This paper/presentation explores disability justice as it is enacted through creative interpretive pedagogical practices, by first positioning crip desire as a valid motivating force. This positioning uses trans-ableism as a provocative theoretical turn to challenge complacency and pre-existing models for disability perception. The following discussion then explores concepts of care, liberatory access, intersectionality and the body, and intimacy.
I situate disability as desirable and truly sexy: an active agent which ignites and informs theory, art, learning, and action. This consideration moves me to consider applications of this positionality, particularly in relation to performative and visual practices and in/for locating disability arts and disability artistic practice at the forefront of innovative artistic creation and exhibition curation. I will draw examples from my Creative Research Inclusive Practices (CRIP) Lab, OCAD University research, performances by crip community artists, and my own curatorial collaborations with emerging disability artists.
Dr. Pam Patterson is Assistant Professor, OCAD University leading Art & Design Education Lab in the Faculty of Art, co-leading Creative Research Inclusive Practices (CRIP) Lab and directing 113Research, a research creation curatorial/interpretive educational student mentoring gallery. At WIAprojects, a feminist-inspired, community-based program, she supports emerging artists, curators, and educators. She is also a research fellow in the Master’s in Art Education program, NSCAD University. As a queer disability artist, Patterson has exhibited and performed across Canada and internationally.