Titles
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P-S
T-Z
A City That Speaks a Language It Cannot Read: Urdu as Urban ...AI Afterlives: reviving the dead in the GLAM SectorAl-Qatt and Living Architectural Heritage: Safeguarding Arch...Among Rocks and Other Creatures: Relational Organizing of He...Ancestral Resonances: An ethical approach for a decolonial a...Architectural Development of the “Khada Valley” in the C...Architecture and Heritage from Below: Reconstructing My Gran...Architecture as Gift: Benefaction, Identity and Greek School...Art and Creative Practices by Bottom-Up Heritage Initiatives...Assembled Value: Heritage of the Non-Iconic KindAt-Turaif, Diriyah: Archaeology and the Formation of Saudi N...Between Heritage and Narrative: The Museumification of China...Between Truth and Illusion: Ethical Issues in the Digital Re...Beyond Veils and Walls: Femininity, Divinity and Sovereignty...Colourful Noise – The Migration of Signs: Street Art – G...Conservation of Monasteries in Kyrenia, Northern CyprusCroatian Historical Park Pavilions DatabaseCultural Heritage Preservation Through Digital Media: A Prac...Cultural Monuments in the Course of Time: The example of Eas...Cultural Pasts – Urban Futures: The case of District Six i...Cultural Pasts, Adaptive Futures: Negotiating Modern Heritag...Cultural Politics of Peace: Haraway’s Situated Knowledges ...Culture-led Urban Regeneration in Newtown: Investigating Pla...Decoding the Islamic Architectural DNA: The Tale of Córdob...Design for Cultural Heritage Literacy: Information Strategie...Designing for Resonance: A Diptych Reading of Urban Threshol...Digital Design and Fabrication of a Raw Earth Bench through ...Digital Memory scapes: Inclusive Visual Design for Cultural ...Digital Public Discourse and the Continuity-Distinctiveness ...Do We Fully Recognize the Power of Built Heritage When Plann...Documenting Historic Buildings – Methods both Digital and ...Embodied in Ink: Commemoration, Connection and Culture in th...Examining the Assetization of Place in Contemporary Videogam...Expanding beyond the Historic Walls: A Case of Development o...From Colonial Past to Urban Future: Community Visions for He...From Craft to Classroom: The Educational Cycle of Gambiered ...From Cultural Preservation to the Monument: Colonial Rupture...From Haunted Havelis to Heritage Hotels: Hashtag-ing the Feu...From Heritage to Sustainability: The Italian Historic Villag...From Invisible to Analog: Reading Cultural Heritage in First...Genius loci in the digital eraHeritage at the Edge of Visibility: How Power Shapes What Su...Heritage, Housing, and the Social Life of Historic Urban Cen...How has Germany dealt with its Traumatic Past: A Case Study ...Identity-Driven Design: Reconstructing Cultural Belonging Th...Impulse: Performing Digital Heritage in Mixed RealitiesInterior Interventions and Urban Heritage: Reclaiming Cultur...Interwoven Pasts and Emerging Futures: Cultural Heritage and...Invisible Histories, Intangible Heritage: Historic Houses as...Issues and Challenges in the Evaluation and Repair of Mid-Ce...Lanterns of Coexistence: Lighting Design for a Contemporary ...Livable Coloni Tike Khan: Interior Renovation Suggestions fo...Making Many Monuments: A Note on Rebuilding the City of Patn...Mapping the Transformation of Stonemasonry: Quantitative BPM...Mapping Urban Dualities: Sacred Space, Heritage, and Develop...Masking the Past, Staging the Future: Bian Lian in ‘Shangh...Material Memory: Contemporary Art and the Activation of Heri...Mediating Heritage: Layering Cultural Pasts to Trace Urban F...Miscellaneous Alter Egos of the Monumental Lycian Tombs: Eve...Monuments We’d Like to Forget: Avoiding and Confronting V...Mythology - Threshold to HistoryNew Media Art AestheticsOccupying the Urban: Farmers’ Protests and the Reconfiguri...On Play, Joy, and Creolization: Reimagining Heritage in the ...On the On the borderline between idea and experiment. Max Be...On urban historic preservation and the eviction of social va...Place, Memory and Urban FuturesPreserving Identity at Sea: Interior Yacht Design as Tangibl...Preserving Parkchester: An Examination into the Decay of Wor...Preserving the Lived Routes: Movement, Memory, and the Histo...Re-creative Practice: Embedding Historical Engagement in Con...Re-evaluating Authenticity in Historic Mosque Conservation: ...Reading Urban Vandalism: Flânerie and Informal Heritage in ...Reassessing Changes at the Mogao Caves: Governance and Conse...Rediscovering the “Motherland” and Heritage in Turkey: A...Reflections of Rundbogenstil in IstanbulRemapping Urban Demolitions: Historical GIS (HGIS) as Critic...Seaside Synechdoche: Intangible Counter-Memorialisation at t...Seeds Of Memory: Speculative Design Futures and Regenerative...South African Urban Space and the Memories of Violence and R...Spatial Discourse and Heritage Identity: A Sociosemiotic Ana...Statelessness and the City: How Displacement Shapes Urban He...Stoffeli® - a Socio-Cultural Case Study of Physical Non-Fun...Strategies for Reciprocity: Practice-Invested Approaches to ...Study on Modernization of Traditional Papermaking and Contin...Sunderland ‘73: The People’s Visual History. A Model fo...Surfacing Fading Failure in Garnethill Park, Glasgow, Scotla...The Afterlife of Antiquity and AI: A 21st-Century Reinterpre...The Ethical Role of Artificial Intelligence in the Diriyah F...The GENUS Project: Typological Regeneration of Mid-20th-Cent...The Quality of Wholeness in Digital ArtThe Smithfield Syndicate: A narrative of cultural resilienceTip of the Toe – Pentedatillo: The Geomorphological Artist...Traces and Evaporations. Hydric Morphologies Between Cultura...Tracing the Empire in the Stones and Signs of Art Deco Build...Tracking Porcelain, Reconstructing Lost Rooms: Collection Hi...Troy’s Part in the Early History of LibertyUniversity Museums Forging Pathways to Becoming Effective Pe...Unlimited Futures, Enduring Traces: Circular Design in the A...Varanasi and the Sacred City in Three Tiers: Pilgrimage, Gov...Vernacular Heritage and the Struggle against Redevelopment ...Water Culture and Urban Resilience: Cultural Heritage as a D...Water Remains: A study of the acoustic environment of cister...Welcome and introduction When Urban Morphologies Become Story Genres: Reading Bath as...Youth, Place, and Environmental Legacy: Envisioning the Futu...
Schedule

