Titles
A-C
A Controversial Boundary: On the Idea of Buffer Zone through...A Digital Cultural Landscape: Interpretations on Multisensor...A Helping Scan: Community Collaboration and the Benefits of ...A Tale of Two Cities: an Urban Analytics Approach to Explori...Accessibility Barriers in the Built Cultural HeritageAn 'Intergenerational Community Map of Udine City (Italy). A...Architectural Conservation Practices. Case Study Tveje Merlo...Association Between Spatial Characteristics of Courtyards in...Atlas of Care: A garden of growth and decay in Costiui/Ronas...Atmosphere and Building CultureBetween Nature and Culture: The Case of Slovenian BeekeepingBeyond Decay: Nostalgia and Loss in Turkey’s Abandoned Twe...Bohemian Rhapsodies: Towards an Oral History of Czechia from...Caesarea: Making the Temporal Landscape VisibleChallenges in the Protection of a Rock Art Site in the Isthm...Collaborating Through Heritage: Opportunities and Challenges...Considering Heritage Management in English SynagoguesConstructing heritage discourses and developing heritage dem...Contextualising the Contested: Critical Questions & Immersiv...Contributions of surface design in the construction of geopr...Corporate Cultural Responsibility: Potential And PromiseCreating civic communion through dry stone wall festivalsCreative Placemaking in Heritage Sites. The case of Wudadao,...Creative Preservation. An Approach to Modern RuinsCritical Interweavings: Walking as a Decolonial Heritage Pra...Cultural Preservation: Familiarity in Spaces Interrupted by ...Czech Technical University(Un)wanted Monuments - on Art, Memory and Destruction
T-Z
[In]visible Portrayal of Continuing Heritage Values: Explori...Tackling Cultural Inequalities through Youth-Led Education a...Targeted heritage: Is it a crime to vandalise a statue? The Austro-Hungarian Monarchy's Press Censorship: Dubrovnik'...The bridging of intangible and tangible cultural heritage th...The Contradictions of Literary Heritage in Edinburgh: Placed...The economic opportunities of Southern Ndebele people’s cu...The Effect of Globalization on Language as a Vehicle of Inta...The facts on the ground: Why we should be talking about Aust...The Memory & Place of Royal Saints: A Comparative Case Stud...The Misinterpretation Terminology of ‘Marseilles’ Herita...The Monuments Out There Are Not Familiar : Heritage Preserva...The Role of Material Culture in the Preservation of a Deaf C...The Transformation of Post-Industrial Heritage: Cultural, Ur...The Unseen Aspects of Cultural HeritageThe “Colossus of Prora”; Contested Heritage and its Hold...Tracing the Pathways of Impact due to Urbanization on the Tr...Traditional Repairment and Maintenance System of Chinese Qin...Urban Graphic Heritage and the Making of Place: The ‘Arsen...Visual integrity at risk - A retrospective reading of Prague...Voluntary Relocation: an improved heritage policy or not? A ...Vršovice: Prague's most happening hangoutWelcome & IntroductionWhat are Classics Good for?: Discussing the Cultural Heritag...What Can Curation Do? Examining the Pulse Nightclub ExhibitWhat can we do with contested monuments?Women’s Weeds: From Mediaeval Cunning Women to 19th-Centur...Youth and Old Hand in Hand: Deliberation on the Future of th...
Presenters
Schedule

IN-PERSON: Prague – Section A

Past and Present - Built and Social
Project ‘Christian Ackermann - Tallinn's Phidias, Arrogant and Talented’ for Whom and How?
A. Randla
2:00 pm - 3:30 pm

Abstract

Research project “Christian Ackermann – Tallinn’s Phidias, Arrogant and Talented” (2016-2022) started as an interdisciplinary art historical and conservation study of the oeuvre of a Baroque era sculptor active in the territory of Estonia from the 1680s to 1700s. His works were made for and have nearly exclusively been preserved in ecclesiastical setting. Archival, visual and technical investigations were combined with novel imaging techniques and all information was immediately presented on a custom-made online platform ackermann.ee. In addition to the academic side of the project, special attention was paid to the involvement of the local and wider communities as well as to the presentation of the material in an engaging and sustainable way. In this paper some of the these aspects will be discussed ranging from a scaffolding designed as an artwork in itself and allowing both conservation and visitor access, to the pop-up exhibitions and school programmes in the rural churches reusing the materials of the major exhibitions in Tallinn. Ethical issues arising from the religious nature of the artworks in daily use will also be addressed.

Biography

Dr Anneli Randla is Senior Research Fellow and Head of the Department of Cultural Heritage and Conservation at the Estonian Academy of Arts. She studied history and art history at Tartu University, medieval studies at Central European University in Budapest and gained her PhD in art history from University of Cambridge. She has served the National Heritage Board of Estonia for over ten years. Her research interest range from medieval murals and ecclesiastical architecture to conservation history and theory. Recently she has been involved in several major technical art history projects.