Architectural design oscillates between individuality and self-erasure—a tension embedded in architectural thought. What does individuality mean when designing space, and what happens when it is either over-amplified or erased? Architecture moves between the cult of the star-architect—where a single author’s vision dominates—and collectivised processes that can sideline architectural expertise. Celebrating the singular “genius” can legitimise spatial exploitation—privileging formal spectacle over social, ecological and ethical responsibilities; conversely, abolishing the author entirely yields context-less designs detached from responsibility. Roland Barthes’s questioning of the “Author-God” and Michel Foucault’s author-function do not erase the author; rather, they distribute authority across networks. This theoretical tension frames the pedagogical experiment described next. To address it, we will run a nine-day Research-through-Design laboratory in Istanbul. Students, local residents and civil participants will document how a public space is personalised. Historians, sociologists and urban researchers will guide this process. Participants then design reversible interventions that invite new forms of self-expression while protecting communal ownership. Daily Reflection-in-Action sessions require continual navigation between individual intent, collective consensus and user adaptation; design narratives, rapid prototypes and scenario mappings will be gathered as qualitative data. By uniting the production and appropriation of space within a single pedagogical experiment, the studio intersects star-architect critique with rights-based participation scholarship. The project offers a practical teaching framework that moves authorship beyond a binary presence/absence debate and redefines it as a fluid combination of disciplinary knowledge, collective negotiation and user self-expression.
Keywords: individuality; authorship; star-architect; participatory
Eda Nur Yıldırım is from Istanbul. She graduated from the Faculty of Architecture at Gebze Technical University in 2024. Throughout her professional journey, she has acquired experience in both architecture and new media, working as a freelance architect, research assistant, photographer. Driven by a curiosity about the methodologies and educational frameworks within architecture, she seeks to broaden these inquiries to a scientific level. Ahead of her intended graduate research, she continues to support academic projects, maintaining her connection to the university environment while cultiva
Born in 1995, Sinan Çelik received his bachelor’s degree from the Department of Architecture at Karabük University in 2018. After five years of professional experience as an architect in various architectural offices and construction sites, he began his master’s studies at TU, later continued at ITU and Hochschule Düsseldorf, and completed the degree at Yıldız Technical University with a thesis titled “The Evaluation of Mobile Housing in the Context of Industrial Production.” He is currently a PhD candidate. Çelik also works as a research assistant in the Gebze Technical University.
Born in 1981, Özge Can Balaban obtained her undergraduate degree in Architecture from Istanbul Technical University in 2005. Subsequent to a decade of professional engagement as an architect and project manager within numerous architectural design offices and at various construction sites, she returned to her alma mater to pursue a Master of Science in ‘Traditional Utopianism and Architecture’. She is presently advancing her doctoral research at the same institution. Concurrently, Ms. Balaban holds a lecturing position at the Architectural Department of Gebze Technical University, where she imparts instruction in Design and several theoretical courses, including ‘Architectural Readings’, ‘Utopia and Utopianism in Architecture’.