Titles
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A City That Speaks a Language It Cannot Read: Urdu as Urban ...AI Afterlives: reviving the dead in the GLAM SectorAl-Qatt and Living Architectural Heritage: Safeguarding Arch...Among Rocks and Other Creatures: Relational Organizing of He...Ancestral Resonances: An ethical approach for a decolonial a...Architectural Development of the “Khada Valley” in the C...Architecture and Heritage from Below: Reconstructing My Gran...Architecture as Gift: Benefaction, Identity and Greek School...Art and Creative Practices by Bottom-Up Heritage Initiatives...Assembled Value: Heritage of the Non-Iconic KindAt-Turaif, Diriyah: Archaeology and the Formation of Saudi N...Between Heritage and Narrative: The Museumification of China...Between Truth and Illusion: Ethical Issues in the Digital Re...Beyond Veils and Walls: Femininity, Divinity and Sovereignty...Colourful Noise – The Migration of Signs: Street Art – G...Conservation of Monasteries in Kyrenia, Northern CyprusCroatian Historical Park Pavilions DatabaseCultural Heritage Preservation Through Digital Media: A Prac...Cultural Monuments in the Course of Time: The example of Eas...Cultural Pasts – Urban Futures: The case of District Six i...Cultural Pasts, Adaptive Futures: Negotiating Modern Heritag...Cultural Politics of Peace: Haraway’s Situated Knowledges ...Culture-led Urban Regeneration in Newtown: Investigating Pla...Decoding the Islamic Architectural DNA: The Tale of Córdob...Design for Cultural Heritage Literacy: Information Strategie...Designing for Resonance: A Diptych Reading of Urban Threshol...Digital Design and Fabrication of a Raw Earth Bench through ...Digital Memory scapes: Inclusive Visual Design for Cultural ...Digital Public Discourse and the Continuity-Distinctiveness ...Do We Fully Recognize the Power of Built Heritage When Plann...Documenting Historic Buildings – Methods both Digital and ...Embodied in Ink: Commemoration, Connection and Culture in th...Examining the Assetization of Place in Contemporary Videogam...Expanding beyond the Historic Walls: A Case of Development o...From Colonial Past to Urban Future: Community Visions for He...From Craft to Classroom: The Educational Cycle of Gambiered ...From Cultural Preservation to the Monument: Colonial Rupture...From Haunted Havelis to Heritage Hotels: Hashtag-ing the Feu...From Heritage to Sustainability: The Italian Historic Villag...From Invisible to Analog: Reading Cultural Heritage in First...Genius loci in the digital eraHeritage at the Edge of Visibility: How Power Shapes What Su...Heritage, Housing, and the Social Life of Historic Urban Cen...How has Germany dealt with its Traumatic Past: A Case Study ...Identity-Driven Design: Reconstructing Cultural Belonging Th...Impulse: Performing Digital Heritage in Mixed RealitiesInterior Interventions and Urban Heritage: Reclaiming Cultur...Interwoven Pasts and Emerging Futures: Cultural Heritage and...Invisible Histories, Intangible Heritage: Historic Houses as...Issues and Challenges in the Evaluation and Repair of Mid-Ce...Lanterns of Coexistence: Lighting Design for a Contemporary ...Livable Coloni Tike Khan: Interior Renovation Suggestions fo...Making Many Monuments: A Note on Rebuilding the City of Patn...Mapping the Transformation of Stonemasonry: Quantitative BPM...Mapping Urban Dualities: Sacred Space, Heritage, and Develop...Masking the Past, Staging the Future: Bian Lian in ‘Shangh...Material Memory: Contemporary Art and the Activation of Heri...Mediating Heritage: Layering Cultural Pasts to Trace Urban F...Miscellaneous Alter Egos of the Monumental Lycian Tombs: Eve...Monuments We’d Like to Forget: Avoiding and Confronting V...Mythology - Threshold to HistoryNew Media Art AestheticsOccupying the Urban: Farmers’ Protests and the Reconfiguri...On Play, Joy, and Creolization: Reimagining Heritage in the ...On the On the borderline between idea and experiment. Max Be...On urban historic preservation and the eviction of social va...Place, Memory and Urban FuturesPreserving Identity at Sea: Interior Yacht Design as Tangibl...Preserving Parkchester: An Examination into the Decay of Wor...Preserving the Lived Routes: Movement, Memory, and the Histo...Re-creative Practice: Embedding Historical Engagement in Con...Re-evaluating Authenticity in Historic Mosque Conservation: ...Reading Urban Vandalism: Flânerie and Informal Heritage in ...Reassessing Changes at the Mogao Caves: Governance and Conse...Rediscovering the “Motherland” and Heritage in Turkey: A...Reflections of Rundbogenstil in IstanbulRemapping Urban Demolitions: Historical GIS (HGIS) as Critic...Seaside Synechdoche: Intangible Counter-Memorialisation at t...Seeds Of Memory: Speculative Design Futures and Regenerative...South African Urban Space and the Memories of Violence and R...Spatial Discourse and Heritage Identity: A Sociosemiotic Ana...Statelessness and the City: How Displacement Shapes Urban He...Stoffeli® - a Socio-Cultural Case Study of Physical Non-Fun...Strategies for Reciprocity: Practice-Invested Approaches to ...Study on Modernization of Traditional Papermaking and Contin...Sunderland ‘73: The People’s Visual History. A Model fo...Surfacing Fading Failure in Garnethill Park, Glasgow, Scotla...The Afterlife of Antiquity and AI: A 21st-Century Reinterpre...The Ethical Role of Artificial Intelligence in the Diriyah F...The GENUS Project: Typological Regeneration of Mid-20th-Cent...The Quality of Wholeness in Digital ArtThe Smithfield Syndicate: A narrative of cultural resilienceTip of the Toe – Pentedatillo: The Geomorphological Artist...Traces and Evaporations. Hydric Morphologies Between Cultura...Tracing the Empire in the Stones and Signs of Art Deco Build...Tracking Porcelain, Reconstructing Lost Rooms: Collection Hi...Troy’s Part in the Early History of LibertyUniversity Museums Forging Pathways to Becoming Effective Pe...Unlimited Futures, Enduring Traces: Circular Design in the A...Varanasi and the Sacred City in Three Tiers: Pilgrimage, Gov...Vernacular Heritage and the Struggle against Redevelopment ...Water Culture and Urban Resilience: Cultural Heritage as a D...Water Remains: A study of the acoustic environment of cister...Welcome and introduction When Urban Morphologies Become Story Genres: Reading Bath as...Youth, Place, and Environmental Legacy: Envisioning the Futu...
Schedule

