Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A collaborative framework for role-based credentialing syste...A Study of Modern Architectural Education: Connections to Ba...Archives as Pedagogical ToolsAttacking the State-Planned System from the Periphery: Pedag...Biophlic Net-Positive Architecture: An Integrated Design Stu...Cardboard architecture: a multidisciplinary response to Covi...Citizen Literacy: Designing Digital Infrastructures to Suppo...Combining methodologies: teaching complexity to improve stud...Concepts of Space, Landscape and Place in Methodology of Arc...Design-Research project: "Cosmopolitan Habitat". Urban Narra...Designing for Biodiversity in the Future City: Pedagogy and ...Disabled expertise in studio teaching – a candidate approa...‘Doing gender’ on a creative course: an auto-ethnographi...Doubt as TruthDrawing Out: Architectural Research and Education based on L...Educating for a Democratic Practice of ArchitectureEducation of Architecture as a Civilian Act of Producing Kno...Evolution of the culture of learning spaces; towards inclusi...Flipped Classrooms to Flipped Colleges: Transitioning Facult...How does the participation of fifth-grade teachers in profes...It’s Elemental: Working Water into The Rising StudioKeynote with Q&ALand.Arch.Infra: Synergies between teaching and researchLaunching Into Life After College: Imagining What we Don’t...‘Lockdown learning’: Belonging beyond the built environm...M[ ]VE: Transgressive TacticsMaking It Work: How architectural attributes impact the prod...MIES'S UNIVERSAL SPACE: IIT as a laboratory of Ideas.Mixed Reality Design-Production Research Through Cooperative...MSA Catalysts: Advanced Peer Learning through Vertical Group...Mud as a Construction Material in Rural Dwellings: Study of ...My room – A Covid 19 school tale of creating a visual stor...Pedagogic atmospheres: What could architectural practice lea...Pedagogical and epistemological dialogues in teaching archit...Post-Disciplinary Futures: For the Best Way to Predict the F...Regenerating under-populated areas through participatory arc...Retooling the Classroom: Pedagogies of Making in the History...Safe Rehearsal Space: A Hospitable Classroom EnvironmentSolving a Problem-Based Project: CET Senior Capstone Expands...Student Course Attrition and Perceptions of Engagement in re...Study Abroad Teaching: London Architecture and UrbanismTALKING, DRAWING AND REALIZING TOGETHER: Identifying element...Teaching Building Information Modelling using Virtual Buildi...Test title for AdeyemiTest title for MonacoTest title for PorterThe Bauhaus School Building as Teaching Agent: An Experiment...THE EXPANDING MULTI-VERSE: Adapting to a new culture of lear...THE NEW PARADIGM OF TEACHING DESIGN: A reflection about inno...The Shrewsbury Test: Mapping Live Impact and Vertical Varian...The Use of Exploratory Geographic Fieldwork Techniques in th...The Use of Project Management in Art@NAC: How the integratio...Three Paths Through the Forest: An Exploration of the Teachi...Transitioning a design heavy TBL module to online delivery i...Use Film as Research Method for Students!Virtual Reality in Design, A new studio environmentVisions of the Past: The Graphic Design Student as HistorianWalk In Progress: Walking as an experimental method within e...Welcome and introduction What has one eye, one horn, Flies and Eats purple people?
Schedule

Automated system test schedule

Use Film as Research Method for Students!
MSA Catalysts: Advanced Peer Learning through Vertical Group Projects
V. Jolley
7:30 pm - 7:00 pm

Abstract

The Manchester School of Architecture has advanced peer-to-peer learning by linking multi-level group work with its outreach work. This pedagogic approach has become an essential vehicle to progress the School’s ambition to connect academia, the architectural profession and societal networks whilst offering a rich learning experience for the student. Embedded into the curriculum, the School adopts this approach at key points during the academic year, requiring students to collaborate through intense ‘vertical’ projects. Students from different levels of study across undergraduate and postgraduate programmes unite to explore an architectural proposal or contemporary agenda in relation to a live project as group work. The addition of external collaborators, who may act as client or participate as an active team member, enhances student learning, experience and debate. This paper will introduce and analyse this model’s pedagogy and good teaching practice through two examples of the School’s established peer learning projects, the Events Programme (2008 to date) and the All School Project (2015 to date). Sitting at each end of the academic year and driven by live agendas, these vertical projects provide an experimental area for design and research. The All School Project (September) involves the entire school responding in teams to a single brief created in collaboration with a local external partner to rapidly produce 50 solutions to a single design or research question. The Events Programme (April) is a collection of 20 collaborative projects. Working with a live client, the brief for each ‘Event’ is prepared by groups of three or four students in the postgraduate MArch course and delivered to groups of approximately 16 undergraduate students from the BA (Hons) course in Architecture Years 01 and 02. Activities during Events are researched, designed, planned and taught by MArch students who are then assessed on their project management.

Biography

Victoria Jolley is an architect who joined the MSA in January 2015 and has taught across the undergraduate and postgraduate programmes.  A Fellow of the HEA and a member of SEDA, she co-ordinated the School’s Events programme for three years from 2015. She is currently undertaking a PhD focusing on Central Lancashire New Town (1967), a part-realised super-city designed to accommodate 500,000 people.  This has fostered an interest in garden cities and suburbs, new towns and dynamic linear growth strategies. In 2009 Vicky gained a Master of Philosophy by Research focusing on Lee House, Manchester (1927-31), an incomplete tall building that demonstrates the influence of the American skyscraper on 1920s British commercial architecture.  Designed by Harry S. Fairhurst and Son, Vicky was introduced to the firm’s early work after she graduated from Manchester University, whilst employed as an architectural assistant at the Fairhursts Design Group.  Edwardian architectural pioneers and construction innovation remain a keen interest.  On graduating from the Mackintosh School of Architecture, Vicky practiced in Manchester, working primarily in housing and building conser