Titles
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A Balanced Revitalisation Strategy for the Historic Commerci...A Preliminary Study on Everyday Placemaking of Heritage Site...After the storm: art and heritage in climate crisisAn Adaptation of Henri Lefebvre’s Spatial Trialectic for A...An Alternative Taxonomy of the LivingApplication of Heritage Clay Roof Tiles in Malaysia’s Gove...Architectural Design(s) for Archaeological HeritageArt, History and Nature in the Heart of the CityArtiArficial Touch: Conservation, Invention and Evolution of...Articulating Peripheral Space: New Perspectives in Digital H...Assessment of Visual Pollution in Facades of Heritage Struct...Babyn-Yar Redux: Cinema as a Contested Space of Heritage an...Becoming Digital: the Perspective of Educational Museum Staf...Between Shanshui and Impressionism: A Study on Cultural Perc...Beyond The Archive Rush: Problematizing Emerging Social Medi...British Colonial Manifestation of the Indo Saracenic Charact...Challenges in Treating Cultural Heritage as Living DocumentsCommunity-perceptions of Place-character and Associated Mean...Conflicts between Historical Preservation and Design Adaptat...Construction of Trypitis Bay, Preservation of the Cultural H...Crafting Design Education: Connecting Regional Crafts with D...Czech Technical UniversityDemolition as a brutal intervention over the past: the forme...Doing Design Ethnography for Digital HeritageDystopia, Climate Change, and Heritage Conservation in the L...Ethnological Museums between Historical Building and Exhibit...Exhibition Narrative for Territorial Museums—— The Inter...Extending Intangible Heritage through Embodied Art & Design ...Feeling the Heat: Home, History, Memory and Preservation in ...Formal or Informal Settlements - Development of Two Urban Vi...Fortified Medieval Churches in Transylvania - 12th century, ...Four Ways of Thinking about Cultural Heritage PropertyFourth World EthnomusicologyFrom Socialist Capital Cities to Neoliberal Metropolises: Tr...Global Unity in Apparent Diversity: An Architectural & Cultu...Good Practices for Community Participation in the Rehabilita...Heritage vs. Architecture: A Long-runnig Battle on the Futur...How Libyan immigrants have chosen and decorated their houses...How to Bring a Monument to SpeechHow to Document the Soundscape Features as the Intangible Fo...If you’re not remembered, you don’t exist: Making Intang...Innovation in Seismic and Vibration Protection of Architectu...Intangible Cultural Heritage Through Mediated Experiences: T...Intangible Culture Heritage Education in Taiwan: Exploring M...Integrating gaming features in the online tourism promotion ...Intermedial Fantasy: The Artisanal Worlds of Czechoslovakian...Investigating the System(s) of Making in Hindu Temples of J...Investigation of thermal comfort in historic buildings enhan...Is the Historic Buildings the Best Way to Make EU Climate Ne...Layering understandings of cultural heritage – the cultura...Legal and factual protection of contemporary heritage in Pol...Looking through the Windows of a Waterfront House: Tracing t...Lost and Found Again - Two Places with a distinct character ...Maximizing Environmental Performance of Heritage Buildings u...Media art spaces for refugees: a methodological approach for...Mining Alchemy: New Life after ExtractionMobilizing Social Change through Community-based Public Hist...Museum as a Pharmakon of Memory: the Dialectics in Represent...Music and Architecture: Reconstructing Performance in St Mar...Mutual Identities through a Self-built Neighborhood: La Frag...Negotiating Nicosia’s Public Squares: Auto-Ethnographic Na...Negotiating Social Sustainability in the Giza PlateauOn the Study of Porto’s Murals (1930-1970): Can we Justify...Overdue and Returned: The Story of Boston’s Chinatown Publ...Paleontology and Wildness as Heritage Performance in the Bur...Place-making Based on the Visibility of Religious Building: ...Positioning Sound in Intangible Cultural HeritagePreservation vs Transformation? The Paradox of Fragility in ...Preserving a Space that doesn’t Work: A Predicament Regard...Preserving the Technological Arts in the Asset-Driven Art Sc...Protecting by Knowing: Review and Application of Historic Ce...Public Space as a Way to a Healthy City and LifeRe-Reading the Industrial