VIRTUAL ISTANBUL HERITAGE(S)

Cultural Pasts - Urban Futures
Surfacing Fading Failure in Garnethill Park, Glasgow, Scotland.
G. Wall & A. Hale

Abstract

Alex Hale & Gina Wall are Art/Archaeology collaborators who work in the field of archaeology, creative practice and heritage. For AMPS 2026 we propose a paper which presents their collaborative fieldwork from Garnethill Park, in the city of Glasgow. Garnethill is a multi-cultural community, home to The Glasgow School of Art, and Garnethill Park sits at its very heart. The paper explores the history of the park, including its famous public artworks, understanding these interventions as contributions to a stratigraphy of creative responses to public space. The most recent intervention is a bread oven constructed in part using reclaimed sandstone from Charles Rennie Mackintosh’s famous building for The Glasgow School of Art. This form of art/making, created for and by the community, raises critical issues around ownership and the challenges of heritage designation. We consider landscape as archive and through this paper we will think through the ways in which the decaying artworks are transformed in the becoming archive of the park. We aim to surface the range of their affects as active participants in the urban landscape. We will speak to their potential as catalysts and contributors to the vibrant spaces that urban parks provide. Our practice recognises time, materiality, heritage and archive as interconnected planes, which perpetually define and re-define one another. As the various artistic interventions and installations arrive, endure and fade, we explore how the sensed afterlife of the artworks trace a ruination that is a continual state of becoming.

Biography

Gina’s practice research is concerned with entanglements of landscape, time, hauntology and photography. Her practice research develops interdisciplinary understandings of landscape, place, rurality and future heritages. She’s an invited member of many research networks including Land2, the RSE funded International Network for Contemporary Archaeology in Scotland (INCAScot), and RSE & RIA funded Rural Reimagined network. Gina is the GSA Co-ordinator for the Arctic Sustainable Art and Design Thematic Network of the University of the Arctic, and a member of GSA’s Reading Landscape Group.

Dr Alex Hale is a Teaching Fellow at the Universities of Edinburgh and Aberdeen, and a Learning Manager at Historic Environment Scotland. His research-based practices are multi-disciplinary and draw on landscape, archive, artefacts and creative responses. His work focusses on graffiti, photography and contemporary unfolding practices. He is a Fellow of the Society of Antiquaries of Scotland, a Member of the Chartered Institute of Archaeologists and a member of the Research Council UK (AHRC) peer-review college.