VIRTUAL ISTANBUL HERITAGE(S)

Cultural Pasts - Urban Futures
Cultural Monuments in the Course of Time: The example of Easter Island's cultural heritage
B. Kozub(1) & P. Kozub(2)

Abstract

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This article examines, from a cultural and restoration science perspective, the changing significance of cultural monuments and its impact on the preservation of historical heritage. The focus lies on the monuments of Easter Island (Rapa Nui), whose extraordinary cultural heritage – in particular the monumental Moai statues – has long been subject to complex cultural attributions, political interests, and restoration interventions. The cultural-historical examination of this heritage is crucial for understanding the multifaceted influences on the ascription of meaning to the monuments. Therefore, the article analyses not only cultural-historical developments but also incorporates restoration-related, historiographical, and political contexts. International cultural heritage initiatives as well as specific conservation and restoration measures are understood not merely as technical interventions, but as potent factors that sustainably influence and transform perception, interpretation, and valuation. A particular emphasis is placed on the question of how conservation and restoration measures, documentation strategies, and presentation contexts generate new interpretations and shift existing patterns of understanding. The findings provide not only deep insights into the historical development of Rapa Nui’s cultural heritage but also offer theoretical and practical guidance for a reflective and responsible approach to cultural monuments today. In doing so, the article contributes to the current debate on the changing significance of cultural heritage within the tension between preservation, identity, and global public discourse. This article is a continuation of the thematic complex initiated in the lecture: Kozub, B. (2024). “Is there a change in the significance of cultural assets through conservation and restoration treatment?” In: AMPS Architecture Media Politics Society, Proceedings: Past and Present – A Conference on Culture, History, Art and Design,Prague.

Biography

Beate Kozub: Conservator of Fine Arts/Conservation Scientist with focus on the research of cultural heritage. Expert at the project: Moai of Ahu Hanuanua Mea at the Easter Island. Doctoral degree(Dr.phil.) at the European University Viadrina in Frankfurt/O.; Doctoral thesis about objekts at Auschwitz-Birkenau Stade Museum. Master of Art at the Nicolaus Copernicus University in Torun. Lectures at international conferences in the USA, Australia, Great Britain, Austria, Poland, the Czech Republic, Spain and Germany. Currently working as a consultant in Cologne/Bonn region and Potsdam,Germany.

Peter Kozub: 1986-1991 Study of Conservation and Restauration of Architectural Elements and Details at the Nicolaus Copernicus University in Thorn, Poland; 1997–2013 Head of the Stone Conservation Workshop of the University of Applied Sciences Potsdam; 2005 Doctorate at the Humboldt-University Berlin; since 2007 additionally visiting lecturer in a subject Theoretical Principles of the Conservation at the European University Viadrina Frankfurt (Oder); since 2013 Professor in the field Conservation and Restoration of Stone at the TH Köln/Cologne University of Applied Sciences, Germany.