Titles
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3D digital models using photogrammetry applied to works of a...A Digital Database for Collective Urban ExperienceA Phenomenological Approach to The Cabinet of Dr. Caligari V...A shared terminology for hypothetical 3D digital reconstruct...A Tale of Two Structures: Confronting the duplicity of imageA Technical Representation of Office Environments Archive th...Accumulated HeritageAmbiguity between the Past and Present: The West Market of t...Ambisonic Composition for the Immersive Reimagination of Urb...An expression of the system: the repurposing of 'home'Anticipating potentialities: Re-presenting artefacts tempora...Architectural project in social housing: understanding, deci...Archival Constraints in the Preservation of Physical and Dig...Athens Battle of Heritages Between permanence and change - The living Museum of Fábric...Between preservation and composting: The queer ecologies of ...Beyond Eye Candy: Designing the Digital Charles Willson Peal...Beyond the Naked Building – Virtual Tours and the Temptati...BIM analysis of the cast sculpture storage of the faculty of...Bridges in Pune and collective memoryBridging the tangible/intangible gap: motivational goal mode...Building a Topological Knitted Surface TerrainCallimachus and the Corinthian Capital. Animating Francesco ...Capsa Memento: An Exploration of Black Box and its Relation ...Captivating the Attention of StrangersCinematographic Ecosystem of the City and Transfer with New ...City Archive: A tool for raising a city from the ashes. The ...Collaborative development of hybrid urban environment for co...Colonial plantations in São Tomé and Principe: spatial lay...Conservation in the Post-pandemic Era: Avatar-based Virtual ...Consumer LIDAR in Tangible Heritage DocumentationContaining Multitudes: Exposure to Design Histories in a Tim...Crafted: fostering craft heritage in the digital sphere Creative Reconstruction: Preservation and Expression in 3D H...Cuban Modernism through Digital Artefacts and Virtual Exhibi...Cultivation: Re-imagining Heritage through Urban Micro-FarmsCultural Objects: Vernacular Industrial Design, Empathy and ...Delusional architecture and unreliable narration and in mind...Design Hybrid Archives: Daciano da Costa legacy and collabor...Designing urbanity on a continuous construction of the landDevelopment of the methodology and infrastructure for digita...Digital Environments: understanding built heritage in the po...Digital Family ObjectsDigital practices for generating interaction: exhibits and m...Digital reenactment and the representation of the memory of ...Digital storytelling formats for the communication of intang...Digital technologies in urban regeneration – a case study ...Discovering Architecture Through Animated NarrativesDiscovering the Architectural and Landscape Heritage of the ...Disruptive Realities. Exploring the Paradoxes of Architectur...Domesticating Heritage – An Expanded History of the 1956 G...e-monia - digital map and the Song of the SirensEncoding the Whole-of-Environment Knowledge for Intangible C...Ephemeral Media(s), Mutable Narratives: Creative Digital Pra...Ermita as a Conflicted Heritage Zone in ManilaExploring the use of Generative Adversarial NetworksEyetrackers and heritage management in the context of “sma...Facadism in London: exploring the gap between critical herit...Facsimile Heritage: Photogrammetry and the Critical Reconstr...FAIR-Data Architecture –Study, Preservation and Diffusion ...From ancient to meta artefacts: Explorative participatory mu...From heritage facades to digital media screensFrom Smartphone 3D Scanning to Parametric Form-finding, AR a...Heritage and memory in the design of emotional well-being ci...Heritage preservation in the way of resilient micro-regenera...Heritage traumas and their overcoming: religious architectur...Historic Phenomena in the Contemporary Public: The Inhabitat...Historical and traditional trade: a fundamental element of t...How to preserve Industrial Heritage: the memory and signific...Icon as Environment: Practices in Re-membering HeritageIf these walls could talk: Two case studies representing con...