Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Decolonial Framework for Understanding the Heritage of Mig...A visual and ethnography analysis of Yangjiabu woodblock pri...Brookes (Revisited)Building New Animism into UNESCO Management PlansCalling on Ghosts: Lessons in Creativity from the Ruins of J...CAPTIVATECaptivate - Spatial Modelling Research GroupChoreographing Cultural Heritage: Dance, Festivals and State...Concrete citizens: sculptural dockers and neighbours on two ...Contextualized Digital Heritage Workshop York - Barley Hall:...Cultural Assets and Vernacular Materials: Exploring Changing...Curating Senses and Feelings in the world of William Hogarth...Darb Zubyadah: Different Approaches to Cultural Interchange ...Desert Truffles and the Living Heritage of Qatar: Bridging E...Digitalisation of Heritage in New Zealand: Challenges and Op...Digitizing Cultural Heritage: Methodologies for Preservation...Dissonant Pasts: Lacunae, Memory and Forgetting in Public Sp...Djerba in Crisis: Vernacular Heritage at Risk in the Face of...Drawing the Modern Past: Orthographic Documentation and Digi...Enhancing heritage practice through spatial sound art: A sit...Furnishing a Future: Designing a Contemporary Lace for Gover...Games, Gaelic, and the Highlands: Cha B’ e Ruith Ach Leum ...Gender Equality: 40 years on!Genesis and Genealogies: Lieux de Mémoire and Counter-Monum...Greenwich Park Revealed - How the Past and Present has Futur...Guernica Orientale: A Visual Vocabulary of Anticolonial Resi...Heritage Without a Nation: Pearl Palace and the Limits of UN...House for a Superstar: Sets Fit for The Queen [The Queens Ho...Hypercraft Revisited: Lace and Parametric ModelingIlluminating the Past: The Role of Projection Mapping in Her...Illustrated Heritage: Using Comics to Illuminate and Preserv...Integrated digital approach for the knowledge process of the...Intersectional Identity and Urban Planning: Empowering Women...Introducing VirtuAlive: A Conservation PhD Project-Indirect ...Jamdani Weaving, House forms and Choices: Stories of Jamdani...Layers of Adaptation: Investigating Vertical Mobility and Ar...Leveraging Lieux de Mémoire for Healing: A Grenada Case Stu...Literary Fiction as Mode of Conserving Culturel HeritageLiving in Fear and Trust: A Comparative Study of the Histori...Loundspeaker Orchestra, ‘Voyages’ concert performanceMicro Art EngineeringMobile Digital Storytelling and Heritage InterpretationMorrísland* William Morris and IcelandNavigating Cultural and Natural Landscapes: Heritagization a...Now Hear Then: Introducing Geolocated Audio to Explore the E...Peckham Phygital by Club Virtual: weaving new narratives of ...Preserving Architectural Models - the Heritage and Conservat...Proximity, Peripheries, and Preservation: Rethinking the Edg...Repositioning the Prime Meridian: an Artist's Ongoing Explor...Revisiting Sound Heritage at Sites: Soundscape, Embodiment a...Scar or School?: A Nigerian Perspective on Preservation of B...Social GatheringSoundmirror: Reimaginiing our Coastal Landscape Through Soun...Staging Memory: Heritage Tourism and the Politics of Remembr...Sustaining Heritage through Craft: A Long-Term Approach to C...The Algorithmically Authorised Heritage Discourse as a Tool ...The Barrow in the Landscape – Destroyed, Restored, Redefin...The Cultural Importance and Application of Kuwaiti Al-Sadu W...The Fog of Authorship: Modern Architectural Heritage and the...The Leather HubThe Missing Building: Participatory Design, Identity, and Be...The Politics of Verticality: Heritage and the Cornish Landsc...The Role of Interactive Spatial Storytelling in Reviving Cul...The triadic concept of heritage recordingThe Wild Nature of our Heritage: Does heritage benefit the m...Together stronger: Training citizens & professionals to prot...Tracing Social Cohesion Discursive Repertoires in UNESCO Doc...Triage in the Combat Zone: alternative artistic approaches t...Ulster’s Orange Halls: heritage worth surrendering?Use of Dissonant Built Heritage: The Case of Former Site of ...Violence and Heritage. Postpreservation in Chilean Sites of ...Waking Sleeping Giants: The Painted Hall, Greenwich and othe...Welcome and introductionWhy is it so hard to work with relations and not only object...YouTube and Dominant Heritage Representations
Schedule

IN-PERSON London Heritages. Section B

Critical Questions – Contemporary Practice
The Cultural Importance and Application of Kuwaiti Al-Sadu Weaving and Its Relevance in Children’s Artwork
A. Taresh
9:00 am - 10:30 am

Abstract

Preserving traditional art forms is vital for sustaining national identity and fostering mutual cultural understanding, particularly in the context of globalisation, which has blurred cultural distinctions. This research explores the impact of Al-Sadu weaving, a traditional Kuwaiti textile art, on contemporary urban artists and its influence on children’s cultural identity. The geometric patterns of Al-Sadu carry deep cultural narratives woven by Bedouin women for both practical and decorative purposes. The study was conducted with nine children, aged 9 to 11, from Kuwait and lived in the UK, Reading, using an art-based methodology. The case studies encouraged independent creative expression, minimising adult influence to align with the research objectives. Children’s drawings were analysed, and in-depth interviews conducted to explore their understanding of the cultural significance of Al-Sadu. Braun and Clarke’s Reflexive Thematic Analysis (RTA) was used to assess the data, focusing on how children integrated traditional elements into their artistic expressions and connected them to their cultural identity. The findings showed the role of Al-Sadu traditional art in shaping children’s identity, where participants demonstrated cultural understanding and pride through their drawing narratives and blending traditional and modern elements in their artwork. Children showed an increased awareness of their heritage and a desire to promote the Al-Sadu tradition. The investigation was conducted in accordance with ethical principles, which incorporate confidentiality and informed consent. This research underscores the significance of integrating traditional art into modern education, providing art educators and policymakers valuable insights into preserving cultural heritage in a globalised world.

Biography

Amani Taresh is a Kuwaiti artist and art educator with over two decades of experience in the Ministry of Education. Currently, in her third year of a PhD at the University of Reading, her research focuses on her role as an artist-educator, with a specialisation in weaving and its integration into children’s learning. She holds a BA in Art Education (Distinction with Honour), and an MFA (with Distinction) from the University of Reading. Amani has worked as an art teacher, Head of the Art Department, and an Artistic Mentor, specialising in curriculum development and children’s artistic growth.