VIRTUAL ISTANBUL HERITAGE(S)

Abstract

This practice-based research investigates the preservation of Palestinian intangible cultural heritage through immersive digital media, focusing on traditional crafts-pottery, ceramics, and glass-blowing-in Gaza and Hebron. These craft industries face existential threats from prolonged occupation and ongoing conflict. The study addresses a critical gap: while Palestinian archaeological sites receive institutional protection, intangible cultural heritage practices remain inadequately documented and preserved. Drawing on David Lowenthal’s preservation theory, this research argues that heritage preservation confirms identity, provides security, and maintains historical continuity. In the context of systematic cultural erasure through archaeological warfare and artifact looting, preserving intangible heritage becomes an act of resistance, enabling Palestinians to protect their cities’ identities and assert land ownership claims. The research explores whether immersive digital media can effectively preserve intangible cultural heritage as resistance against colonial erasure. Two distinct practices were developed: Virtual Gallery Through and Physical Gallery featuring two installations-Through the Moment and Liberated Jarrah. The virtual gallery employs Unreal Engine to create a decolonized digital archive reconstructing traditional workshops with 3D-modeled crafts, archival production videos, and soundscapes. The installations reconstruct pre-occupation narratives through moving images of the Jordan Rive and handcrafted Jarrah Pottery, reconnecting Palestinians with their historical relationship to water and land. This study employs qualitative methods, including interviews with local artisans and active pottery-making. While demonstrating digital media’s potential for cultural preservation and resistance, the research emphasizes the necessity of collaboration with local communities and cultural heritage organizations.