Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A City That Speaks a Language It Cannot Read: Urdu as Urban ...AI Afterlives: reviving the dead in the GLAM SectorAl-Qatt and Living Architectural Heritage: Safeguarding Arch...Among Rocks and Other Creatures: Relational Organizing of He...Ancestral Resonances: An ethical approach for a decolonial a...Architectural Development of the “Khada Valley” in the C...Architecture and Heritage from Below: Reconstructing My Gran...Architecture as Gift: Benefaction, Identity and Greek School...Art and Creative Practices by Bottom-Up Heritage Initiatives...Assembled Value: Heritage of the Non-Iconic KindAt-Turaif, Diriyah: Archaeology and the Formation of Saudi N...Between Heritage and Narrative: The Museumification of China...Between Truth and Illusion: Ethical Issues in the Digital Re...Beyond Veils and Walls: Femininity, Divinity and Sovereignty...Colourful Noise – The Migration of Signs: Street Art – G...Conservation of Monasteries in Kyrenia, Northern CyprusCroatian Historical Park Pavilions DatabaseCultural Heritage Preservation Through Digital Media: A Prac...Cultural Monuments in the Course of Time: The example of Eas...Cultural Pasts – Urban Futures: The case of District Six i...Cultural Pasts, Adaptive Futures: Negotiating Modern Heritag...Cultural Politics of Peace: Haraway’s Situated Knowledges ...Culture-led Urban Regeneration in Newtown: Investigating Pla...Decoding the Islamic Architectural DNA: The Tale of Córdob...Design for Cultural Heritage Literacy: Information Strategie...Designing for Resonance: A Diptych Reading of Urban Threshol...Digital Design and Fabrication of a Raw Earth Bench through ...Digital Memory scapes: Inclusive Visual Design for Cultural ...Digital Public Discourse and the Continuity-Distinctiveness ...Do We Fully Recognize the Power of Built Heritage When Plann...Documenting Historic Buildings – Methods both Digital and ...Embodied in Ink: Commemoration, Connection and Culture in th...Examining the Assetization of Place in Contemporary Videogam...Expanding beyond the Historic Walls: A Case of Development o...From Colonial Past to Urban Future: Community Visions for He...From Craft to Classroom: The Educational Cycle of Gambiered ...From Cultural Preservation to the Monument: Colonial Rupture...From Haunted Havelis to Heritage Hotels: Hashtag-ing the Feu...From Heritage to Sustainability: The Italian Historic Villag...From Invisible to Analog: Reading Cultural Heritage in First...Genius loci in the digital eraHeritage at the Edge of Visibility: How Power Shapes What Su...Heritage, Housing, and the Social Life of Historic Urban Cen...How has Germany dealt with its Traumatic Past: A Case Study ...Identity-Driven Design: Reconstructing Cultural Belonging Th...Impulse: Performing Digital Heritage in Mixed RealitiesInterior Interventions and Urban Heritage: Reclaiming Cultur...Interwoven Pasts and Emerging Futures: Cultural Heritage and...Invisible Histories, Intangible Heritage: Historic Houses as...Issues and Challenges in the Evaluation and Repair of Mid-Ce...Lanterns of Coexistence: Lighting Design for a Contemporary ...Livable Coloni Tike Khan: Interior Renovation Suggestions fo...Making Many Monuments: A Note on Rebuilding the City of Patn...Mapping the Transformation of Stonemasonry: Quantitative BPM...Mapping Urban Dualities: Sacred Space, Heritage, and Develop...Masking the Past, Staging the Future: Bian Lian in ‘Shangh...Material Memory: Contemporary Art and the Activation of Heri...Mediating Heritage: Layering Cultural Pasts to Trace Urban F...Miscellaneous Alter Egos of the Monumental Lycian Tombs: Eve...Monuments We’d Like to Forget: Avoiding and Confronting V...Mythology - Threshold to HistoryNew Media Art AestheticsOccupying the Urban: Farmers’ Protests and the Reconfiguri...On Play, Joy, and Creolization: Reimagining Heritage in the ...On the On the borderline between idea and experiment. Max Be...On urban historic preservation and the eviction of social va...Place, Memory and Urban FuturesPreserving Identity at Sea: Interior Yacht Design as Tangibl...Preserving Parkchester: An Examination into the Decay of Wor...Preserving the Lived Routes: Movement, Memory, and the Histo...Re-creative Practice: Embedding Historical Engagement in Con...Re-evaluating Authenticity in Historic Mosque Conservation: ...Reading Urban Vandalism: Flânerie and Informal Heritage in ...Reassessing Changes at the Mogao Caves: Governance and Conse...Rediscovering the “Motherland” and Heritage in Turkey: A...Reflections of Rundbogenstil in IstanbulRemapping Urban Demolitions: Historical GIS (HGIS) as Critic...Seaside Synechdoche: Intangible Counter-Memorialisation at t...Seeds Of Memory: Speculative Design Futures and Regenerative...South African Urban Space and the Memories of Violence and R...Spatial Discourse and Heritage Identity: A Sociosemiotic Ana...Statelessness and the City: How Displacement Shapes Urban He...Stoffeli® - a Socio-Cultural Case Study of Physical Non-Fun...Strategies for Reciprocity: Practice-Invested Approaches to ...Study on Modernization of Traditional Papermaking and Contin...Sunderland ‘73: The People’s Visual History. A Model fo...Surfacing Fading Failure in Garnethill Park, Glasgow, Scotla...The Afterlife of Antiquity and AI: A 21st-Century Reinterpre...The Ethical Role of Artificial Intelligence in the Diriyah F...The GENUS Project: Typological Regeneration of Mid-20th-Cent...The Quality of Wholeness in Digital ArtThe Smithfield Syndicate: A narrative of cultural resilienceTip of the Toe – Pentedatillo: The Geomorphological Artist...Traces and Evaporations. Hydric Morphologies Between Cultura...Tracing the Empire in the Stones and Signs of Art Deco Build...Tracking Porcelain, Reconstructing Lost Rooms: Collection Hi...Troy’s Part in the Early History of LibertyUniversity Museums Forging Pathways to Becoming Effective Pe...Unlimited Futures, Enduring Traces: Circular Design in the A...Varanasi and the Sacred City in Three Tiers: Pilgrimage, Gov...Vernacular Heritage and the Struggle against Redevelopment ...Water Culture and Urban Resilience: Cultural Heritage as a D...Water Remains: A study of the acoustic environment of cister...Welcome and introduction When Urban Morphologies Become Story Genres: Reading Bath as...Youth, Place, and Environmental Legacy: Envisioning the Futu...
Schedule

