Gambiered Canton Gauze (mud silk) is a traditional silk fabric from the Pearl River Delta in southern China. Its production relies on Dioscorea cirrhosa and river mud, producing a deep, lustrous surface through repeated dyeing and sun-drying cycles. Inscribed on China’s National Intangible Cultural Heritage List, it depends on specific climatic conditions, water resources, and manual labor. This study uses constructive design research to integrate this craft into higher fashion and textile education, examining student outcomes in knowledge acquisition, practice, and design presentation. Conducted at The Hong Kong Polytechnic University, the study unfolded in three phases: lectures on history and applications; a field trip to the Xiangyunsha Intangible Cultural Heritage Park in Guangzhou, where students joined dyeing, mud-coating, and tie-dyeing workshops; and classroom experiments combining zero-waste cutting, laser cutting, 3D modeling, embroidery, and printing. Outcomes were shown at the university’s Fashion Gallery, which featured virtual exhibitions and designer critiques. Findings indicate that classroom instruction and industry collaboration provide systematic frameworks but cannot replace hands-on fieldwork. Students understood intuitively the craft’s reliance on environmental and labor conditions, informing their design work. Their projects demonstrated the potential for merging traditional textiles with contemporary techniques, while exhibitions and feedback supported dissemination and evaluation. The study concludes that integrating Gambiered Canton Gauze into design education can form a pedagogical cycle of lectures, fieldwork, classroom practice, and exhibitions, offering a model for applying intangible heritage in international teaching.
Dr. Haze Ng is an Assistant Professor at The Hong Kong Polytechnic University’s School of Fashion and Textiles. With a background in knitwear design and a PhD in Textile and Clothing, his research explores cultural dress, fashion history, and the preservation of intangible cultural heritage, especially Hong Kong men’s cheongsam. He integrates digital tools and documentation methods to support heritage transmission. He actively engages in exhibitions, international conferences, and design education initiatives.
Qingyi Zhang is a PhD student in Fashion and Textile Design at The Hong Kong Polytechnic University. With an interdisciplinary background in sculpture, costume, and fashion design, she has studied and practiced across China, Norway, Belgium, and Hong Kong. Her research explores contemporary approaches to intangible cultural heritage (ICH) through fashion, focusing on how knowledge-based collaboration systems can enhance meaningful designer-artisan engagement. Her work blends practice-led research with critical inquiry and has been exhibited in academic and public venues in China and Europe.