Titles
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A Balanced Revitalisation Strategy for the Historic Commerci...A Preliminary Study on Everyday Placemaking of Heritage Site...After the storm: art and heritage in climate crisisAn Adaptation of Henri Lefebvre’s Spatial Trialectic for A...An Alternative Taxonomy of the LivingApplication of Heritage Clay Roof Tiles in Malaysia’s Gove...Architectural Design(s) for Archaeological HeritageArt, History and Nature in the Heart of the CityArtiArficial Touch: Conservation, Invention and Evolution of...Articulating Peripheral Space: New Perspectives in Digital H...Assessment of Visual Pollution in Facades of Heritage Struct...Babyn-Yar Redux: Cinema as a Contested Space of Heritage an...Becoming Digital: the Perspective of Educational Museum Staf...Between Shanshui and Impressionism: A Study on Cultural Perc...Beyond The Archive Rush: Problematizing Emerging Social Medi...British Colonial Manifestation of the Indo Saracenic Charact...Challenges in Treating Cultural Heritage as Living DocumentsCommunity-perceptions of Place-character and Associated Mean...Conflicts between Historical Preservation and Design Adaptat...Construction of Trypitis Bay, Preservation of the Cultural H...Crafting Design Education: Connecting Regional Crafts with D...Czech Technical UniversityDemolition as a brutal intervention over the past: the forme...Doing Design Ethnography for Digital HeritageDystopia, Climate Change, and Heritage Conservation in the L...Ethnological Museums between Historical Building and Exhibit...Exhibition Narrative for Territorial Museums—— The Inter...Extending Intangible Heritage through Embodied Art & Design ...Feeling the Heat: Home, History, Memory and Preservation in ...Formal or Informal Settlements - Development of Two Urban Vi...Fortified Medieval Churches in Transylvania - 12th century, ...Four Ways of Thinking about Cultural Heritage PropertyFourth World EthnomusicologyFrom Socialist Capital Cities to Neoliberal Metropolises: Tr...Global Unity in Apparent Diversity: An Architectural & Cultu...Good Practices for Community Participation in the Rehabilita...Heritage vs. Architecture: A Long-runnig Battle on the Futur...How Libyan immigrants have chosen and decorated their houses...How to Bring a Monument to SpeechHow to Document the Soundscape Features as the Intangible Fo...If you’re not remembered, you don’t exist: Making Intang...Innovation in Seismic and Vibration Protection of Architectu...Intangible Cultural Heritage Through Mediated Experiences: T...Intangible Culture Heritage Education in Taiwan: Exploring M...Integrating gaming features in the online tourism promotion ...Intermedial Fantasy: The Artisanal Worlds of Czechoslovakian...Investigating the System(s) of Making in Hindu Temples of J...Investigation of thermal comfort in historic buildings enhan...Is the Historic Buildings the Best Way to Make EU Climate Ne...Layering understandings of cultural heritage – the cultura...Legal and factual protection of contemporary heritage in Pol...Looking through the Windows of a Waterfront House: Tracing t...Lost and Found Again - Two Places with a distinct character ...Maximizing Environmental Performance of Heritage Buildings u...Media art spaces for refugees: a methodological approach for...Mining Alchemy: New Life after ExtractionMobilizing Social Change through Community-based Public Hist...Museum as a Pharmakon of Memory: the Dialectics in Represent...Music and Architecture: Reconstructing Performance in St Mar...Mutual Identities through a Self-built Neighborhood: La Frag...Negotiating Nicosia’s Public Squares: Auto-Ethnographic Na...Negotiating Social Sustainability in the Giza PlateauOn the Study of Porto’s Murals (1930-1970): Can we Justify...Overdue and Returned: The Story of Boston’s Chinatown Publ...Paleontology and Wildness as Heritage Performance in the Bur...Place-making Based on the Visibility of Religious Building: ...Positioning Sound in Intangible Cultural HeritagePreservation vs Transformation? The Paradox of Fragility in ...Preserving a Space that doesn’t Work: A Predicament Regard...Preserving the Technological Arts in the Asset-Driven Art Sc...Protecting by Knowing: Review and Application of Historic Ce...Public Space as a Way to a Healthy City and LifeRe-Reading the Industrial