Titles
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A Bio-Inspired Design Approach to Critical ThinkingAlchemical Experiences: Investigating Big Changes through Sm...An Investigation into Potential Use of UAVs in the Fields of...Artificial Intelligence: New PerspectivesATOMic Thinking / ATOMic Learning: Cedric Price and the Valu...Character-Led Design in Architectural Pedagogy: Advancing In...Clothes Maketh the Man: Alternative Pedagogies in Fashion De...Collaboration is Sweet and Sour: Modeling ProcessCollaborative Teaching Practice for Architecture EducationCreating Access in Art Education: Insights from the Covid-19...Crip Desires and Art PedagogyCrisis and Critique: Concerning ArchitectureCritical Thinking as a Catalyst - Transforming First-Year C...Critical thinking as resonant encounter in art school pedago...CTI: a Module for the Development of Critical Thinking and I...Design students’ reflections on their reflective experienc...Designing Futures: Interior Spaces of Refugee Education in K...Developing Student Worksheets for SDGs-Based Problem-Solving...Didactic Design: Reimagining Engagement in the General Educa...Ecological Attention as Ethical Practice: Sit-Spots as Perso...Emerging Paradigms in Interior Design Education: Navigating ...Empowering Brick-and-Mortar Entrepreneurism: Establishing a ...Engaging Young Audiences: An Educational Exploration of 19th...Entangled Belonging: Rethinking Agency and Identity in Unive...Exploring Memes as Pedagogical Instruments for Decolonial Di...Exploring the Landscape of Critical Thinking in Chilean Univ...Extraterritorial Future VisionsFlipping the Script: Reorienting the Art History Survey thro...From Paper to Engagement: Using Zine-Making as an Interactiv...Giving Image and Design Givenness: The Hallmarks of Designi...How to Create Your Own Critical Thinking SimulationImperfect Drawing: (Re)Learning the Architectural Representa...Indigenising Architecture Design Studio 1 at the University ...Information Theory, Big Data, and the Art of Persuasion: A C...Integrating Immersive Technology in Interactive Website for ...International Collaborations in University Art EducationInvestigating the Spectrum of Gender and Ornamentation Throu...Kunstwurst: Critical Control at the Sausage FactoryLighting the Fire: Using Paideia Seminars to foster preservi...Map as Argument: Thinking and Constructing GroundsMentoring Tomorrow's Educators: Embracing Transparency and I...Mix and Match as a Relational PedagogyOne Problem, Two Questions: Exploring Critical Thinking and ...Operational Strategies: New Models of Thinking "Through" the...Pedagogical Innovation in Virtual-Hybrid Learning: Lessons f...Perceptions of critical thinking among university students t...Power Dynamics in Performance Education - Exploring the Impa...Process as Product: Exploring the Relationship between Devel...Re-tracing Our Steps: Historicizing and Re-thinking Rituals ...Regulatory Nonsense, in Retrospect: We Forced a Bot to Co-Wr...Reinforcing Design Details Through Full-Scale Construction M...Research, Experience and Imagination: how students develop ...School as a Hybrid SystemShaping Tomorrow’s Educators for a Globalized World: How I...Speculative and Critical Approaches in Architectural Educati...State of Critical Thinking Teaching in Chilean Universities.Student Agency and Design History/Theory…in the Classroom ...Studio ManifestoTeaching and Learning as Performance Art: Inclusive and Embo...Teaching for Belonging: Design Education to Build Diversity,...Teaching Methodologies for Dissemination of Work of Minority...Teaching without Fear: Care, Engagement, and Inclusion in th...Temporality Now! Decoloniality-Priority in the Pedagogical T...Testing Interiors: An Exploration of Emerging Digital Practi...The Allegorical Visual ConstructThe Big 5- Inclusive First Nations PedagogiesThe Case for Quantum Art EducationThe Community as Classroom: Cross-disciplinary Engaged Learn...The Lasso way: Becoming our best selves through an inclusive...The New School of Environmentalism as Pedagogy: Rhetorical S...The Sifter: A Conceptual Model for Critical Thinking among P...Thinking Through Practice: Re-envisioning Kolb Through Appli...Urban Chameleon Design Studio, Rethinking Contemporary Build...Using AI To Bridge The Gap Between Textual Narrative And Vis...Using Virtual Reality in the First-Year Art History Survey t...You Draw it, (a)I Write it: Dialectics of Text and Image in ...
Schedule

VIRTUAL New Schools of Thought

Part of the Focus on Pedagogy Series
The Lasso way: Becoming our best selves through an inclusive and holistic pedagogy
N. Sulway & M. Arena
3:30 pm - 5:00 pm

Abstract

View film

Traditional pedagogies in university creative writing programs often prioritise narrow metrics, such as grades and course completions, over holistic student development. As creative writing teachers, we sought a pedagogy that encouraged students to collaborate in shaping their learning, allowing them to reframe their success in terms of their growth as writers and individuals. Inspired by the TV series, Ted Lasso, and particularly Lasso’s focus on empowering individuals to become their best selves, this paper explores the development and implementation of this inclusive pedagogy. In 2024, we designed a pedagogical framework focused upon an inclusive community of practice within the classroom. This approach integrated insights from Blackfoot wisdom predating Maslow’s hierarchy of needs, Nguyen’s work on unsilencing the writing workshop, and alternative assessment strategies such as ungrading and contract grading. The framework emphasised collaborative and individual growth, aiming to deepen students’ understanding of creative writing practice and of themselves. Our inclusive pedagogy was trialled in an 11-week, online undergraduate creative writing course for third-year students. Our methodology included collaborative course design, self-initiated writing experimentation, unsilenced peer-centred workshops, self-reflective writing tasks, student surveys, and weekly facilitator documentation and reflection on student engagement. Key outcomes included increased student engagement, improved collaborative skills, and more personally relevant, risk-taking approaches to writing. This paper summarises the trial’s outcomes, challenges encountered, and our reflections upon the potential for our approach to reframe success in terms of personal and communal growth, leading to more meaningful and sustainable learning experiences for students and learning facilitators.

Biography

Dr Nike Sulway is Senior Lecturer in Creative and Critical Writing at University of Southern Queensland. Her research focuses on diversity and inclusivity in creative writing practice, research and teaching. Her work is strongly focused on speculative fiction narratives, including fairy tales, speculative fiction, and the weird. She is an award-winning writer of novels, short stories, and poetry, including Winter’s tale, Dying in the first person, What the sky knows, Rupetta, The true green of hope, and The bone flute, and co-editor of the literary journal The Orange & Bee (with Carina Bissett

Dr Maria Arena is a Lecturer in Creative and Critical Writing at the University of Southern Queensland. Her research interests include creative writing practice, student engagement, and inclusivity and collaboration in teaching practice. Her creative work focuses upon on speculative fiction, with a penchant for horror and science fiction. She is a writer of novels, including ‘Mira Falling’, ‘Sisterhood’, and ‘Shroudeaters’, and of short stories and novellas, including ‘The Hut’.