors develop spatial strategies that allow them to operate inconspicuously to make ends meet while facilitating the citizens’ needs for affordable everyday items. This paper argues that street vending is a creative intervention—a form of interior urbanism, a micro-scale intervention that allows temporary inhabitation by interrupting the existing in a meaningful and non-confrontational manner. It domesticates the city and projects familiarity through its design, encouraging a human dimension to the usually sterile environment. To examine and understand this aspect of street vending, this paper proposes an approach called interior writing–a spin on autoethnography that critically assesses the intimate experience of observing, interacting and participating in street vending activities during walking inquiries on three of Jakarta’s streets. This approach allows the description of interior situations beyond convention, gives access to an intimate reading of urban issues and provides opportunities to reflect on how the interior and the urban influence and shape each other. As a result, this reading generated the typology of interior urbanism—the variety of interior strategies utilised by street vendors—that allow us to understand the socio-spatial significance that makes street vending a crucial feature for inclusive urban liveability that has the potential to soften Jakarta’s edge and makes it habitable, especially for the underprivileged.

Biography

Warakanyaka is a designer and researcher with a background in interior design and architecture. Currently, she is pursuing her doctoral degree at the Royal College of Art, researching the street vending phenomenon in Jakarta and its correlation with the practice of interior urbanism. She was a lecturer at the Department of Architecture, Universitas Indonesia and, most recently, at Shanghai College of Fashion, where she was part of the Edinburgh College of Art flying academic team.