Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Bio-Inspired Design Approach to Critical ThinkingAlchemical Experiences: Investigating Big Changes through Sm...An Investigation into Potential Use of UAVs in the Fields of...Artificial Intelligence: New PerspectivesATOMic Thinking / ATOMic Learning: Cedric Price and the Valu...Character-Led Design in Architectural Pedagogy: Advancing In...Clothes Maketh the Man: Alternative Pedagogies in Fashion De...Collaboration is Sweet and Sour: Modeling ProcessCollaborative Teaching Practice for Architecture EducationCreating Access in Art Education: Insights from the Covid-19...Crip Desires and Art PedagogyCrisis and Critique: Concerning ArchitectureCritical Thinking as a Catalyst - Transforming First-Year C...Critical thinking as resonant encounter in art school pedago...CTI: a Module for the Development of Critical Thinking and I...Design students’ reflections on their reflective experienc...Designing Futures: Interior Spaces of Refugee Education in K...Developing Student Worksheets for SDGs-Based Problem-Solving...Didactic Design: Reimagining Engagement in the General Educa...Ecological Attention as Ethical Practice: Sit-Spots as Perso...Emerging Paradigms in Interior Design Education: Navigating ...Empowering Brick-and-Mortar Entrepreneurism: Establishing a ...Engaging Young Audiences: An Educational Exploration of 19th...Entangled Belonging: Rethinking Agency and Identity in Unive...Exploring Memes as Pedagogical Instruments for Decolonial Di...Exploring the Landscape of Critical Thinking in Chilean Univ...Extraterritorial Future VisionsFlipping the Script: Reorienting the Art History Survey thro...From Paper to Engagement: Using Zine-Making as an Interactiv...Giving Image and Design Givenness: The Hallmarks of Designi...How to Create Your Own Critical Thinking SimulationImperfect Drawing: (Re)Learning the Architectural Representa...Indigenising Architecture Design Studio 1 at the University ...Information Theory, Big Data, and the Art of Persuasion: A C...Integrating Immersive Technology in Interactive Website for ...International Collaborations in University Art EducationInvestigating the Spectrum of Gender and Ornamentation Throu...Kunstwurst: Critical Control at the Sausage FactoryLighting the Fire: Using Paideia Seminars to foster preservi...Map as Argument: Thinking and Constructing GroundsMentoring Tomorrow's Educators: Embracing Transparency and I...Mix and Match as a Relational PedagogyOne Problem, Two Questions: Exploring Critical Thinking and ...Operational Strategies: New Models of Thinking "Through" the...Pedagogical Innovation in Virtual-Hybrid Learning: Lessons f...Perceptions of critical thinking among university students t...Power Dynamics in Performance Education - Exploring the Impa...Process as Product: Exploring the Relationship between Devel...Re-tracing Our Steps: Historicizing and Re-thinking Rituals ...Regulatory Nonsense, in Retrospect: We Forced a Bot to Co-Wr...Reinforcing Design Details Through Full-Scale Construction M...Research, Experience and Imagination: how students develop ...School as a Hybrid SystemShaping Tomorrow’s Educators for a Globalized World: How I...Speculative and Critical Approaches in Architectural Educati...State of Critical Thinking Teaching in Chilean Universities.Student Agency and Design History/Theory…in the Classroom ...Studio ManifestoTeaching and Learning as Performance Art: Inclusive and Embo...Teaching for Belonging: Design Education to Build Diversity,...Teaching Methodologies for Dissemination of Work of Minority...Teaching without Fear: Care, Engagement, and Inclusion in th...Temporality Now! Decoloniality-Priority in the Pedagogical T...Testing Interiors: An Exploration of Emerging Digital Practi...The Allegorical Visual ConstructThe Big 5- Inclusive First Nations PedagogiesThe Case for Quantum Art EducationThe Community as Classroom: Cross-disciplinary Engaged Learn...The Lasso way: Becoming our best selves through an inclusive...The New School of Environmentalism as Pedagogy: Rhetorical S...The Sifter: A Conceptual Model for Critical Thinking among P...Thinking Through Practice: Re-envisioning Kolb Through Appli...Urban Chameleon Design Studio, Rethinking Contemporary Build...Using AI To Bridge The Gap Between Textual Narrative And Vis...Using Virtual Reality in the First-Year Art History Survey t...You Draw it, (a)I Write it: Dialectics of Text and Image in ...
Schedule

VIRTUAL New Schools of Thought

Part of the Focus on Pedagogy Series
International Collaborations in University Art Education
P. Sramek & G. Mira-Diaz
5:30 pm - 7:00 pm

Abstract

In this conference presentation, based on the book Modelling International Collaborations in Art Education (Intellect Books, June 2024), two of the book’s co-authors explore the hybrid use of online and in-person collaboration as a means of offering international experience to university-level arts students. With over a decade of co-teaching and learning across university programs, we articulate a collective knowledge based on the experiences of the International Art Collaborations Network (INTAC), the Collective Body group, and related programs which we and the book’s contributors have participated in as educators and students since 2010. These programs have included art programs in Canada, Finland, South Korea, Germany, Japan, India, Mexico, Brazil, USA and the United Kingdom. An overview of pedagogical and methodological topics traces an evolution of curricular approaches as well as the use of evolving online platforms over the past 15 years. Examples of themes and teaching strategies demonstrate the dynamics of student-directed collaborative learning. In writing the book, diverse voices have been gathered through research conducted with educators and alumni connected to INTAC, providing diverse perspectives on working collaboratively in the global context and across institutional environments. The presentation inspires reflection on teaching methodologies and student artmaking strategies across cultures and languages as well as best practices for facilitating student engagement in the online space. We summarize and highlight the importance of collaborative learning in the international sphere today and the dynamics of facilitating and sustaining such experiences in university programs.

Biography

Peter Sramek is a visual artist and educator with a practice in photography and book arts. As professor (now emeritus) at OCAD University (Canada) he has worked to develop innovative curriculum in the arts over more than 4 decades. Since 2010, the development of the International Art Collaborations network has been a key focus for ongoing efforts to expand experiential and cross-cultural learning opportunities for students. His books with Intellect Press include, Modelling International Collaborations in Art Education (2024) and Piercing Time: Paris After Marville and Atget 1865–2012 (2013).

Giselle Mira-Diaz is a Latinx lens-based artist and professor at Indiana University Northwest, living in Chicago. Giselle’s internationally exhibited artwork explores the complexity of immigration, hybrid cultures, heritage, and identity through various mediums, including photography, performance, experimental video, and papermaking. Her passion is to promote equality and social justice through collaborative art practices. She has a BFA from OCAD University, MA in Art Education from The School of the Art Institute of Chicago, and an MFA in Photography from Columbia College Chicago. Mira-Diaz participated in INTAC (2015-2019) and joined the INTAC research team, co-authoring Modelling International Collaboration in Art Education.