Titles
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A City That Speaks a Language It Cannot Read: Urdu as Urban ...AI Afterlives: reviving the dead in the GLAM SectorAl-Qatt and Living Architectural Heritage: Safeguarding Arch...Among Rocks and Other Creatures: Relational Organizing of He...Ancestral Resonances: An ethical approach for a decolonial a...Architectural Development of the “Khada Valley” in the C...Architecture and Heritage from Below: Reconstructing My Gran...Architecture as Gift: Benefaction, Identity and Greek School...Art and Creative Practices by Bottom-Up Heritage Initiatives...Assembled Value: Heritage of the Non-Iconic KindAt-Turaif, Diriyah: Archaeology and the Formation of Saudi N...Between Heritage and Narrative: The Museumification of China...Between Truth and Illusion: Ethical Issues in the Digital Re...Beyond Veils and Walls: Femininity, Divinity and Sovereignty...Colourful Noise – The Migration of Signs: Street Art – G...Conservation of Monasteries in Kyrenia, Northern CyprusCroatian Historical Park Pavilions DatabaseCultural Heritage Preservation Through Digital Media: A Prac...Cultural Monuments in the Course of Time: The example of Eas...Cultural Pasts – Urban Futures: The case of District Six i...Cultural Pasts, Adaptive Futures: Negotiating Modern Heritag...Cultural Politics of Peace: Haraway’s Situated Knowledges ...Culture-led Urban Regeneration in Newtown: Investigating Pla...Decoding the Islamic Architectural DNA: The Tale of Córdob...Design for Cultural Heritage Literacy: Information Strategie...Designing for Resonance: A Diptych Reading of Urban Threshol...Digital Design and Fabrication of a Raw Earth Bench through ...Digital Memory scapes: Inclusive Visual Design for Cultural ...Digital Public Discourse and the Continuity-Distinctiveness ...Do We Fully Recognize the Power of Built Heritage When Plann...Documenting Historic Buildings – Methods both Digital and ...Embodied in Ink: Commemoration, Connection and Culture in th...Examining the Assetization of Place in Contemporary Videogam...Expanding beyond the Historic Walls: A Case of Development o...From Colonial Past to Urban Future: Community Visions for He...From Craft to Classroom: The Educational Cycle of Gambiered ...From Cultural Preservation to the Monument: Colonial Rupture...From Haunted Havelis to Heritage Hotels: Hashtag-ing the Feu...From Heritage to Sustainability: The Italian Historic Villag...From Invisible to Analog: Reading Cultural Heritage in First...Genius loci in the digital eraHeritage at the Edge of Visibility: How Power Shapes What Su...Heritage, Housing, and the Social Life of Historic Urban Cen...How has Germany dealt with its Traumatic Past: A Case Study ...Identity-Driven Design: Reconstructing Cultural Belonging Th...Impulse: Performing Digital Heritage in Mixed RealitiesInterior Interventions and Urban Heritage: Reclaiming Cultur...Interwoven Pasts and Emerging Futures: Cultural Heritage and...Invisible Histories, Intangible Heritage: Historic Houses as...Issues and Challenges in the Evaluation and Repair of Mid-Ce...Lanterns of Coexistence: Lighting Design for a Contemporary ...Livable Coloni Tike Khan: Interior Renovation Suggestions fo...Making Many Monuments: A Note on Rebuilding the City of Patn...Mapping the Transformation of Stonemasonry: Quantitative BPM...Mapping Urban Dualities: Sacred Space, Heritage, and Develop...Masking the Past, Staging the Future: Bian Lian in ‘Shangh...Material Memory: Contemporary Art and the Activation of Heri...Mediating Heritage: Layering Cultural Pasts to Trace Urban F...Miscellaneous Alter Egos of the Monumental Lycian Tombs: Eve...Monuments We’d Like to Forget: Avoiding and Confronting V...Mythology - Threshold to HistoryNew Media Art AestheticsOccupying the Urban: Farmers’ Protests and the Reconfiguri...On Play, Joy, and Creolization: Reimagining Heritage in the ...On the On the borderline between idea and experiment. Max Be...On urban historic preservation and the eviction of social va...Place, Memory and Urban FuturesPreserving Identity at Sea: Interior Yacht Design as Tangibl...Preserving Parkchester: An Examination into the Decay of Wor...Preserving the Lived Routes: Movement, Memory, and the Histo...Re-creative Practice: Embedding Historical Engagement in Con...Re-evaluating Authenticity in Historic Mosque Conservation: ...Reading Urban Vandalism: Flânerie and Informal Heritage in ...Reassessing Changes at the Mogao Caves: Governance and Conse...Rediscovering the “Motherland” and Heritage in Turkey: A...Reflections of Rundbogenstil in IstanbulRemapping Urban Demolitions: Historical GIS (HGIS) as Critic...Seaside Synechdoche: Intangible Counter-Memorialisation at t...Seeds Of Memory: Speculative Design Futures and Regenerative...South African Urban Space and the Memories of Violence and R...Spatial Discourse and Heritage Identity: A Sociosemiotic Ana...Statelessness and the City: How Displacement Shapes Urban He...Stoffeli® - a Socio-Cultural Case Study of Physical Non-Fun...Strategies for Reciprocity: Practice-Invested Approaches to ...Study on Modernization of Traditional Papermaking and Contin...Sunderland ‘73: The People’s Visual History. A Model fo...Surfacing Fading Failure in Garnethill Park, Glasgow, Scotla...The Afterlife of Antiquity and AI: A 21st-Century Reinterpre...The Ethical Role of Artificial Intelligence in the Diriyah F...The GENUS Project: Typological Regeneration of Mid-20th-Cent...The Quality of Wholeness in Digital ArtThe Smithfield Syndicate: A narrative of cultural resilienceTip of the Toe – Pentedatillo: The Geomorphological Artist...Traces and Evaporations. Hydric Morphologies Between Cultura...Tracing the Empire in the Stones and Signs of Art Deco Build...Tracking Porcelain, Reconstructing Lost Rooms: Collection Hi...Troy’s Part in the Early History of LibertyUniversity Museums Forging Pathways to Becoming Effective Pe...Unlimited Futures, Enduring Traces: Circular Design in the A...Varanasi and the Sacred City in Three Tiers: Pilgrimage, Gov...Vernacular Heritage and the Struggle against Redevelopment ...Water Culture and Urban Resilience: Cultural Heritage as a D...Water Remains: A study of the acoustic environment of cister...Welcome and introduction When Urban Morphologies Become Story Genres: Reading Bath as...Youth, Place, and Environmental Legacy: Envisioning the Futu...
Schedule

