IN-PERSON London Heritages. Section B

Abstract

This paper explores the concept of hypercraft, integrating digital fabrication techniques with traditional artisanship, explicitly focusing on lace-making. By blending digital and traditional methods, the project seeks to reinterpret and reproduce lace patterns using advanced techniques such as 3D printing, laser cutting, and digital embroidery. Loughborough’s historical association with lace production and access to Nottingham Trent University’s lace archive and lace’s cultural associations in Turkey provide a rich foundation for this research. The methodology includes geometric and parametric modelling, analyzing the inherent geometric rules of lace patterns, and developing algorithms to facilitate the transition from digital models to physical objects. The study highlights the potential for digital embroidery to retain the intrinsic qualities of lace while allowing for innovative design applications across various disciplines. This research not only preserves the aesthetic and cultural heritage of traditional lace but also pushes the boundaries of contemporary design and production methods, establishing a new paradigm in digital artisanship. The findings underscore the importance of iterative feedback between design and production, demonstrating how minimal input can yield maximal results through intelligent modelling and efficient production techniques. Ultimately, this paper aims to foster interdisciplinary dialogue and innovation, bridging the gap between traditional artisanship and modern digital technologies.