In this conference presentation, based on the book Modelling International Collaborations in Art Education (Intellect Books, June 2024), two of the book’s co-authors explore the hybrid use of online and in-person collaboration as a means of offering international experience to university-level arts students. With over a decade of co-teaching and learning across university programs, we articulate a collective knowledge based on the experiences of the International Art Collaborations Network (INTAC), the Collective Body group, and related programs which we and the book’s contributors have participated in as educators and students since 2010. These programs have included art programs in Canada, Finland, South Korea, Germany, Japan, India, Mexico, Brazil, USA and the United Kingdom. An overview of pedagogical and methodological topics traces an evolution of curricular approaches as well as the use of evolving online platforms over the past 15 years. Examples of themes and teaching strategies demonstrate the dynamics of student-directed collaborative learning. In writing the book, diverse voices have been gathered through research conducted with educators and alumni connected to INTAC, providing diverse perspectives on working collaboratively in the global context and across institutional environments. The presentation inspires reflection on teaching methodologies and student artmaking strategies across cultures and languages as well as best practices for facilitating student engagement in the online space. We summarize and highlight the importance of collaborative learning in the international sphere today and the dynamics of facilitating and sustaining such experiences in university programs.
Peter Sramek is a visual artist and educator with a practice in photography and book arts. As professor (now emeritus) at OCAD University (Canada) he has worked to develop innovative curriculum in the arts over more than 4 decades. Since 2010, the development of the International Art Collaborations network has been a key focus for ongoing efforts to expand experiential and cross-cultural learning opportunities for students. His books with Intellect Press include, Modelling International Collaborations in Art Education (2024) and Piercing Time: Paris After Marville and Atget 1865–2012 (2013).
Giselle Mira-Diaz is a Latinx lens-based artist and professor at Indiana University Northwest, living in Chicago. Giselle’s internationally exhibited artwork explores the complexity of immigration, hybrid cultures, heritage, and identity through various mediums, including photography, performance, experimental video, and papermaking. Her passion is to promote equality and social justice through collaborative art practices. She has a BFA from OCAD University, MA in Art Education from The School of the Art Institute of Chicago, and an MFA in Photography from Columbia College Chicago. Mira-Diaz participated in INTAC (2015-2019) and joined the INTAC research team, co-authoring Modelling International Collaboration in Art Education.