Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Bio-Inspired Design Approach to Critical ThinkingAlchemical Experiences: Investigating Big Changes through Sm...An Investigation into Potential Use of UAVs in the Fields of...Artificial Intelligence: New PerspectivesATOMic Thinking / ATOMic Learning: Cedric Price and the Valu...Character-Led Design in Architectural Pedagogy: Advancing In...Clothes Maketh the Man: Alternative Pedagogies in Fashion De...Collaboration is Sweet and Sour: Modeling ProcessCollaborative Teaching Practice for Architecture EducationCreating Access in Art Education: Insights from the Covid-19...Crip Desires and Art PedagogyCrisis and Critique: Concerning ArchitectureCritical Thinking as a Catalyst - Transforming First-Year C...Critical thinking as resonant encounter in art school pedago...CTI: a Module for the Development of Critical Thinking and I...Design students’ reflections on their reflective experienc...Designing Futures: Interior Spaces of Refugee Education in K...Developing Student Worksheets for SDGs-Based Problem-Solving...Didactic Design: Reimagining Engagement in the General Educa...Ecological Attention as Ethical Practice: Sit-Spots as Perso...Emerging Paradigms in Interior Design Education: Navigating ...Empowering Brick-and-Mortar Entrepreneurism: Establishing a ...Engaging Young Audiences: An Educational Exploration of 19th...Entangled Belonging: Rethinking Agency and Identity in Unive...Exploring Memes as Pedagogical Instruments for Decolonial Di...Exploring the Landscape of Critical Thinking in Chilean Univ...Extraterritorial Future VisionsFlipping the Script: Reorienting the Art History Survey thro...From Paper to Engagement: Using Zine-Making as an Interactiv...Giving Image and Design Givenness: The Hallmarks of Designi...How to Create Your Own Critical Thinking SimulationImperfect Drawing: (Re)Learning the Architectural Representa...Indigenising Architecture Design Studio 1 at the University ...Information Theory, Big Data, and the Art of Persuasion: A C...Integrating Immersive Technology in Interactive Website for ...International Collaborations in University Art EducationInvestigating the Spectrum of Gender and Ornamentation Throu...Kunstwurst: Critical Control at the Sausage FactoryLighting the Fire: Using Paideia Seminars to foster preservi...Map as Argument: Thinking and Constructing GroundsMentoring Tomorrow's Educators: Embracing Transparency and I...Mix and Match as a Relational PedagogyOne Problem, Two Questions: Exploring Critical Thinking and ...Operational Strategies: New Models of Thinking "Through" the...Pedagogical Innovation in Virtual-Hybrid Learning: Lessons f...Perceptions of critical thinking among university students t...Power Dynamics in Performance Education - Exploring the Impa...Process as Product: Exploring the Relationship between Devel...Re-tracing Our Steps: Historicizing and Re-thinking Rituals ...Regulatory Nonsense, in Retrospect: We Forced a Bot to Co-Wr...Reinforcing Design Details Through Full-Scale Construction M...Research, Experience and Imagination: how students develop ...School as a Hybrid SystemShaping Tomorrow’s Educators for a Globalized World: How I...Speculative and Critical Approaches in Architectural Educati...State of Critical Thinking Teaching in Chilean Universities.Student Agency and Design History/Theory…in the Classroom ...Studio ManifestoTeaching and Learning as Performance Art: Inclusive and Embo...Teaching for Belonging: Design Education to Build Diversity,...Teaching Methodologies for Dissemination of Work of Minority...Teaching without Fear: Care, Engagement, and Inclusion in th...Temporality Now! Decoloniality-Priority in the Pedagogical T...Testing Interiors: An Exploration of Emerging Digital Practi...The Allegorical Visual ConstructThe Big 5- Inclusive First Nations PedagogiesThe Case for Quantum Art EducationThe Community as Classroom: Cross-disciplinary Engaged Learn...The Lasso way: Becoming our best selves through an inclusive...The New School of Environmentalism as Pedagogy: Rhetorical S...The Sifter: A Conceptual Model for Critical Thinking among P...Thinking Through Practice: Re-envisioning Kolb Through Appli...Urban Chameleon Design Studio, Rethinking Contemporary Build...Using AI To Bridge The Gap Between Textual Narrative And Vis...Using Virtual Reality in the First-Year Art History Survey t...You Draw it, (a)I Write it: Dialectics of Text and Image in ...
Schedule

VIRTUAL New Schools of Thought

Part of the Focus on Pedagogy Series
Creating Access in Art Education: Insights from the Covid-19 Pandemic’s Early Days
J.C. Castro et al.
1:30 pm - 3:00 pm

Abstract

The COVID-19 pandemic took an enormous toll on almost every aspect of society. One of the most publicly loathed aspects during the early months was the emergency remote teaching (ERT) of the visual arts online. However, from our research and practice, we found and created narratives and practices countering pervasive calls to “return to normal.” In that moment of almost universal online access to studio art education, people who would not usually have access suddenly did. Drawing from a four-year pan-Canadian study (2020-2024) of young creators online, a systematic review of the current literature on online accessibility, and a model program offering studio arts education virtually, our presentation will be structured around four points. First, we will explore the early days of total remote teaching and how it demonstrated the viability of online access to studio art education. Second, we explore how online learning creates access for learners who have historically encountered barriers in traditional in-person art education settings. Third, we show from our data how learning art online is a dynamic and adaptive pedagogical process for young creators and the pedagogical implications. Finally, we will present a real-world example of a successful studio-based online art education program created in the wake of the pandemic and now in its fourth year with doubled enrollment. We aim to both contribute to and advocate for the role of online access in visual art education to provide all learners with an opportunity to receive high-quality instruction in a supportive community of peers.

Biography

Juan Carlos Castro (Ph.D.) is a Professor of Art Education at Concordia University. As the Principal Investigator of the Canadian Social Sciences and Humanities Research Council-funded project, Investigating the Creative Practices of Youth in Digital Visual Learning Networks, his current research examines how young people use digital visual networks to support creative practice outside formal schooling. He is the editor of the book Mobile media in and outside of the art classroom: Attending to identity, spatiality, movement, and materiality (2019).

Joanna Black is currently working at the Faculty of Education as a Professor in Visual Art Education and is cross appointed as a Professor in the School of Art at the University of Manitoba, Canada.

Aaron Ansuini is a transgender and disabled creator, art educator, and graduate student in the Department of Art Education at Concordia University. Aaron uses art as creative activism & intervention in matters of social justice within his community to raise awareness and offer financial support to those impacted.

Jennifer Wiebe is a senior faculty member for the New Brunswick College of Craft and Design, and the studio head for the exciting new international Foundation Visual Arts Online diploma program. She is also a doctoral student in the Department of Art Education at Concordia University.