Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Decolonial Framework for Understanding the Heritage of Mig...A visual and ethnography analysis of Yangjiabu woodblock pri...Brookes (Revisited)Building New Animism into UNESCO Management PlansCalling on Ghosts: Lessons in Creativity from the Ruins of J...CAPTIVATECaptivate - Spatial Modelling Research GroupChoreographing Cultural Heritage: Dance, Festivals and State...Concrete citizens: sculptural dockers and neighbours on two ...Contextualized Digital Heritage Workshop York - Barley Hall:...Cultural Assets and Vernacular Materials: Exploring Changing...Curating Senses and Feelings in the world of William Hogarth...Darb Zubyadah: Different Approaches to Cultural Interchange ...Desert Truffles and the Living Heritage of Qatar: Bridging E...Digitalisation of Heritage in New Zealand: Challenges and Op...Digitizing Cultural Heritage: Methodologies for Preservation...Dissonant Pasts: Lacunae, Memory and Forgetting in Public Sp...Djerba in Crisis: Vernacular Heritage at Risk in the Face of...Drawing the Modern Past: Orthographic Documentation and Digi...Enhancing heritage practice through spatial sound art: A sit...Furnishing a Future: Designing a Contemporary Lace for Gover...Games, Gaelic, and the Highlands: Cha B’ e Ruith Ach Leum ...Gender Equality: 40 years on!Genesis and Genealogies: Lieux de Mémoire and Counter-Monum...Greenwich Park Revealed - How the Past and Present has Futur...Guernica Orientale: A Visual Vocabulary of Anticolonial Resi...Heritage Without a Nation: Pearl Palace and the Limits of UN...House for a Superstar: Sets Fit for The Queen [The Queens Ho...Hypercraft Revisited: Lace and Parametric ModelingIlluminating the Past: The Role of Projection Mapping in Her...Illustrated Heritage: Using Comics to Illuminate and Preserv...Integrated digital approach for the knowledge process of the...Intersectional Identity and Urban Planning: Empowering Women...Introducing VirtuAlive: A Conservation PhD Project-Indirect ...Jamdani Weaving, House forms and Choices: Stories of Jamdani...Layers of Adaptation: Investigating Vertical Mobility and Ar...Leveraging Lieux de Mémoire for Healing: A Grenada Case Stu...Literary Fiction as Mode of Conserving Culturel HeritageLiving in Fear and Trust: A Comparative Study of the Histori...Loundspeaker Orchestra, ‘Voyages’ concert performanceMicro Art EngineeringMobile Digital Storytelling and Heritage InterpretationMorrísland* William Morris and IcelandNavigating Cultural and Natural Landscapes: Heritagization a...Now Hear Then: Introducing Geolocated Audio to Explore the E...Peckham Phygital by Club Virtual: weaving new narratives of ...Preserving Architectural Models - the Heritage and Conservat...Proximity, Peripheries, and Preservation: Rethinking the Edg...Repositioning the Prime Meridian: an Artist's Ongoing Explor...Revisiting Sound Heritage at Sites: Soundscape, Embodiment a...Scar or School?: A Nigerian Perspective on Preservation of B...Social GatheringSoundmirror: Reimaginiing our Coastal Landscape Through Soun...Staging Memory: Heritage Tourism and the Politics of Remembr...Sustaining Heritage through Craft: A Long-Term Approach to C...The Algorithmically Authorised Heritage Discourse as a Tool ...The Barrow in the Landscape – Destroyed, Restored, Redefin...The Cultural Importance and Application of Kuwaiti Al-Sadu W...The Fog of Authorship: Modern Architectural Heritage and the...The Leather HubThe Missing Building: Participatory Design, Identity, and Be...The Politics of Verticality: Heritage and the Cornish Landsc...The Role of Interactive Spatial Storytelling in Reviving Cul...The triadic concept of heritage recordingThe Wild Nature of our Heritage: Does heritage benefit the m...Together stronger: Training citizens & professionals to prot...Tracing Social Cohesion Discursive Repertoires in UNESCO Doc...Triage in the Combat Zone: alternative artistic approaches t...Ulster’s Orange Halls: heritage worth surrendering?Use of Dissonant Built Heritage: The Case of Former Site of ...Violence and Heritage. Postpreservation in Chilean Sites of ...Waking Sleeping Giants: The Painted Hall, Greenwich and othe...Welcome and introductionWhy is it so hard to work with relations and not only object...YouTube and Dominant Heritage Representations
Schedule

IN-PERSON London Heritages. Section B

Critical Questions – Contemporary Practice
The Leather Hub
C. White(2) & G. Proctor
2:15 pm - 3:45 pm

Abstract

The Leather Hub at De Montfort University serves as a dynamic reference and innovation centre for leather as a material, exploring its historical significance and future potential. Leicester has a deep-rooted connection to leather, reflecting its reputation as a leading city in global textile and footwear industries. With the establishment of the Leather Conservation Centre in 2025, the Leather Hub will further enrich knowledge exchange and skills sharing. The City That clothed the world? The leather industry has evolved from an artisanal practice to a fragmented, internationally connected sector. The Leather Hub provides an opportunity to revisit the heritage of British Leather Industries, British Shoe Industries, Automotive and Furniture production, British Fashion and Apparel Industries, and British Design. Through museum holdings and leather artifact archives, the Hub engages new audiences via talks, workshops, knowledge exchanges, and conferences. A key challenge is the current inaccessibility of the Leathercraft Trust’s extensive collection of leather objects. The Leather Hub addresses this by digitizing and touring objects, enabling research-led community engagements focused on sustainability and conservation. Training programs co-designed, covering species identification, tanning processes, manufacturing and decorative methodologies, preservation techniques, and ethical care considerations, empower individuals to make informed decisions while contributing to high-level heritage research. The Leather Hub’s research focuses on supporting new leather production initiatives and making conservation knowledge relevant to artifact presentation and public engagements such as our recent exhibition at Asia Pacific Leather Fair Hong Kong.

Biography

Christine White researches design, materials, the experience economy and sustainability at De Montfort University. Emphasizing the importance of circularity, material innovation, and heritage crafts, her work explores how traditional techniques can be preserved while integrating cutting-edge technologies like 3D printing, bio-based materials, and design for disassembly. Her forward-thinking approach continues to influence, bridging the gap between traditions, innovations, types of education and learning.

Gillian Proctor is an Honorary Freeman of the Leathersellers. She Instigated ‘Artifacts Live: A Legacy in Leather’ collaborative project with the Museum of Leathercraft, (now Leathercraft Trust). She is the principal investigator for the Leather School at De Montfort University that promotes haptics and heritage skills with leather business, trades and tanneries. She has recently presented a further artifacts exhibition for the Asia Pacific Leather fair, Hong Kong. Her next exhibition is Leather and Lace.