Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A City That Speaks a Language It Cannot Read: Urdu as Urban ...AI Afterlives: reviving the dead in the GLAM SectorAl-Qatt and Living Architectural Heritage: Safeguarding Arch...Among Rocks and Other Creatures: Relational Organizing of He...Ancestral Resonances: An ethical approach for a decolonial a...Architectural Development of the “Khada Valley” in the C...Architecture and Heritage from Below: Reconstructing My Gran...Architecture as Gift: Benefaction, Identity and Greek School...Art and Creative Practices by Bottom-Up Heritage Initiatives...Assembled Value: Heritage of the Non-Iconic KindAt-Turaif, Diriyah: Archaeology and the Formation of Saudi N...Between Heritage and Narrative: The Museumification of China...Between Truth and Illusion: Ethical Issues in the Digital Re...Beyond Veils and Walls: Femininity, Divinity and Sovereignty...Colourful Noise – The Migration of Signs: Street Art – G...Conservation of Monasteries in Kyrenia, Northern CyprusCroatian Historical Park Pavilions DatabaseCultural Heritage Preservation Through Digital Media: A Prac...Cultural Monuments in the Course of Time: The example of Eas...Cultural Pasts – Urban Futures: The case of District Six i...Cultural Pasts, Adaptive Futures: Negotiating Modern Heritag...Cultural Politics of Peace: Haraway’s Situated Knowledges ...Culture-led Urban Regeneration in Newtown: Investigating Pla...Decoding the Islamic Architectural DNA: The Tale of Córdob...Design for Cultural Heritage Literacy: Information Strategie...Designing for Resonance: A Diptych Reading of Urban Threshol...Digital Design and Fabrication of a Raw Earth Bench through ...Digital Memory scapes: Inclusive Visual Design for Cultural ...Digital Public Discourse and the Continuity-Distinctiveness ...Do We Fully Recognize the Power of Built Heritage When Plann...Documenting Historic Buildings – Methods both Digital and ...Embodied in Ink: Commemoration, Connection and Culture in th...Examining the Assetization of Place in Contemporary Videogam...Expanding beyond the Historic Walls: A Case of Development o...From Colonial Past to Urban Future: Community Visions for He...From Craft to Classroom: The Educational Cycle of Gambiered ...From Cultural Preservation to the Monument: Colonial Rupture...From Haunted Havelis to Heritage Hotels: Hashtag-ing the Feu...From Heritage to Sustainability: The Italian Historic Villag...From Invisible to Analog: Reading Cultural Heritage in First...Genius loci in the digital eraHeritage at the Edge of Visibility: How Power Shapes What Su...Heritage, Housing, and the Social Life of Historic Urban Cen...How has Germany dealt with its Traumatic Past: A Case Study ...Identity-Driven Design: Reconstructing Cultural Belonging Th...Impulse: Performing Digital Heritage in Mixed RealitiesInterior Interventions and Urban Heritage: Reclaiming Cultur...Interwoven Pasts and Emerging Futures: Cultural Heritage and...Invisible Histories, Intangible Heritage: Historic Houses as...Issues and Challenges in the Evaluation and Repair of Mid-Ce...Lanterns of Coexistence: Lighting Design for a Contemporary ...Livable Coloni Tike Khan: Interior Renovation Suggestions fo...Making Many Monuments: A Note on Rebuilding the City of Patn...Mapping the Transformation of Stonemasonry: Quantitative BPM...Mapping Urban Dualities: Sacred Space, Heritage, and Develop...Masking the Past, Staging the Future: Bian Lian in ‘Shangh...Material Memory: Contemporary Art and the Activation of Heri...Mediating Heritage: Layering Cultural Pasts to Trace Urban F...Miscellaneous Alter Egos of the Monumental Lycian Tombs: Eve...Monuments We’d Like to Forget: Avoiding and Confronting V...Mythology - Threshold to HistoryNew Media Art AestheticsOccupying the Urban: Farmers’ Protests and the Reconfiguri...On Play, Joy, and Creolization: Reimagining Heritage in the ...On the On the borderline between idea and experiment. Max Be...On urban historic preservation and the eviction of social va...Place, Memory and Urban FuturesPreserving Identity at Sea: Interior Yacht Design as Tangibl...Preserving Parkchester: An Examination into the Decay of Wor...Preserving the Lived Routes: Movement, Memory, and the Histo...Re-creative Practice: Embedding Historical Engagement in Con...Re-evaluating Authenticity in Historic Mosque Conservation: ...Reading Urban Vandalism: Flânerie and Informal Heritage in ...Reassessing Changes at the Mogao Caves: Governance and Conse...Rediscovering the “Motherland” and Heritage in Turkey: A...Reflections of Rundbogenstil in IstanbulRemapping Urban Demolitions: Historical GIS (HGIS) as Critic...Seaside Synechdoche: Intangible Counter-Memorialisation at t...Seeds Of Memory: Speculative Design Futures and Regenerative...South African Urban Space and the Memories of Violence and R...Spatial Discourse and Heritage Identity: A Sociosemiotic Ana...Statelessness and the City: How Displacement Shapes Urban He...Stoffeli® - a Socio-Cultural Case Study of Physical Non-Fun...Strategies for Reciprocity: Practice-Invested Approaches to ...Study on Modernization of Traditional Papermaking and Contin...Sunderland ‘73: The People’s Visual History. A Model fo...Surfacing Fading Failure in Garnethill Park, Glasgow, Scotla...The Afterlife of Antiquity and AI: A 21st-Century Reinterpre...The Ethical Role of Artificial Intelligence in the Diriyah F...The GENUS Project: Typological Regeneration of Mid-20th-Cent...The Quality of Wholeness in Digital ArtThe Smithfield Syndicate: A narrative of cultural resilienceTip of the Toe – Pentedatillo: The Geomorphological Artist...Traces and Evaporations. Hydric Morphologies Between Cultura...Tracing the Empire in the Stones and Signs of Art Deco Build...Tracking Porcelain, Reconstructing Lost Rooms: Collection Hi...Troy’s Part in the Early History of LibertyUniversity Museums Forging Pathways to Becoming Effective Pe...Unlimited Futures, Enduring Traces: Circular Design in the A...Varanasi and the Sacred City in Three Tiers: Pilgrimage, Gov...Vernacular Heritage and the Struggle against Redevelopment ...Water Culture and Urban Resilience: Cultural Heritage as a D...Water Remains: A study of the acoustic environment of cister...Welcome and introduction When Urban Morphologies Become Story Genres: Reading Bath as...Youth, Place, and Environmental Legacy: Envisioning the Futu...
Schedule

