Automated system test schedule

Abstract

The architect Ludwig Mies van der Rohe began to work on the development of open spaces as early as 1945, materialized for the first time in the unbuilt proposal for the Cantor Drive-in restaurant in Indiana, USA. Until the completion of the Neue Nationalgalerie in Berlin in 1968, he developed many projects that explored the possibilities of a space free of internal structural supports; a flexible space, a universal space. With the understanding that architecture exists in a state of tension between change and permanence, Mies conceived of the structure as an architectural factor capable of resisting the passage of time, while the function of the space was expected to change. In the steel frame structure, Mies found that with lighter profiles and greater spanning capability the interior space could be liberated by reducing or eliminating the need for interior structural supports, and the facades could be opened up to let in more daylight and air. Because such a building could accommodate any kind of function, the steel frame structure soon became tied to the expression of a universal space. Mies worked on this research both professionally and in his educational work. From 1938 when he became the director of the Architecture Department of the Illinois Institute of Technology in Chicago until he left in 1959, the graduate program in architecture was a laboratory of ideas in which to test new solutions. This paper explores the development of these ideas in two parallel tracks, through relevant master thesis projects supervised by Mies at IIT, and through the proposals developed by the architect in his office. The aim is to demonstrate a connection between the architecture of Mies and that of his students in the development of the concept of universal space.