(IN)TANGIBLE HERITAGE(S)

Abstract

The proponents of this paper are currently developing a research project for the 3D reconstitution of the Monastery of Santa Cruz of Coimbra in 1834, when the religious orders were suppressed in Portugal. Ensuing destructions included the former entrance cloister (to give way for the New Town Hall), the Renaissance dormitory and the medieval/baroque bell tower, which dominated the old townscape, knocked down in 1935. Images of the former building survive in the prints of the photographic campaigns of the late 19th century. Simultaneously, the subdivision into diverse public services has prevented the rehabilitation of the building as an architectural entity in itself. This is why we thought of a research project that could join historical research with 3D computer modelling and also with the development of an urban renewal proposal in the spirit of UNESCO’s Historical Urban Landscape approach. Our 3D environments are essential to create the awareness, on the public, of the former magnificence of the monastery and of the possibilities of renewal and rehabilitation that are encompassed in the still standing architectural structures – and, also, in the monastic artistic heritage that still exists, both in situ and in the museums. Presently, we are diversifying our visual and haptic approaches, preparing new contents to be used in several platforms such as smartphones, VR headsets, and 3D projectors (3D video mapping). We are also using MR software and game engines to expand interactivity with physical and digital models. In this way, the observer’s perception will be reinforced by the tangibility of some elements and by the freedom of movement and exploration. These developments will enable us to reach a diversified cultural spectrum of users, inspiring their interactions with the historical digital recreations, with the contemporary built context and also with the informed transformation possibilities that lie ahead.