(IN)TANGIBLE HERITAGE(S)

Abstract

In practice and theory, the search for the intangible nature of cultural significance is grounded in an evidence-based forensic approach to understanding the values of a heritage asset. The methodology for this research, can be understood through two contrasting case studies, representing similar methods, but with differing outcomes. Both sought new viable and sustainable uses to historic fabric, subject to loss. This paper will focus on two significant historic interiors; the fire damaged Grill Room at the Hotel Café Royal and Wilton’s Music Hall, both in London. The Grill Room is synonymous with the artists and writers of the late nineteenth century and early twentieth centuries, who frequented it and who made it famous. The forensic approach to the restoration of the fabric of the room, following a devastating fire, will seek to explain the justification for its re-construction (as understood historically, in its current location and before the fire) and including alterations to suit 21st century use. In contrast, the philosophical approach at Wilton’s Music Hall demonstrates where the building is today; to be understood and appreciated as a palimpsest of all that has befallen it. The project is a commercially conscious conservation strategy, providing a legible aesthetic of loss, as an effective marketing tool to enhance viability. After many years under the threat of demolition, the conservation approach undertaken has enabled the public to establish an emotional link with the building and its fate. These case studies contribute to knowledge in terms of the complex relationship of tangible building fabric to intangible cultural associations. They demonstrate how the methodology can inform and support differing conservation led approaches and successful outcomes.