Heritage in the Vogtland/FojtskoReckoning on a Symbolic Stage: Ethnicity and Memorialization...Reclaiming Identity: Traditional Papermaking Practices in Vi...Recording Inconspicuous Details of the Urban Fabric – in A...Religious Corporations and Heritage Buildings in Baguio, Nor...Remembering Epidemics: Inequality, Discrimination, Solidarit...Resist as identity, resistance as heritage: itineraries of o...Restoring Broken Journeys in the Framework of Urban Reconstr...Reworking Mnemonic Landscapes: Charting a pathway through th...School in Tzar: Cultural Genocide as Heritage PreservationSearching for meaning for microbiome studies on heritageSelective remembrance of the colonial past: The British colo...Skyway: A Contemporary CollaborationSocial DinnerSocial LunchSunghaksipdo VR and Dosan Seowon: New Interpretations and Ap...Symbiotic relationship tree-man-architectureThe Design Paradigm for the Historic Town of JanjevaThe Digital Transformation of Museums: Slavery Heritage and ...The Dual Effects of Ecomuseum in Heritage Tourism - A Case S...The Ethical Mirror: Poetry, Politics, and Architecture after...The Heritage of Playgrounds: How To Remember PlayThe Heritage of Tyneham Unravelled: Between Complex Historic...The Hybrid City: How the Blanka Tunnel Revealed the Multipli...The Impact of Graffiti Images on Image of The City and Visua...The Impact of the Iranian Revolution, War and the Subsequent...The impact of the Saudi Arabian urban policies and Urban Des...The Motion Magnification Applied to the Protection of the Cu...The musealization of bioarchaeological sites. Our next chall...The Physical and Social Construction of Early Public Toilets...The Renaissance Palazzi in the Marche: a Quest for New Funct...The Significance of Historical Centers' Image for Regional I...The Spon Street Scheme: its birth, execution and impactThe Welfare State’s Suburban Building Culture - Discussing...The Welsh Terrace: The Solution for Future HousingThere's a sadness in this community that will never go away:...UNESCO World Heritage Sites and Indigenous Land Rights: Why ...Unifying Object with Experience: Heritage in a Temporal Sett...Unravelling Inherited Resilience in Urban LandscapesUrban industrial building suppression: issues on the collect...Use of Online Platforms/Social Media in the Documentation an...Valletta: the fine line between urban vitality and liveabili...Visualizing Gilman: Counter Methods in Support of Place-Base...Ways of Describing Architectural Quality - A Comparative Stu...Welcome & IntroductionWisdom Of Place: Recovering the Sacred Origins of LandscapeWitness Tree Projectİş Bank Buildings in the History of 20th Century Turkish A...
Presenters
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M. AlBeikG. AllegrettiM. AlmuminM. AlwetaishiA. ArgyrouP. ArthurS. ArtutH. Atmaca(1)H. Atmaca(2)A. BandyopadhyayC. BarkerD. BarnesD. Benham et al.S. Billaud FeragenN.B. BiçerC. BlancoL. BockelmannE. BoultsG. CairnsS. CartaC. Carvalho(1) et al.A. Carvalho(2)B. CastagnaD. Cavicchi et al.W.C.H. ChanC. Chang-Yen PhillipsS. CharoianP. ChatterjeeJ. CirklováB. Comin et al.M. CovaS.J. DacanayL. Dalile et al.R. DavidsK. DaviesP. de KockE. DorostiT. DoğuC. Dumont et al.S. El SabbahyK. EliásD. EverettC.B. EverndenL. FerreiraV. Fioriti et al.C. FrostM. Frölich-KulikC. GalazG. GantoisY. Gao(1)Y. Gao(2) et al.E. GarciaS. GhirardiniJ. Gil-MastalerczykD. GossR. GreenZ. HalimiS. Hamid AkbarG. HelfieldA. HeraclidouR. IbrahimA. Jain et al.P.S. JoshiM.B. JørgensenT. KampmannS. KayasüS. KennedyA. KensingerL. KolbeD. KourriH.J. LeeM. Licata et al.B. MadeiraA. MahboobM. MallalieuJ. MarshS. Martens Gudmand-HøyerD. McGillA. MehtaP. MelkováM. Metalkova-Markova et al.P. MonteiroP.R. Moreira et al.F. Moura FerreiraS. NagdeveD. NaqiI. NikoçeviqJ. OjascastroZ. OsmaniM. OzkarV. PhamA. PittsE. Plümer-BardakB. PolitoM. PopescuS. PramanikG.C. RamosE. ReinhuberM. RipmeesterR. RoarkM. RofeF.J. RongI. RoselliF.S. Rubio SorianoV. RýparE. SaghatforoushV. Singh KatiyarG. SiroisI. SmithT.A. SoomroM.P. SorowkaM. StasiowskiC.C. SteenbergY. SuM.S. SulaimanC. SullivanL. SuskiT. Teba et al.F. TejucoJ. ThorneP. Tonel MonteiroR. TrocchianesiN. Underberg-GoodeP. VališováA. VaštováS. ViegasL. Walikainen RouleauO. WallM. WangJ. Williamson et al.S. WithersO. WlusekS. YuhlA. ZammitX. ZhangM.J. Żychowska
Schedule

