Presenting the work of the Captivate: Spatial Modelling group (https://blogs.gre.ac.uk/captivate/) New modes of engagement with specific sites of historical interest can bring much needed knowledge and understanding of our contemporary plight. Reflecting dominant thinking from the period of their construction, such sites – that have long appeared to be frozen in time, permanent structures of cultural significance and monuments to order and a time when everything stood still – can now reveal new insights. Captivate use a range of digital mapping technologies to investigate the object as data set, where sound and the diffuse temporality of noise are incorporated This approach serves to challenge a mode of sensory engagement with the world that has been conditioned by centuries of normative practices, resulting in a particular form of ocularcentrism. Such practices are historically contingent, and in some ways, arbitrary (though often imposed for good reason). They have plotted an anthropocentric course that is now rightly being questioned. Old certainties no longer endure, and we face a choice: to remain static and perish along with our planet and its moribund political and economic structures or embrace uncertainty and the constancy of change; experiencing the world anew, using combinations of sensory perception enabled by new technology and informed by critical thinking. We must set in train immediately further research into different modes of experiencing, to challenge previously received logic and knowledge and to embrace the challenges of the future.
Professor Stephen Kennedy’s work extends across Media, Digital Arts and Sound Design. His research interests lie at the intersection of theory and practice in relation to the political economy of contemporary communications technology. He is the author of Chaos Media: A Sonic Economy of Digital Space (Bloomsbury, 2015) and Future Sounds: The Temporality of Noise (Bloomsbury, 2018). His work involves reformulating the idea of noise as a means of supporting philosophical frameworks capable of accounting for the complex nature of contemporary digital environments.
Simon Withers leads the Captivate: Spatial Modelling Research Group. In February 2020 using Ground Penetrating Radar Captivate discovered the location of King Henry VIII’s tilt yard complex (jousting ground), banqueting house, and disguising house (theatre). Now undertaking a PhD allied to the Research Group, ‘Captivating the Attention of Strangers. Since 2012 a teacher at the AA, Hooke Park, the Bartlett and the University of Greenwich. From 2008 to 2016 founding partner in a variety of companies involved in various aspects of architecture and from 2000-08 an eponymous architectural design practice. Previously founder of an electrics company specialising in high speed LED software and hardware, a partner in an architectural practice, production assistant to Matthew Barney, design assistant to Malcolm McLaren, design assistant to Vivienne Westwood.