Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Decolonial Framework for Understanding the Heritage of Mig...A visual and ethnography analysis of Yangjiabu woodblock pri...Brookes (Revisited)Building New Animism into UNESCO Management PlansCalling on Ghosts: Lessons in Creativity from the Ruins of J...CAPTIVATECaptivate - Spatial Modelling Research GroupChoreographing Cultural Heritage: Dance, Festivals and State...Concrete citizens: sculptural dockers and neighbours on two ...Contextualized Digital Heritage Workshop York - Barley Hall:...Cultural Assets and Vernacular Materials: Exploring Changing...Curating Senses and Feelings in the world of William Hogarth...Darb Zubyadah: Different Approaches to Cultural Interchange ...Desert Truffles and the Living Heritage of Qatar: Bridging E...Digitalisation of Heritage in New Zealand: Challenges and Op...Digitizing Cultural Heritage: Methodologies for Preservation...Dissonant Pasts: Lacunae, Memory and Forgetting in Public Sp...Djerba in Crisis: Vernacular Heritage at Risk in the Face of...Drawing the Modern Past: Orthographic Documentation and Digi...Enhancing heritage practice through spatial sound art: A sit...Furnishing a Future: Designing a Contemporary Lace for Gover...Games, Gaelic, and the Highlands: Cha B’ e Ruith Ach Leum ...Gender Equality: 40 years on!Genesis and Genealogies: Lieux de Mémoire and Counter-Monum...Greenwich Park Revealed - How the Past and Present has Futur...Guernica Orientale: A Visual Vocabulary of Anticolonial Resi...Heritage Without a Nation: Pearl Palace and the Limits of UN...House for a Superstar: Sets Fit for The Queen [The Queens Ho...Hypercraft Revisited: Lace and Parametric ModelingIlluminating the Past: The Role of Projection Mapping in Her...Illustrated Heritage: Using Comics to Illuminate and Preserv...Integrated digital approach for the knowledge process of the...Intersectional Identity and Urban Planning: Empowering Women...Introducing VirtuAlive: A Conservation PhD Project-Indirect ...Jamdani Weaving, House forms and Choices: Stories of Jamdani...Layers of Adaptation: Investigating Vertical Mobility and Ar...Leveraging Lieux de Mémoire for Healing: A Grenada Case Stu...Literary Fiction as Mode of Conserving Culturel HeritageLiving in Fear and Trust: A Comparative Study of the Histori...Loundspeaker Orchestra, ‘Voyages’ concert performanceMicro Art EngineeringMobile Digital Storytelling and Heritage InterpretationMorrísland* William Morris and IcelandNavigating Cultural and Natural Landscapes: Heritagization a...Now Hear Then: Introducing Geolocated Audio to Explore the E...Peckham Phygital by Club Virtual: weaving new narratives of ...Preserving Architectural Models - the Heritage and Conservat...Proximity, Peripheries, and Preservation: Rethinking the Edg...Repositioning the Prime Meridian: an Artist's Ongoing Explor...Revisiting Sound Heritage at Sites: Soundscape, Embodiment a...Scar or School?: A Nigerian Perspective on Preservation of B...Social GatheringSoundmirror: Reimaginiing our Coastal Landscape Through Soun...Staging Memory: Heritage Tourism and the Politics of Remembr...Sustaining Heritage through Craft: A Long-Term Approach to C...The Algorithmically Authorised Heritage Discourse as a Tool ...The Barrow in the Landscape – Destroyed, Restored, Redefin...The Cultural Importance and Application of Kuwaiti Al-Sadu W...The Fog of Authorship: Modern Architectural Heritage and the...The Leather HubThe Missing Building: Participatory Design, Identity, and Be...The Politics of Verticality: Heritage and the Cornish Landsc...The Role of Interactive Spatial Storytelling in Reviving Cul...The triadic concept of heritage recordingThe Wild Nature of our Heritage: Does heritage benefit the m...Together stronger: Training citizens & professionals to prot...Tracing Social Cohesion Discursive Repertoires in UNESCO Doc...Triage in the Combat Zone: alternative artistic approaches t...Ulster’s Orange Halls: heritage worth surrendering?Use of Dissonant Built Heritage: The Case of Former Site of ...Violence and Heritage. Postpreservation in Chilean Sites of ...Waking Sleeping Giants: The Painted Hall, Greenwich and othe...Welcome and introductionWhy is it so hard to work with relations and not only object...YouTube and Dominant Heritage Representations
Schedule

IN-PERSON London Heritages. Section B

Critical Questions – Contemporary Practice
Proximity, Peripheries, and Preservation: Rethinking the Edges of Heritage
D.F. Zeng & P. Wu
9:45 am - 11:15 am

Abstract

The heritage site of Maritime Greenwich, with its architecturally coherent ensemble and rigid spatial organization, presents significant challenges for innovative regeneration. Its World Heritage Site Buffer Zone negotiates the complex interplay of neighborhoods’ identities, the generosity of urban green space, and the need to accommodate an influx of visitors. Overbuilding is not a viable option, yet the question remains: How can the site become more accessible and better connected to stimulate our imagination about the values of proximity to heritage? This proposal begins with an examination of the strategies and concepts proposed by contemporary architects and landscape architects who integrate nature, participatory initiatives, and public space to bridge the spatial and temporal divides inherent in heritage sites. For instance, Bas Smets employs microclimatic interventions to create local ecologies that shape human interactions with heritage sites. The Danish firm Cobe reimagines the Scandinavian concept of the Tingsted—a traditional meeting place—through underground interventions for the Danish Parliament, promoting unexpected, dynamic democratic engagement within an otherwise static and monumental institution. These strategies suggest that urban interstitial interventions have the potential to reframe heritage sites not as closed, static relics but as interfaces for exchanges between nature, people, and ideas. This proposal will use drawings and diagrams as spatial tools to identify and advance opportunities at the peripheries and thresholds of Maritime Greenwich, advocating for adaptive, ecologically sensitive design approaches that place its historical narrative within a more dynamic, open-ended urban context.

Biography

Dai Fen Zeng is a Master of Architecture candidate at Harvard Graduate School of Design. She holds a Bachelor of Arts in Architectural Studies from UCLA. She has interned with leading architecture firms in both the U.S. and Europe, including RIOS, Woods Bagot, and Cobe. Her experience spans projects focused on adaptive reuse, resilience, climate responsiveness, and the design of public spaces. Passionate about sustainable architecture, she is dedicated to creating innovative solutions that address pressing environmental and social challenges.

Pengyan Wu is a Master of Architecture candidate at the Harvard Graduate School of Design, having earned his Bachelor of Architecture with honors from UCLA, along with a minor in Digital Humanities. He has gained diverse experience through internships at HENN in Berlin, ZAO/standardarchitecture in Beijing, and Shariflynch Architecture in Los Angeles. His work spans a wide range of project types, including housing, campus planning, and institutional designs. Pengyan is particularly passionate about the role of museums and cultural institutions in fostering community engagement and is committed to exploring innovative ways of exhibiting art and architecture to deepen public interaction and understanding.

Yi Lin Zeng is a Design and Technology student at Parsons School of Design, where she explores immersive storytelling, mixed reality, and installation art. Originally from Shenzhen and raised in Vancouver, her work reflects a deep interest in natural phenomena and the relationship between humans and the environment. Her perspective on the environment deepens through community engagement and the arts.