This paper examines the potential of a cultural design ethos to humanize cities and to affect positive change despite growing regressive ideological and political efforts. Using a study abroad course conducted in June 2022 as an impetus, the paper focuses on Copenhagen, a city whose design philosophy has been centered around social and environmental well-being post-World War II. Voted the happiest city on earth in 2019, the recent change in Denmark’s political climate threatens to reverse the progress made by this design-centric, eco-centric, human-centric, and forward-thinking city in the late 20th and early 21st centuries and marks a dangerous trend occurring across Europe today. By exploring a series of historical and contemporary case studies, the paper will analyze how Danish design has permeated urban life to demonstrate the benefits of a consciousness that places the city in harmony with human beings and the environment. Following 15 female Arab students through the “happy city”, we measured the impacts on a culture that prioritizes humanized design. Through documented experiential, autoethnographical research and creative production culminating in a multimedia journal, students generated a collection of independent and collaborative mappings of Copenhagen, exposing a willingness to experiment found throughout all aspects of design in attitude as much as practice. Finally, the paper questions the power of a collective attitude of environmental and social responsibility to stand in the face of a surging right-wing movement in the hopes of making a case for a cultural design ethos toward urban futures.
Tania Ursomarzo is an architect, multi-disciplinary designer, fabricator, and educator. Currently, she is an Assistant Professor at the American University of Sharjah where she teaches across the disciplines of Architecture and Interior Design. Previously, she taught in the School of Constructed Environments, School of Design Strategies, and School of Fashion at Parsons School of Design, The New School. Her creative practice explores the capacity for hybridized fabrication techniques to advance design. She holds degrees from the University of Toronto and Cranbrook Academy of Art.