Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Decolonial Framework for Understanding the Heritage of Mig...A visual and ethnography analysis of Yangjiabu woodblock pri...Brookes (Revisited)Building New Animism into UNESCO Management PlansCalling on Ghosts: Lessons in Creativity from the Ruins of J...CAPTIVATECaptivate - Spatial Modelling Research GroupChoreographing Cultural Heritage: Dance, Festivals and State...Concrete citizens: sculptural dockers and neighbours on two ...Contextualized Digital Heritage Workshop York - Barley Hall:...Cultural Assets and Vernacular Materials: Exploring Changing...Curating Senses and Feelings in the world of William Hogarth...Darb Zubyadah: Different Approaches to Cultural Interchange ...Desert Truffles and the Living Heritage of Qatar: Bridging E...Digitalisation of Heritage in New Zealand: Challenges and Op...Digitizing Cultural Heritage: Methodologies for Preservation...Dissonant Pasts: Lacunae, Memory and Forgetting in Public Sp...Djerba in Crisis: Vernacular Heritage at Risk in the Face of...Drawing the Modern Past: Orthographic Documentation and Digi...Enhancing heritage practice through spatial sound art: A sit...Furnishing a Future: Designing a Contemporary Lace for Gover...Games, Gaelic, and the Highlands: Cha B’ e Ruith Ach Leum ...Gender Equality: 40 years on!Genesis and Genealogies: Lieux de Mémoire and Counter-Monum...Greenwich Park Revealed - How the Past and Present has Futur...Guernica Orientale: A Visual Vocabulary of Anticolonial Resi...Heritage Without a Nation: Pearl Palace and the Limits of UN...House for a Superstar: Sets Fit for The Queen [The Queens Ho...Hypercraft Revisited: Lace and Parametric ModelingIlluminating the Past: The Role of Projection Mapping in Her...Illustrated Heritage: Using Comics to Illuminate and Preserv...Integrated digital approach for the knowledge process of the...Intersectional Identity and Urban Planning: Empowering Women...Introducing VirtuAlive: A Conservation PhD Project-Indirect ...Jamdani Weaving, House forms and Choices: Stories of Jamdani...Layers of Adaptation: Investigating Vertical Mobility and Ar...Leveraging Lieux de Mémoire for Healing: A Grenada Case Stu...Literary Fiction as Mode of Conserving Culturel HeritageLiving in Fear and Trust: A Comparative Study of the Histori...Loundspeaker Orchestra, ‘Voyages’ concert performanceMicro Art EngineeringMobile Digital Storytelling and Heritage InterpretationMorrísland* William Morris and IcelandNavigating Cultural and Natural Landscapes: Heritagization a...Now Hear Then: Introducing Geolocated Audio to Explore the E...Peckham Phygital by Club Virtual: weaving new narratives of ...Preserving Architectural Models - the Heritage and Conservat...Proximity, Peripheries, and Preservation: Rethinking the Edg...Repositioning the Prime Meridian: an Artist's Ongoing Explor...Revisiting Sound Heritage at Sites: Soundscape, Embodiment a...Scar or School?: A Nigerian Perspective on Preservation of B...Social GatheringSoundmirror: Reimaginiing our Coastal Landscape Through Soun...Staging Memory: Heritage Tourism and the Politics of Remembr...Sustaining Heritage through Craft: A Long-Term Approach to C...The Algorithmically Authorised Heritage Discourse as a Tool ...The Barrow in the Landscape – Destroyed, Restored, Redefin...The Cultural Importance and Application of Kuwaiti Al-Sadu W...The Fog of Authorship: Modern Architectural Heritage and the...The Leather HubThe Missing Building: Participatory Design, Identity, and Be...The Politics of Verticality: Heritage and the Cornish Landsc...The Role of Interactive Spatial Storytelling in Reviving Cul...The triadic concept of heritage recordingThe Wild Nature of our Heritage: Does heritage benefit the m...Together stronger: Training citizens & professionals to prot...Tracing Social Cohesion Discursive Repertoires in UNESCO Doc...Triage in the Combat Zone: alternative artistic approaches t...Ulster’s Orange Halls: heritage worth surrendering?Use of Dissonant Built Heritage: The Case of Former Site of ...Violence and Heritage. Postpreservation in Chilean Sites of ...Waking Sleeping Giants: The Painted Hall, Greenwich and othe...Welcome and introductionWhy is it so hard to work with relations and not only object...YouTube and Dominant Heritage Representations
Schedule

IN-PERSON London Heritages. Section B

Critical Questions – Contemporary Practice
Peckham Phygital by Club Virtual: weaving new narratives of Peckham's urban fabric through creative digital spatial practice
P. Maloney
3:30 pm - 5:30 pm

Abstract

Peckham Phygital is a project by Club Virtual a group of staff and students from the MA Interior and Spatial Design at Camberwell College of Arts, University of the Arts London. It seeks to preserve and re-interpret the cultural and architectural heritage of the Peckham area in South London through the use of LiDAR (Light Detection and Ranging) scanning technology. Peckham Phygital builds upon the project ‘What a Mess’ by Hugo Pilate and Pedro Gil Pharias in 2023. Members of Club Virtual will conduct walks through Peckham, creating LiDAR scans of the urban fabric, a process which Pharias and Pilate poignantly connect to the impressionist method of painting ‘en plein air’ thus bringing together pointillism and the point cloud. The project reflects the growing use of LiDAR technology within creative practice growing from fields such as architecture, heritage, design and the digital arts as practitioners seek to build digital worlds that cross spaces and times, simultaneously conserving pasts, critiquing presents and speculating futures. The use of Peckham reflects its focus as a site of rapid development through gentrification and globalisation. Its use as a site for a recent romcom ‘Rye Lane’ (2023) suggesting it may be the next ‘Notting Hill’. This paper will discuss the project within this critical context of using creative cross disciplinary digital practice to explore the critical heritages, shifting presents and speculative futures of this vibrant South London district, currently one of the most ethnically diverse areas of the UK.

Biography

Peter Maloney is Senior Lecturer on the MA Interior and Spatial Design, University of the Arts London. He is a cross disciplinary designer and has presented his research practice nationally and internationally, including Tate Modern, RIBA, ICA and Art Electronica. His teaching and research explore digital spatial practice through speculative and worldbuilding methods. He is a member of the In-heritage Group at UAL. In 2021 he collaborated with Collectarium to produce the Lockdown Space project, most recently exhibited in 2024 at Somerset House London as part of the Now Play This’ Festival.