Portmeirion is widely understood as a picturesque and playful heritage environment, a carefully composed village designed by Clough Williams-Ellis to delight through scenic pleasure. Within this context, the presence of even limited visitor reported unease or disorientation is unexpected. While such responses are not dominant, their persistence raises a productive question: how can a landscape explicitly designed to be benign give rise to moments of perceptual discomfort? This investigation addresses this paradox by linking spatial configuration to predictive models of perception. Drawing on neuroscientific and ecological theories, it understands unease not as fear, but as a state arising when the environment prevents anticipation from resolving. When upcoming space cannot be reliably inferred, perceptual systems remain engaged in continuous monitoring, sustaining low level physiological arousal even in non threatening settings. To examine Portmeirion’s visual conditions, a three-dimensional model was utilized to simulate visual fields along a pedestrian route. Viewsheds were generated at eye level within a 30 m radius, which allowed for the calculation of occlusion rates indicating the extent of the environment that is not visible. The findings reveal high and unstable occlusion rates, resulting in frequent disruptions to visual continuity and spatial prediction. The paper concludes that the perceptual discomfort in Portmeirion is a predictable outcome of its spatial configurations, illustrating how computational visibility analysis can connect architectural design to perceptual experiences in landscapes. This paper fits within the Urban Planning & Landscape Architecture strand, examining how spatial configuration and movement through a designed landscape shape perceptual experience.
Grace Share is an M.Arch student at the University of Salford. Her work explores how spatial design shapes human perception, focusing on the psychological and physiological effects of environments. Drawing on environmental psychology and neuroscience, she investigates how qualities such as beauty and spatial order influence experience, and how design intent can produce unintended perceptual effects. She was awarded the SEE School Prize for Best Performing Level 6 Student in Architecture and Design and the S.LAB Outstanding Academic Achievement Award (2025).
Ian W. Owen is an architect, researcher and lecturer in Architecture at the University of Salford, where he is Programme Director of the Master of Architecture (M.Arch). His research focuses on post-war architectural heritage, post-war industrial design and architecture pedagogy. His work examines questions of preservation, interpretation, representation and the evolving conditions of architectural education, while also engaging semiotics and visual analysis through particular expertise in Roland Barthes, mythology, and the cultural reading of images and objects. Working across qualitative and quantitative modes of inquiry, he explores how architecture and design are critically understood, historically situated, and pedagogically framed within contemporary cultural and technological contexts. He serves as an Architectural Archives Advisory Panellist for Wales, is a member of the Editorial Advisory Group for Touchstone, the annual journal of the Royal Society of Architects in Wales, and is a Contributing Editor for Architecture, Media, Politics, Society (AMPS). His latest book is Histories of Housing: From Historical Foundations to Modern Challenges.