IN-PERSON: Prague – Section B

Past and Present - Built and Social
Sunghaksipdo VR and Dosan Seowon: New Interpretations and Approaches to Spiritual and Cultural Traditions
H.J. Lee
8:30 am - 10:00 am

Abstract

Korean Confucian academy Dosan Seowon was established in 1574 in Andong, South Korea. Having retired to the location in 1549, Neo-Confucian scholar Toegye Yi Hwang began constructing this place, which could offer education and commemoration. This site has been well known as one of the leading academies of the Josun era and home to the Toegye school of thought for over 400 years. In 2019, with eight other seowons, this placed on the UNESCO World Heritage List. <Sunghaksipdo VR> is a project that reinterpretes Toegye’s “Sunghakdipdo” (a.k.a. “Ten Diagrams on Sage Learning”) in a contemporary context. Toegye made “Sunghaksipdo” as a book and ten-folding screens and dedicated them to the king; therefore, the king could look at these daily. Composed of various visual diagrams, symbols, and 1860 Chinese characters explaining such philosophical content, it includes the principles that form all natural things and the principles of life that dominate the mind and thought with refined thoughts of cosmology, ontology, and ethics. Unfortunately, today’s public cannot understand this work properly because of its complexity and unfamiliarity. Thus, we have created <Sunghaksipdo VR>, which invites people to experience and understand its philosophical and ecological meaning as an individual experience and to achieve mindfulness through it. In February 2021, re-illuminating nine seowons, <Sunghaksipdo VR> was also deeply introduced along with Dosan Seowon in the documentary aired via Korean Broadcasting Station. The documentary particularly depicted <Sunghaksipdo VR> in the perspective of how traditional and cultural heritage is being re-illuminated and revisited in the view of young scholars and artists with new technologies.

Biography

Hyun-Jean Lee is an artist who focuses on art history and media aesthetics. Her artwork has been exhibited in various museums and galleries, including Sungkok Art Museum and Zaha Museum in Seoul, Whitebox in New York, and ZKM in Karlsruhe. After earning a Ph.D. from the Digital Media program at the Georgia Institute of Technology, Lee is currently a professor at the Graduate School of Communication and Arts and a director of the X-Media Center at Yonsei University. Lee, as a director, has led a transdisciplinary project, “Sunghaksipdo VR” (a.k.a “VR for Toegye’s Ten Diagrams on Sage Learning”)