VIRTUAL ISTANBUL HERITAGE(S)

Cultural Pasts - Urban Futures
From Craft to Classroom: The Educational Cycle of Gambiered Canton Gauze in Contemporary Design
H. Ng & Q. Zhang

Abstract

Gambiered Canton Gauze (mud silk) is a traditional silk fabric from the Pearl River Delta in southern China. Its production relies on Dioscorea cirrhosa and river mud, producing a deep, lustrous surface through repeated dyeing and sun-drying cycles. Inscribed on China’s National Intangible Cultural Heritage List, it depends on specific climatic conditions, water resources, and manual labor. This study uses constructive design research to integrate this craft into higher fashion and textile education, examining student outcomes in knowledge acquisition, practice, and design presentation. Conducted at The Hong Kong Polytechnic University, the study unfolded in three phases: lectures on history and applications; a field trip to the Xiangyunsha Intangible Cultural Heritage Park in Guangzhou, where students joined dyeing, mud-coating, and tie-dyeing workshops; and classroom experiments combining zero-waste cutting, laser cutting, 3D modeling, embroidery, and printing. Outcomes were shown at the university’s Fashion Gallery, which featured virtual exhibitions and designer critiques. Findings indicate that classroom instruction and industry collaboration provide systematic frameworks but cannot replace hands-on fieldwork. Students understood intuitively the craft’s reliance on environmental and labor conditions, informing their design work. Their projects demonstrated the potential for merging traditional textiles with contemporary techniques, while exhibitions and feedback supported dissemination and evaluation. The study concludes that integrating Gambiered Canton Gauze into design education can form a pedagogical cycle of lectures, fieldwork, classroom practice, and exhibitions, offering a model for applying intangible heritage in international teaching.

Biography

Dr. Haze Ng is an Assistant Professor at The Hong Kong Polytechnic University’s School of Fashion and Textiles. With a background in knitwear design and a PhD in Textile and Clothing, his research explores cultural dress, fashion history, and the preservation of intangible cultural heritage, especially Hong Kong men’s cheongsam. He integrates digital tools and documentation methods to support heritage transmission. He actively engages in exhibitions, international conferences, and design education initiatives.

Qingyi Zhang is a PhD student in Fashion and Textile Design at The Hong Kong Polytechnic University. With an interdisciplinary background in sculpture, costume, and fashion design, she has studied and practiced across China, Norway, Belgium, and Hong Kong. Her research explores contemporary approaches to intangible cultural heritage (ICH) through fashion, focusing on how knowledge-based collaboration systems can enhance meaningful designer-artisan engagement. Her work blends practice-led research with critical inquiry and has been exhibited in academic and public venues in China and Europe.