VIRTUAL ISTANBUL HERITAGE(S)

Cultural Pasts - Urban Futures
Digital Design and Fabrication of a Raw Earth Bench through the Earth Beehive System
D. Colapinto et al.

Abstract

View film

The project describes the construction of a modular bench made of raw earth, developed as part of a broader investigation into sustainable self-building systems. The bench is composed of interlocking units with a truncated octahedron geometry, generated through parametric spatial tessellation. From the digital model, custom formworks were designed and fabricated using 3D printing technologies. Each block was cast using a natural, viscous earth-based mixture and manually demoulded once cured. The hollow geometry of the units allows for the integration of a dual reinforcement system: a geopolymer-stabilized earthen grout poured into the internal cavities, and a series of bamboo rods inserted longitudinally to form a structural network. The components were assembled dry, enabling fast, low-tech construction with minimal environmental impact. The bench was built using Earth Beehive, a construction system developed specifically for this purpose, which combines raw earth masonry with digital design and natural reinforcement strategies. The project reinterprets vernacular earth construction through contemporary tools, combining computational design with material experimentation. As a result, it delivers a performative, context-sensitive structure that is both durable and fully compostable. The methodology developed through this prototype provides a scalable workflow for the production of urban furniture and small-scale architectures using earth-based materials and digital fabrication.

Biography

Daniele Colapinto, architect and PhD student at the Polytechnic University of Bari. His research focuses on the integration of earthen construction techniques, parametric design, and digital fabrication for sustainable architectural innovation. Technical expert at Fablab Poliba, where he contributes to experimental prototypes and research activities on raw earth, computational workflows, self-construction, and context-sensitive design.

Nicola Parisi, Architect, Associate Professor at the Polytechnic of Bari. Professor of “Architectural Design” in the MSc program in Architecture and “Co-Working and Co-Design” in the MSc program in Industrial Design. Director of Fablab Poliba – the Technological Centre for Digital Fabrication. Involved in national and international research projects, summer schools and workshops on digital fabrication, earthen architecture, sustainability, self-construction and urban regeneration.

Vincenzo Berardi graduated in Architecture from the Polytechnic University of Bari with a thesis entitled Self Made Architecture VII – Updating the Torchis Technique. The graduation studio investigated torchis, an earth-based construction technique, by reconstructing its historical development and systematising its variations across different continents. The research then examined the advantages and limits of this hybrid building method and proposed its possible update through digital fabrication technologies, leading to the development of the Earth Net Beehive prototype. This experience allowed him to deepen his knowledge of digital fabrication, particularly 3D printing and laser cutting, and to strengthen his skills in three-dimensional and parametric modelling with software such as Rhinoceros and Blender. In 2024, he was awarded a Post-Lauream Scholarship within the project “PATTI TERRITORIALI WP6 – Strengthening Interdisciplinary STEM Degree Programmes – Orientation”, CUP F61B23000370006. The 18-month programme focused on the systematisation of repeatable digital literacy processes related to CAD/CAM workflows, further developing his computational and teaching skills through research activities, workshops and applied training experiences. In 2025, he was awarded a PhD Scholarship in “Design for Heritage, Knowledge, Tradition and Innovation” at the ArCoD Department of the Polytechnic University of Bari. His doctoral research investigates the role of artificial intelligence in architectural design, with particular attention to how AI models are transforming design processes, tools and epistemological paradigms, contributing to the definition of a hybrid human-machine design paradigm. Since the 2023–2024 academic year, he has been a teaching assistant in Architectural Design Studio 2C, directed by Prof. Architect Nicola Parisi. Since 2024, he has also been a member of the FabLab Poliba research group, where he carries out research, prototyping, experimentation, training and scientific dissemination activities in the field of digital fabrication, promoting dialogue between academic research, technological innovation and design practice in both local and international academic contexts.