(Im)material Witness - the lost legacy of the interiorImmaterial Urbanism: Spanning Virtual/Physical Experiences o...Impact of social media on the perception of built heritageImpermanent: Designing for DeclineIn the doldrums: the Viking Ship Hall between high seas and ...In the Wake of Disappearing Traces: Cultural Heritage of the...Influence of Critical Regionalism on structures in Bhopal, M...Intangible cultural heritage in the Afro rurality of the Col...Intangible Heritage: A taxonomy of StorytellingKampung Life: Reconstructing the historic Malayan - Singapor...La Promenade Architecturale: Le Corbusier, Hadrian’s Villa...Lacan’s "Alethosphere": An Early Psychoanalytic Model for ...Laser scanning as a method to record 3D data of residential ...Latent Histories: A designer’s approach to Adaptive Reuse.Lending Order to the World or Something to Take Its Place: P...Lightness or Heaviness in the Space Between ObjectsLong-form multimedia storytelling for the communication of s...Mapping a functional Heritage city: Perspectives from design...Mapping Memory: An Exploration of Sensorial ArchivingMaterial versus immaterial dichotomy: The territorialization...Matter of the Manor: everyday magicMedia Rehabilitation in Sacred PlacesMediation of building stock transformations through game-bas...Memory LaundretteMetal as Medium: An Artisan Bladesmith’s Insights into the...Metropolitan Enchantment and Disenchantment. Metropolitan an...Missing architectures in China: the European Palaces of the ...MissionsConnect - Virtual Reality and Aboriginal HeritageMixed Reality Simulations for Space HabitatsMixing realities to awake the future: visiting the Monastery...Moholy-Nagy’s Light Prop, the Replica as LegacyMontage and Dialectical History: The Accession Day Tilts, Wh...More than Bric-a-Brac: Building Bricks and Materiality in th...Mountain and water concept, heritage as referenceNature(s) of Landscape: A Trilogy Between Human Behaviour, E...Ningen-Kokuho and reformulating local identities in Yame, Ja...Odds and Ends in Experiencing ArchitectureOrganizational Inheritance: On Grasping Immaterial HeritageOverlapping Cities: An imaginary vision into the future of Q...Participation and the more-than-physical qualities of built ...PATRIM, about a research experiencePaved and repaved: Circular and social sustainable materiali...Pivotal Constructions of Unseen Events: How Architecture Sha...PIX-ellll OP-eration{s} Playing the past: Using WebXR to rebuild the Lost CityPlural authenticities: how can digital representation enhanc...Political ideology-based government policies to promote cult...Power of Display: Museum Making via Miniature Art Practices of mapping as a strategy of memorializationProject Soane: The worldwide crowdsourced BIM reconstruction...Projective TypologiesPsychologizing the Metaverse, a place for cultural extensionPublic Interiority: Revelatory HistoriesPātai: A new Heritage and the 3rd space in Aotearoa New Zea...Random Access Memory: Preservation in the Age of Informated ...Reading Atmospheres: A Confluence of Comics and Architecture...Reality of Virtual / Representations through ArchitectureRecollecting Urban Nonsense: Production Gas, Nonsense Art in...Reconstructing the American Square: Seeking to Re-establish ...Reconstruction of Ancient Settlement of Akrotiri, Thira in 1...Redefined – Coms. (Redefined 1970’s mobile Identity and ...Rejuvenating Links between Estates and their Hinterlands: A ...Research Case Studies on Architectural Heritage and Mixed Re...S[Y/N]thetic Territories; Waste[Is]lands & WWW.onderlandsSafeguarding of Iranian Intangible Cultural Heritage from Ir...Scanning an Outpost at the Edge of Conflict: Modeling the Na...See-through: Building facades as contested groundSeeing Statues in Living ColorSense of Place: Where is the Flower Market?Shared Motives: Coincidence -Transmitions - Memory - AmnesiaShared Territories: Indigenous Archaeology in Architectural ...Sonic Heritage - Listening to the PastSoundpaths: Heptonstall; Using Placed Sound and Augmented Re...Space or Hyperspace? The Stage Design of Kunqu Opera Restore...Spatial authenticity and integrity: a configurational approa...Stanisław Wyspiański’s Search for Arche In the Digital E...Strengthening a Community’s Social & Historic Fabric throu...Sunghaksipdo VR, Tangible Philosophy with Virtual Reality fo...Symbol of pessimism or a wise prophet? New meaning of Velho ...Symbolic Design: The Hat Form and the Origins of Conceptual ...Tangible learning: a methodology for designing experience of...Temporal landmarks of landscape conformation in Póvoa de Va...The [in] tangible neo-Andalusian Jesuit heritage. The case o...The Archaeological Simulation: Blending Times and Time Trave...The