Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Vaccine Against Fake NewsAI Impact on Design Education: Confronting the Elephant in t...Analog Teachers in the Digital Realm: Three Artist-Educators...Anti-Anti: Teaching How Not To BuildAt the Vanguard: Building Design Education for the 21st Cent...Capacity-Building Pathways for Sustainability Competencies i...Changing Design Pedagogies with Emerging Trends Of Peri & Po...Changing the Ways of Teaching Architecture to Prevent Placel...Cinematography and Film StudiesCommand and Control in Challenge-Based Learning – why a da...Complexity Commonalities: Framing Future Developments in Edu...Correlation of Online Applications to the Effectiveness of F...Creating an 'intersectional third space' for contemporary ar...Designing Complex Systems Curricula for High School Science ...Developing Future-Scaffolding Skills through Complex Systems...Don’t Belabour!: Performing Bodies in the Design StudioEthics, Daylight, and Architectural Education: Managing Comp...Exploring the Complex, Emergent Choreography of Classroom Te...Futures teaching and interdisciplinary praxisHand(s)Off: Curricular Coordination and Instructor Collabora...How Architectural Education can Respond to an Learn Lessons ...Implementing Transdisciplinary Collaboration to Enhance Stud...Industry-University Partnerships As A Pathway To Internation...Interdisciplinary Peer-to-Peer Learning in Design and Policy...Interprofessional initiatives: At home in more than one disc...Japanese University Students Developing Global-mindedness th...Keynote PanelMaking Connections: The Layers of Loneliness COIL ProjectMixed Reality Environments: An Emerging Tool in Interior Des...Positive Sum Design: Design methods and strategiesPreparing Students for Complexity and Uncertainty: An Eviden...Rethinking Online Communities of Inquiry with Complexity The...Simulation as a Pedagogical Method in Teacher Education - a ...Strategic Issues in Business: Teaching Social Responsibility...Studio Problématique: A quest for alternative possibilities...Teaching Racism, Or How to Teach a Moving TargetTechnology, Education and Mastery; 10000 hours against the b...The Create-athon – using experiential learning to build a ...The Integration of Sustainability within Built Environment H...The Rise of AI Chat-bots: Suggestions for Integration in Hig...The Welcomed Problem: Centering the Ends to Develop the Mean...Use of Twitter as a Dispositional Tol for Teachers During th...Utilizing the Readymade as an Instrument to Develop an Under...Voices from The Field: Student Teachers’ Perspective on th...Welcome and IntroductionWhat is Online Learning in the Context of the 4th Industrial...Where do we Design? – Introducing a new studio hybridity
Schedule

IN-PERSON: Applying Education

Teaching and Learning Conference
The Welcomed Problem: Centering the Ends to Develop the Means in Art Education
D. LeRue et al.
11:00 am - 12:30 pm

Abstract

How can centering artistic and social problems be an effective tool in Art Education? This presentation by the Shortcuts for Teachers Artist Collective (STAC) considers our developed and shared process of problem-posing engagement in our multiple art classrooms—Universities, museums, public schools and community sites. Informed by frameworks of experiential learning and critical pedagogy, the presenters have taken to using problems rather than outcomes to foster classroom creation, develop lessons that encourage experimentation and self-reflection while inviting dialogue and reciprocity between students and each other, and student and teacher. In our view, it is from healthy and critical communities of learning that affirm students as individuals worthy and capable of artistic creation. In this presentation, we will introduce the frameworks which inform our teaching, and how they have informed our respective teaching environments. We will then use tangible examples from our practices to discuss the factors in making it work and the problems we have encountered with problem-based teaching. We are particularly interested in sharing our failures and tribulations, and how turning over to this process has forced us to re-develop as teachers. We will conclude by discussing our collaborations going forward.

Biography

David LeRue is an artist, educator and PhD candidate based in Montreal, Quebec. He holds a BFA from NSCAD University, and an MFA in Painting and Drawing from Concordia. His painting practice connects landscape theory to the built environment, with a particular focus on how sporting events such as the Olympics permanently change their host cities. His doctoral project studies Montreal’s Peel Basin through community-engaged art teaching and research-creation. He is currently a painting instructor and collaborator with the Pointe-Saint-Charles art school and a part time professor at Concordia.

Breanna Shanahan (she/her/they) is a recent resident of the traditional territories of the Erie, Neutral, Huron-Wendat, Haudenosaunee and Mississaugas (Hamilton) Shanahan received her MFA at Concordia University in june 2019 and was a SSHRC recipient in 2017. She received her BFA from the University of Toronto and her Dip FA. from Sheridan College in Oakville. Her works have been exhibited in Italy, China, Austria, the United States of America and in Canada. Shanahan has taught Sculpture and Drawing courses across Canada at multiple post-secondary and community institutions. She is currently teaching at Sheridan College in the VCA department.; Jeannie Kyungjin Kim is an artist-educator currently based in Dundas, ON. She holds a MA from Concordia University (Art Education) and a Honours BA from University of Toronto Mississauga and Sheridan College (Art and Art History). For more than six years, Kim has delivered various visual and digital art community programs across the Greater Toronto Area and Montreal as an Instructor for Pointe-St-Charles Art School. She has also taught at Concordia