VIRTUAL ISTANBUL HERITAGE(S)

Cultural Pasts - Urban Futures
Invisible Histories, Intangible Heritage: Historic Houses as Sites of Identity Construction and Cultural Connectivity
B. Wood & A. Cooper
3:00 pm - 4:30 pm

Abstract

This paper speaks to the theme of Socio-Cultural Studies, considering five properties in the ownership of the National Trust in the southwest of England: Buckland Abbey, Compton Castle, Greenway House, Saltram and Shute Barton. These are places connected to early European settlement of North America, and therefore to the foundations of the British empire. They are sites that generated, benefitted from and, in some cases, were saved because of, their role in the societal construction of national identity. They demonstrate the importance of place and prominent individuals within that process. They are spaces where national and personal myth making can be recognised and explored and where global histories of increasingly diverse national and local communities entwine through collections, buildings and memory. Rich in intangible heritage but with histories often invisible in building fabric or collections, our case studies demonstrate how connectivity is hampered by later phases of occupation. We will discuss how historical narratives are obscured through the presentation of houses and estates for use by visitors in the present and the consequences of such loss. We will explore the opportunities associated with presenting such sites examining them as places where a sense of self and the myth-building that constructs nationhood can be challenged and explored through the materiality of buildings and collections and the intangibility of imagination and curatorial communication. We will look to the future role and purpose of historic house collections as part of global historical debates, as places of community connection and cultural meeting points.

Biography

Barbara Wood is a long-term curatorial practitioner. She has worked across the UK heritage sector in museums, archaeology, archives, historic sites and in sectoral grant funding. Her research and publication interests focus on collections, interpretation and the role and meaning of historical materials in the present. She has held posts with national, local, and community museums and has developed and taught archaeology and museum studies courses. She is currently a Regional Curator of Cultural Heritage in the Southwest of England for the National Trust (England, Wales and NI) working with

Alison Cooper is a freelance Curator and Arts & Heritage consultant based in Plymouth, England. Alison specialises in early modern history, fine and decorative arts, and colonial histories, but has a history of working with a rich variety of collections, stories, and landscapes. For 9 years she was a Cultural Heritage Curator for the National Trust working with historic house properties across Devon, Cornwall and South Somerset. Alison was also previously Curator of Decorative Art at Plymouth City Museum & Art Gallery.