architecture exhibition as a stage of mediated narrative...The Archive: Evidence of Unrealized HistoryThe augmented perception paradigm of lighting in Byzantine c...The City as a Museum: restoring the identity and intangible ...The Digital Representation of Historical Monuments and Archa...The digital transformation of online creative market The Dissolution of the Monastery: Negotiating text in place,...The Experience of the Traditional and Digital Production in ...The Focalization of Heritage Through Digital Modelling and R...The Foundations of English CathedralsThe Great Northern: Matter and MemoryThe heritagisation of socio-spatiality: Preliminary observat...The Historic City of CraftsThe Intangible behind the Tangible - an Architectural View o...The Lives of Spaces: A Corner Café in Brixton, JohannesburgThe Madrid balcony: influence on the image of the cityThe Plotlands Archive: Visualizing a personal image archive ...The Productive Village: Vernacular Preservation and Reuse in...The Rhetorical Ambition of the Botanical Displays of Harvard...The Spectacle of a Ruined Armenian City: “Ani” through C...The Thick Interface: Digitally Modeling The Hawa Mahal From ...The White Building: creative resistance and the (re)producti...The Wood Sculptor’s Workshop or A Story in Six Chapters: A...Towards a Holistic Digital Record System of a Heritage Build...Using 3D printing to replicate objects in small museum colle...Using Non-Invasive Sensors to Understand Human Decision Patt...Value-Inclusive Design: Disruptive Innovation, Resistance, a...Viral Cultural Heritage: A Case Study applying Hybrid Discou...Virtual Cities - WinchesterVirtual Tourism Staycation revive (VTSr)Virtually There: (Re)Bounding (Un)Natural Visitation Visualising heritage in period drama – A case study of Bel...Welcome and introduction Where the Past has no Future“Irish Crochet’: design, place-making, and the internati...
Presenters
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H. Achanzar-LaborU. AckahG. Adolfo Saborido-Forster et al.J. AkermanW. AlbouraeeE. Alonso-García et al.M. AlosaimiB. AmarendraL. AmorimP. AndradeI. AnsariA. Ardekani et al.J. Armengot ParadinasG. ArtopoulosY. BaiI. BajenaP. BaldwinP. BasonN. Benitez et al.D. Benvenuti et al.M. BorsottiM. BowersD. BriscoeM. BullardS. ButeK. ByrneT. Cabrera ArzozM. CaineG. CairnsD. Cardoso LlaB. CattoorI. CazzaroZ. ChalliesR. ChandranA. Chasqueira et al.F. Chia Hui LinL. Chimenz et al.H. ChonM. ChristensonF. CioliA. CoelhoY. CollierA. ColumbanoA. ContinJ. ContrerasN. CorreiaF. CostaG. CovreT. CrossleyK. CzapigaP. da SilvaT. DalyT. Dam et al.T. Danielmeier et al.E. de la Torre van AmmersG. DelaneyM. DelVecchioM. DemingÇ. DemirelV. DeupiF. DinisJ. DjabaroutiE. DorostiJ. Duarte SáE. DudzinskaL. DuffieldJ. EcklerA. EdmondsH. EinsteinS. Eloy et al.E. Erbaş GürlerN. Fernández GarcíaN. FosseyP. Found et al.L. Francisco GinjaD. FrancoA. FranzV. GaliuloS. GauleC. GibbsM. GillettA. GilloE. GoddenM. GomesF. GoodingJ. GoodmanK. GrahamA. GrantH. GriffinB. GuazzelliJ. Guzijan et al.E. GökA. HaqE. HarrisS. HastakD. Heuertas NadalS. HossainY. HouA. HouldsworthN. House et al.V. HuiI. HwangP. IacovouN. JahangirT. JinFabian Kastner et al.S. KenderdineN. KeshavanA. KhoudiD. KocaD. Koceska et al.E. KocotR. KonigkA. KosmaA. KosztyK. KoundouriD. KunzeP. KuroczyńskiC. LabordeC. LauS. LeeJ. LejeuneD. LengyelK. LinduffD. LittlefieldR. LoboM. Loren-MéndezJ. LovellP. MacklinL. MaioneS. MathewF. MengB. MilbourneS. MillsB. MitchellR. MohantyA. MonetaJ. MontgomeryR. MooreP. MusaleG. Muschio et al.V. MínguezC. NakaradoJ. NasonA. Nogueira AlvesM. NybergS. PaichV. PanagiotopoulouM. PapanikolaouA. Pasoulas et al.M. Paz SuarezD. PedrabissiB. PelletierD. PeterssonV. Peu Duvallon et al.L. PhillipsN. PiasonT. PnevmonidouM. PotterW. Qi et alM. Quaggiotto (i)S. Quiroga FernandezJ. RaeF. RaleyJ. RanaK. ReaverE. ReinhuberJ. ReznickI. RubioA. RundeM. RusnakM. SarantidouE. SarlakK. SegalA. SeguraB. SeideA. ShahedC. ShearerJ. ShieldsA. ShrefaheM. ShroffR. SiagkriJ. SilvaI. SkarinB. SlaterA. SmithT. SorollaI. SotiriouM. SrivastavaJ. StephensS. SteynM. StrachowskiD. StutesmanM. SzmigielB. TaukeZ. TemcoB. TerimL. TestonF. Themudo BarataR. TiwariC. ToulouseS. TovivichT. TressoL. TuckerE. TuncerP. UrechS. UysalD. Van BelleT. VarelasJ. VenturaV. von EickenR. WeaverD. WilsonS. WithersT. WoodsJ. WorrallJ. WuytsE. Yabaci et al.D. Yee ChungT. Yeual YiC. YonderM. YtterbergS. YunA. Zahid KhanP. ZellnerM. ZhaoJ. Ángel
Schedule