Heritage in the Vogtland/FojtskoReckoning on a Symbolic Stage: Ethnicity and Memorialization...Reclaiming Identity: Traditional Papermaking Practices in Vi...Recording Inconspicuous Details of the Urban Fabric – in A...Religious Corporations and Heritage Buildings in Baguio, Nor...Remembering Epidemics: Inequality, Discrimination, Solidarit...Resist as identity, resistance as heritage: itineraries of o...Restoring Broken Journeys in the Framework of Urban Reconstr...Reworking Mnemonic Landscapes: Charting a pathway through th...School in Tzar: Cultural Genocide as Heritage PreservationSearching for meaning for microbiome studies on heritageSelective remembrance of the colonial past: The British colo...Skyway: A Contemporary CollaborationSocial DinnerSocial LunchSunghaksipdo VR and Dosan Seowon: New Interpretations and Ap...Symbiotic relationship tree-man-architectureThe Design Paradigm for the Historic Town of JanjevaThe Digital Transformation of Museums: Slavery Heritage and ...The Dual Effects of Ecomuseum in Heritage Tourism - A Case S...The Ethical Mirror: Poetry, Politics, and Architecture after...The Heritage of Playgrounds: How To Remember PlayThe Heritage of Tyneham Unravelled: Between Complex Historic...The Hybrid City: How the Blanka Tunnel Revealed the Multipli...The Impact of Graffiti Images on Image of The City and Visua...The Impact of the Iranian Revolution, War and the Subsequent...The impact of the Saudi Arabian urban policies and Urban Des...The Motion Magnification Applied to the Protection of the Cu...The musealization of bioarchaeological sites. Our next chall...The Physical and Social Construction of Early Public Toilets...The Renaissance Palazzi in the Marche: a Quest for New Funct...The Significance of Historical Centers' Image for Regional I...The Spon Street Scheme: its birth, execution and impactThe Welfare State’s Suburban Building Culture - Discussing...The Welsh Terrace: The Solution for Future HousingThere's a sadness in this community that will never go away:...UNESCO World Heritage Sites and Indigenous Land Rights: Why ...Unifying Object with Experience: Heritage in a Temporal Sett...Unravelling Inherited Resilience in Urban LandscapesUrban industrial building suppression: issues on the collect...Use of Online Platforms/Social Media in the Documentation an...Valletta: the fine line between urban vitality and liveabili...Visualizing Gilman: Counter Methods in Support of Place-Base...Ways of Describing Architectural Quality - A Comparative Stu...Welcome & IntroductionWisdom Of Place: Recovering the Sacred Origins of LandscapeWitness Tree Projectİş Bank Buildings in the History of 20th Century Turkish A...
Presenters
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M. AlBeikG. AllegrettiM. AlmuminM. AlwetaishiA. ArgyrouP. ArthurS. ArtutH. Atmaca(1)H. Atmaca(2)A. BandyopadhyayC. BarkerD. BarnesD. Benham et al.S. Billaud FeragenN.B. BiçerC. BlancoL. BockelmannE. BoultsG. CairnsS. CartaC. Carvalho(1) et al.A. Carvalho(2)B. CastagnaD. Cavicchi et al.W.C.H. ChanC. Chang-Yen PhillipsS. CharoianP. ChatterjeeJ. CirklováB. Comin et al.M. CovaS.J. DacanayL. Dalile et al.R. DavidsK. DaviesP. de KockE. DorostiT. DoğuC. Dumont et al.S. El SabbahyK. EliásD. EverettC.B. EverndenL. FerreiraV. Fioriti et al.C. FrostM. Frölich-KulikC. GalazG. GantoisY. Gao(1)Y. Gao(2) et al.E. GarciaS. GhirardiniJ. Gil-MastalerczykD. GossR. GreenZ. HalimiS. Hamid AkbarG. HelfieldA. HeraclidouR. IbrahimA. Jain et al.P.S. JoshiM.B. JørgensenT. KampmannS. KayasüS. KennedyA. KensingerL. KolbeD. KourriH.J. LeeM. Licata et al.B. MadeiraA. MahboobM. MallalieuJ. MarshS. Martens Gudmand-HøyerD. McGillA. MehtaP. MelkováM. Metalkova-Markova et al.P. MonteiroP.R. Moreira et al.F. Moura FerreiraS. NagdeveD. NaqiI. NikoçeviqJ. OjascastroZ. OsmaniM. OzkarV. PhamA. PittsE. Plümer-BardakB. PolitoM. PopescuS. PramanikG.C. RamosE. ReinhuberM. RipmeesterR. RoarkM. RofeF.J. RongI. RoselliF.S. Rubio SorianoV. RýparE. SaghatforoushV. Singh KatiyarG. SiroisI. SmithT.A. SoomroM.P. SorowkaM. StasiowskiC.C. SteenbergY. SuM.S. SulaimanC. SullivanL. SuskiT. Teba et al.F. TejucoJ. ThorneP. Tonel MonteiroR. TrocchianesiN. Underberg-GoodeP. VališováA. VaštováS. ViegasL. Walikainen RouleauO. WallM. WangJ. Williamson et al.S. WithersO. WlusekS. YuhlA. ZammitX. ZhangM.J. Żychowska
Schedule

