Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Decolonial Framework for Understanding the Heritage of Mig...A visual and ethnography analysis of Yangjiabu woodblock pri...Brookes (Revisited)Building New Animism into UNESCO Management PlansCalling on Ghosts: Lessons in Creativity from the Ruins of J...CAPTIVATECaptivate - Spatial Modelling Research GroupChoreographing Cultural Heritage: Dance, Festivals and State...Concrete citizens: sculptural dockers and neighbours on two ...Contextualized Digital Heritage Workshop York - Barley Hall:...Cultural Assets and Vernacular Materials: Exploring Changing...Curating Senses and Feelings in the world of William Hogarth...Darb Zubyadah: Different Approaches to Cultural Interchange ...Desert Truffles and the Living Heritage of Qatar: Bridging E...Digitalisation of Heritage in New Zealand: Challenges and Op...Digitizing Cultural Heritage: Methodologies for Preservation...Dissonant Pasts: Lacunae, Memory and Forgetting in Public Sp...Djerba in Crisis: Vernacular Heritage at Risk in the Face of...Drawing the Modern Past: Orthographic Documentation and Digi...Enhancing heritage practice through spatial sound art: A sit...Furnishing a Future: Designing a Contemporary Lace for Gover...Games, Gaelic, and the Highlands: Cha B’ e Ruith Ach Leum ...Gender Equality: 40 years on!Genesis and Genealogies: Lieux de Mémoire and Counter-Monum...Greenwich Park Revealed - How the Past and Present has Futur...Guernica Orientale: A Visual Vocabulary of Anticolonial Resi...Heritage Without a Nation: Pearl Palace and the Limits of UN...House for a Superstar: Sets Fit for The Queen [The Queens Ho...Hypercraft Revisited: Lace and Parametric ModelingIlluminating the Past: The Role of Projection Mapping in Her...Illustrated Heritage: Using Comics to Illuminate and Preserv...Integrated digital approach for the knowledge process of the...Intersectional Identity and Urban Planning: Empowering Women...Introducing VirtuAlive: A Conservation PhD Project-Indirect ...Jamdani Weaving, House forms and Choices: Stories of Jamdani...Layers of Adaptation: Investigating Vertical Mobility and Ar...Leveraging Lieux de Mémoire for Healing: A Grenada Case Stu...Literary Fiction as Mode of Conserving Culturel HeritageLiving in Fear and Trust: A Comparative Study of the Histori...Loundspeaker Orchestra, ‘Voyages’ concert performanceMicro Art EngineeringMobile Digital Storytelling and Heritage InterpretationMorrísland* William Morris and IcelandNavigating Cultural and Natural Landscapes: Heritagization a...Now Hear Then: Introducing Geolocated Audio to Explore the E...Peckham Phygital by Club Virtual: weaving new narratives of ...Preserving Architectural Models - the Heritage and Conservat...Proximity, Peripheries, and Preservation: Rethinking the Edg...Repositioning the Prime Meridian: an Artist's Ongoing Explor...Revisiting Sound Heritage at Sites: Soundscape, Embodiment a...Scar or School?: A Nigerian Perspective on Preservation of B...Social GatheringSoundmirror: Reimaginiing our Coastal Landscape Through Soun...Staging Memory: Heritage Tourism and the Politics of Remembr...Sustaining Heritage through Craft: A Long-Term Approach to C...The Algorithmically Authorised Heritage Discourse as a Tool ...The Barrow in the Landscape – Destroyed, Restored, Redefin...The Cultural Importance and Application of Kuwaiti Al-Sadu W...The Fog of Authorship: Modern Architectural Heritage and the...The Leather HubThe Missing Building: Participatory Design, Identity, and Be...The Politics of Verticality: Heritage and the Cornish Landsc...The Role of Interactive Spatial Storytelling in Reviving Cul...The triadic concept of heritage recordingThe Wild Nature of our Heritage: Does heritage benefit the m...Together stronger: Training citizens & professionals to prot...Tracing Social Cohesion Discursive Repertoires in UNESCO Doc...Triage in the Combat Zone: alternative artistic approaches t...Ulster’s Orange Halls: heritage worth surrendering?Use of Dissonant Built Heritage: The Case of Former Site of ...Violence and Heritage. Postpreservation in Chilean Sites of ...Waking Sleeping Giants: The Painted Hall, Greenwich and othe...Welcome and introductionWhy is it so hard to work with relations and not only object...YouTube and Dominant Heritage Representations
Schedule

IN-PERSON London Heritages. Section B

Critical Questions – Contemporary Practice
Together stronger: Training citizens & professionals to protect monuments from climate change threats
L.M. Tapini et al.
5:00 pm - 6:30 pm

Abstract

Climate Change poses significant threats to cultural heritage, leaving both citizens and experts often feeling powerless to address these challenges. The “Simvadizoume” project, developed in Greece, sought to restore a sense of control and responsibility, enabling citizens, through education and cooperation with cultural professionals, to actively care for and protect their local monuments. The project’s primary scope was to create a common knowledge and ground that would stimulate effective collaboration between heritage professionals and local communities for the protection of monuments from climate change threats. For this ambitious endeavor to succeed, it was essential to activate mutual understanding between those different stakeholders and target audiences. To accomplish this, a diverse range of educational activities was developed and tailored to suit groups of various ages and backgrounds. The abovementioned educational activities led to hand on practices, namely voluntary actions -designed and implemented by local communities- in order to protect monuments from extreme weather phenomena. The defining characteristic of the project was the clarification of roles, responsibilities, and limits of action between professionals – authorities and active citizens. Having a well-defined project “message” we were able to create non-formal educational content and deliver a training toolkit that can be easily scaled and adapted for future activities. Overall by going beyond theoretical approaches and traditional awareness campaigns, and instead embracing innovative, hands-on practices, the project successfully established a strong foundation for collaboration between different groups of people, emphasizing that together we always achieve more.

Biography

Laura – Melpomeni Tapini: Conservator of Antiquities and Heritage Consultant with over 20 years of experience in Europe, Asia and Africa. Trained in Conservation in Italy, with an MA(Hons) in Buildings Conservation, York, UK, and further trainings at ICCROM and the Getty Conservation Institute. Co-founder and Managing Director of DIADRASIS, an educational NGO for the protection of unrevealed cultural heritage. Through DIADRASIS, which collaborates with various institutions and involves participants from 62 countries, she continuously fulfills the vision of training more people in saving heritage for the benefit of all.

Lydia Drolia: Educational Program Manager and responsible for the Awareness activities of Diadrasis. Studied Cultural Heritage Management and New Technologies at the University of Patras and later fulfilled her Master’s studies at Harokopio Univerity of Athens, Postgraduate Studies Program “Education and Culture”. Lydia’s experience includes leading public engagement strategies for heritage projects, where she applies creative methodologies to foster awareness and appreciation of cultural heritage reflecting her commitment to lifelong learning and an ability to inspire audiences to connect with and preserve their shared cultural legacy.

Ourania Kordali: Studied Conservation of Works of Art and Antiquities at UNIWA and holds a master’s degree in Cultural Heritage Materials and Technologies from the University of Peloponnese, Greece. Her research interests include the analysis of inorganic archaeological materials, contemporary curatorial trends in archaeological collections, and the conservator’s relationship with the artist/creator. She has been active in the conservation profession since 2014 and has worked on re-exhibitions, restoration projects, and excavations.