(IN)TANGIBLE HERITAGE(S)

Canterbury
Mapping Memory: An Exploration of Sensorial Archiving
N. Benitez et al.
9:00 am - 10:30 am

Abstract

Before Google Maps, there was Apple Maps, Aspen Movie Map, Mapquest, the Thomas Guide and Before the age of global positioning systems, society navigated our position through wayfinding (1), asking around, signage, landmarks and references. The layering of information upon mapping our built environment has shown an increasing need of inserting additional detail. With the ongoing pandemic, we have observed our built environment change from bustling city centers and markets to empty spaces collecting trash. With it, repurposing space to adapt to new obstacles presented by the virus. This represents not only the present, but the trajectory of where our neighborhoods are heading next. Building off our past workshop “Remembering Smell: A Sensorial Landscape of Your Practice” and the research project “Mapping Microcosms: value and contestation at the Seven Sisters Indoor Market”, we invite participants to document the urban environment with wayfinding, ethnographic research or architectural representation techniques, but also through smell, hearing, touch, taste and sight. Starting with analog methodologies, we can fuse natural processes with digital mapping to strengthen and enhance the utilization of our senses. What this data and documentation can potentially reveal is a multiplicity of information layers that can manifest ways in which architects, urbanists and policy makers can analyze the rapid changes that are taking place in our immediate contexts, in areas that are both for the better and the worse. Mapping involves recognising the complexities of the present through specific interpretation, and hence an assigned value. How can mapping multiple on-site layers of somewhere render visible the value that is not immediately visible? How can we redefine and reincorporate our senses within the context of wayfinding? Combining GPS with traditional methods, the archiving of the built environment is no longer only used for position, but for future positioning, planning and even reminiscing.

Biography

Jonathan Gayomali AIA, NOMA is an architect from Los Angeles, CA currently living in Brooklyn, New York. He received his professional architecture degree from Cal Poly Pomona and UCLA where he earned his second professional architecture degree under the guidance of architect Neil Denari. Since then, he has practiced at the offices of Brooks + Scarpa Architects as well as Lorcan O’Herlihy Architects. More recently he graduated from The Royal College of Art in London investigating the role of design and architecture in the context of social interaction and communication. Following his latest masters of research, he has started practicing at New York and Los Angeles-based architecture practice, MarmolRadziner. His architecture and art has been featured at the LA Design Festival, Dwell on Design, and the Architecture and Design Museum, among others.

Kiproula Bartzoka graduated from the University of Aegean as a product and system design engineer. Intrigued by AI, robots, and their implication in the design field, she pursued her academic curriculum with a masters of research in design at The Royal College of Art. While at RCA, Kiproula has been exploring the future of human-robots interaction, and its multiple applications from the future of work to social relationships. She is currently based in Athens where she works as a UI/XU designer.

Rime Cherai has a finance and economy background. After graduating from Toulouse Business School and the Universitat Politècnica de Cataluña, and working in a few financial institutions, Rime decided to focus on the value creation, growth and, phases of development. Passionate by research, she pivoted toward design. While studying at the Royal College of Art in London, for her masters of research, she explored rural areas in emerging countries and possible design intervention to foster their socio-economic development.

Nuria Benítez is an architect from Mexico City, exploring intersections between design, art, craft, society and urban theory in the everyday. She focuses on enhancing collaborative practice and in the cocreation of projects, research, publications, art, craft, social development and knowledge. She is interested in employing art and design creative processes as a mediator for architecture and social projects. She got her degree in architecture with honours at UNAM, in Mexico City, and recently completed a masters in Architecture research at The Royal College of Art, London. She currently works as an idependent architect/researcher and in various collaborations, and has previously worked at renowned institutions such as The Museum of Modern Art, New York and Tatiana Bilbao Estudio. She currently focuses on her co-created practice, estudio estudio, in Mexico City and teaching at Universidad Iberoamericana.

Moritz Dittrich first earned a Bachelor of Science in Architecture Degree at the Bauhaus University in Weimar and later a Master of Research in Architecture Degree at the Royal College of Art in London. While already studying architecture at the Bauhaus, Moritz always understood the discipline as an art form to translate political, social and ecological ideas into built space, which goes hand in hand with his political engagement. Moritz has been part and later also managed several political campaigns from city council to national elections. Moritz’s interest covers diverse kinds of future thinking around the city, from the future of urban mobility to smart city strategies to the virtual urban environment. Moritz now works as an urban researcher and futurist for the Berlin-based buro stadtraum. In a multidisciplinary team of engineers, urban designers and urban anthropologists as well as architects. At stadtraum (German for city space) he develops participation processes and platforms as well as further thinks and writes about the digital cities and it‘s practical implementation in urban planning.