IN-PERSON: Prague – Section B

Past and Present - Built and Social
The Ethical Mirror: Poetry, Politics, and Architecture after Palach
J. Williamson et al.
2:00 pm - 3:30 pm

Abstract

The Ethical Mirror: Poetry, Politics, and Architecture after Palach will present the story of the literal and metaphorical transatlantic dialogue that began in 1968 with the suppression of the Prague Spring uprising and the self-immolation of Czech student Jan Palach in Prague’s Wenceslas Square. His act in response to the Russian occupation and his subsequent death four days later inspired the 1969 poem/elegy The Funeral of Jan Palach by the American student-radical and poet David Shapiro. In 1986 responding to the poem (and in honor of Palach’s sacrifice), the Czech-American architect John Hejduk creates The House of the Suicide and The House of the Mother of the Suicide structures. In 1990 architecture, poetry, politics, and the belief in democracy and human rights coalesce when President Vaclav Havel invites Hejduk to erect the structures in post-Communist Czechoslovakia. This presentation (based upon a forthcoming edited volume by Hejduk, Hillyer, Shkapich, and Williamson that retells the 50-year history of this international conversation) will tell the story of this unique relationship that began with Palach’s act of defiance against totalitarianism, the poem by the renowned American poet David Shapiro, the invitation to the Czech-American architect John Hejduk by President Vaclav Havel to mount the first exhibition of an American architect’s work in the newly formed Czech Republic, and subsequent involvement of and help offered by the architectural community in the Czech Republic to help bring Hejduk’s work the newly open Czech architectural community. In January of 2016, upon the anniversary of Palach’s death, and twenty-five years after Havel and Hejduk met on the grounds of the Castle with Palach’s family, Ambassador Shirley Temple Black, and the poet David Shapiro, the City of Prague unveiled a memorial to Jan Palach designed by John Hejduk on the banks of the Charles River in Prague.

Biography

Jim Williamson is a Professor of Architecture at Texas Tech University (TTU) where he served as Dean from 2016–21. He holds a Bachelor’s of Architecture from TTU, a Master’s of Architecture from Cranbrook Academy of Art and pursued graduate studies in history and theory at the Architectural Association. Williamson taught at Cornell from 2001–16 where he directed the undergraduate and graduate programs and coordinated the freshman design sequence. He has taught design and theory at numerous institutions including Harvard University, The Cooper Union, Columbia University, Rhode Island School of Design, Rice the University of Texas at Austin, and Georgia Institute of Technology.

Renata Hejduk, PhD, is an Associate Professor of architectural history and theory in The Design School at Arizona State University. At ASU she is a faculty affiliate of The Barrett Honors College, the School of Historical, Philosophical, and Religious Studies, the Biomimicry Center, and the Mary Lou Fulton Teachers College. Her research is focused on European and American avant-garde art, architecture, and urbanism and thought from around 1960 to the present. She is also engaged in research on Reggio-Emilia Early Childhood Education and has a forthcoming book to be published by Routledge.

Steven Hillyer has curated, designed, and installed numerous exhibitions presenting the work of such distinguished architects as Raimund Abraham, John Hejduk, Bernhard Hoesli, Louis I. Kahn, Daniel Libeskind, Franco Purini, Carlo Scarpa, Massimo Scolari, Michael Webb, and Lebbeus Woods, Mary Kelly, Costantino Nivola, and Robert Slutzky. Additionally, Hillyer is involved in the fabrication of the numerous publications produced by the School’s Architecture Archive.

Kim Shkapich was educated as a filmmaker, designer, and artist. She practices as both a graphic designer and editor. She was the graphic designer and director of exhibitions and lectures at Harvard University’s Graduate School of Design, the head of the Architectural Archive and Architectural Exhibitions at The Cooper Union, and a long-time collaborator and book designer/editor for the architect John Hejduk. She has won numerous awards and grants for her books, exhibitions, and research including the PS1/MoMA Young Architects Award for her project with Obra Architects, she was part of numerous Graham Foundation grants, she was nominated for the Chrysler Award for Innovation in Design, and several International Architecture Book Award from the American Institute of Architects and many other design awards.