Titles
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A Bio-Inspired Design Approach to Critical ThinkingAlchemical Experiences: Investigating Big Changes through Sm...An Investigation into Potential Use of UAVs in the Fields of...Artificial Intelligence: New PerspectivesATOMic Thinking / ATOMic Learning: Cedric Price and the Valu...Character-Led Design in Architectural Pedagogy: Advancing In...Clothes Maketh the Man: Alternative Pedagogies in Fashion De...Collaboration is Sweet and Sour: Modeling ProcessCollaborative Teaching Practice for Architecture EducationCreating Access in Art Education: Insights from the Covid-19...Crip Desires and Art PedagogyCrisis and Critique: Concerning ArchitectureCritical Thinking as a Catalyst - Transforming First-Year C...Critical thinking as resonant encounter in art school pedago...CTI: a Module for the Development of Critical Thinking and I...Design students’ reflections on their reflective experienc...Designing Futures: Interior Spaces of Refugee Education in K...Developing Student Worksheets for SDGs-Based Problem-Solving...Didactic Design: Reimagining Engagement in the General Educa...Ecological Attention as Ethical Practice: Sit-Spots as Perso...Emerging Paradigms in Interior Design Education: Navigating ...Empowering Brick-and-Mortar Entrepreneurism: Establishing a ...Engaging Young Audiences: An Educational Exploration of 19th...Entangled Belonging: Rethinking Agency and Identity in Unive...Exploring Memes as Pedagogical Instruments for Decolonial Di...Exploring the Landscape of Critical Thinking in Chilean Univ...Extraterritorial Future VisionsFlipping the Script: Reorienting the Art History Survey thro...From Paper to Engagement: Using Zine-Making as an Interactiv...Giving Image and Design Givenness: The Hallmarks of Designi...How to Create Your Own Critical Thinking SimulationImperfect Drawing: (Re)Learning the Architectural Representa...Indigenising Architecture Design Studio 1 at the University ...Information Theory, Big Data, and the Art of Persuasion: A C...Integrating Immersive Technology in Interactive Website for ...International Collaborations in University Art EducationInvestigating the Spectrum of Gender and Ornamentation Throu...Kunstwurst: Critical Control at the Sausage FactoryLighting the Fire: Using Paideia Seminars to foster preservi...Map as Argument: Thinking and Constructing GroundsMentoring Tomorrow's Educators: Embracing Transparency and I...Mix and Match as a Relational PedagogyOne Problem, Two Questions: Exploring Critical Thinking and ...Operational Strategies: New Models of Thinking "Through" the...Pedagogical Innovation in Virtual-Hybrid Learning: Lessons f...Perceptions of critical thinking among university students t...Power Dynamics in Performance Education - Exploring the Impa...Process as Product: Exploring the Relationship between Devel...Re-tracing Our Steps: Historicizing and Re-thinking Rituals ...Regulatory Nonsense, in Retrospect: We Forced a Bot to Co-Wr...Reinforcing Design Details Through Full-Scale Construction M...Research, Experience and Imagination: how students develop ...School as a Hybrid SystemShaping Tomorrow’s Educators for a Globalized World: How I...Speculative and Critical Approaches in Architectural Educati...State of Critical Thinking Teaching in Chilean Universities.Student Agency and Design History/Theory…in the Classroom ...Studio ManifestoTeaching and Learning as Performance Art: Inclusive and Embo...Teaching for Belonging: Design Education to Build Diversity,...Teaching Methodologies for Dissemination of Work of Minority...Teaching without Fear: Care, Engagement, and Inclusion in th...Temporality Now! Decoloniality-Priority in the Pedagogical T...Testing Interiors: An Exploration of Emerging Digital Practi...The Allegorical Visual ConstructThe Big 5- Inclusive First Nations PedagogiesThe Case for Quantum Art EducationThe Community as Classroom: Cross-disciplinary Engaged Learn...The Lasso way: Becoming our best selves through an inclusive...The New School of Environmentalism as Pedagogy: Rhetorical S...The Sifter: A Conceptual Model for Critical Thinking among P...Thinking Through Practice: Re-envisioning Kolb Through Appli...Urban Chameleon Design Studio, Rethinking Contemporary Build...Using AI To Bridge The Gap Between Textual Narrative And Vis...Using Virtual Reality in the First-Year Art History Survey t...You Draw it, (a)I Write it: Dialectics of Text and Image in ...
Schedule

VIRTUAL New Schools of Thought

Part of the Focus on Pedagogy Series
A Bio-Inspired Design Approach to Critical Thinking
M. Guzowski & W. Weber
3:30 pm - 5:00 pm

Abstract

This paper explores a “bio-Inspired” design research collaboration between a team of educators from biology and architecture at the University of Minnesota. It considers how biology can inform design thinking, processes, and outcomes to enhance ecological and health benefits for humans, other species, and the planet. Bio-inspired design frameworks – such as biomimetic, biomorphic, biophilic, bioclimatic, and others – look to biological models, processes, and systems for strategies to expand design thinking in response to the ecological challenges of our day (Bhushan 2009). The design approach discussed in this paper integrates these frameworks with a six-step Bio-Inspired Design Process that was adapted from a Biomimetic Process developed by engineer Pierre Emanual Fayemi et al. (2017). The design process has been reframed from “biomimetic” (mimicking biology) to “bio-inspired” (drawing design inspiration from biology) to provide greater flexibility to designers in translating biological strategies from various bio-design frameworks. The six-step process represents a sequence of iterative design explorations that guide a practitioner as they integrate human design space with biological space. The integrated six-step design process enable designers to translate the design challenge more accurately into biological terms, deepen the biological accuracy, and structure the translation of biological strategies into design concepts. A case study of a series of bio-inspired daylighting design interventions to an existing building is used to illustrate how the six-step bio-inspired design process and select bio-inspired frameworks can be used to inform and shape critical design thinking, methods, and outcomes to enhance biological inspiration in design education and practice.

Biography

Mary Guzowski is a Professor in the School of Architecture at the University of Minnesota where she teaches and conducts research on daylighting, solar, bio-inspired, and sustainable design. Her publications include the three books, web-based design resources, and scholarly articles. Her research focuses on bio-inspired and biophilic approaches to daylighting, solar architecture, and net-positive design. She is currently collaborating with a team of biologists and designers to investigate bio-inspired design strategies and methods.

William Weber