Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Decolonial Framework for Understanding the Heritage of Mig...A visual and ethnography analysis of Yangjiabu woodblock pri...Brookes (Revisited)Building New Animism into UNESCO Management PlansCalling on Ghosts: Lessons in Creativity from the Ruins of J...CAPTIVATECaptivate - Spatial Modelling Research GroupChoreographing Cultural Heritage: Dance, Festivals and State...Concrete citizens: sculptural dockers and neighbours on two ...Contextualized Digital Heritage Workshop York - Barley Hall:...Cultural Assets and Vernacular Materials: Exploring Changing...Curating Senses and Feelings in the world of William Hogarth...Darb Zubyadah: Different Approaches to Cultural Interchange ...Desert Truffles and the Living Heritage of Qatar: Bridging E...Digitalisation of Heritage in New Zealand: Challenges and Op...Digitizing Cultural Heritage: Methodologies for Preservation...Dissonant Pasts: Lacunae, Memory and Forgetting in Public Sp...Djerba in Crisis: Vernacular Heritage at Risk in the Face of...Drawing the Modern Past: Orthographic Documentation and Digi...Enhancing heritage practice through spatial sound art: A sit...Furnishing a Future: Designing a Contemporary Lace for Gover...Games, Gaelic, and the Highlands: Cha B’ e Ruith Ach Leum ...Gender Equality: 40 years on!Genesis and Genealogies: Lieux de Mémoire and Counter-Monum...Greenwich Park Revealed - How the Past and Present has Futur...Guernica Orientale: A Visual Vocabulary of Anticolonial Resi...Heritage Without a Nation: Pearl Palace and the Limits of UN...House for a Superstar: Sets Fit for The Queen [The Queens Ho...Hypercraft Revisited: Lace and Parametric ModelingIlluminating the Past: The Role of Projection Mapping in Her...Illustrated Heritage: Using Comics to Illuminate and Preserv...Integrated digital approach for the knowledge process of the...Intersectional Identity and Urban Planning: Empowering Women...Introducing VirtuAlive: A Conservation PhD Project-Indirect ...Jamdani Weaving, House forms and Choices: Stories of Jamdani...Layers of Adaptation: Investigating Vertical Mobility and Ar...Leveraging Lieux de Mémoire for Healing: A Grenada Case Stu...Literary Fiction as Mode of Conserving Culturel HeritageLiving in Fear and Trust: A Comparative Study of the Histori...Loundspeaker Orchestra, ‘Voyages’ concert performanceMicro Art EngineeringMobile Digital Storytelling and Heritage InterpretationMorrísland* William Morris and IcelandNavigating Cultural and Natural Landscapes: Heritagization a...Now Hear Then: Introducing Geolocated Audio to Explore the E...Peckham Phygital by Club Virtual: weaving new narratives of ...Preserving Architectural Models - the Heritage and Conservat...Proximity, Peripheries, and Preservation: Rethinking the Edg...Repositioning the Prime Meridian: an Artist's Ongoing Explor...Revisiting Sound Heritage at Sites: Soundscape, Embodiment a...Scar or School?: A Nigerian Perspective on Preservation of B...Social GatheringSoundmirror: Reimaginiing our Coastal Landscape Through Soun...Staging Memory: Heritage Tourism and the Politics of Remembr...Sustaining Heritage through Craft: A Long-Term Approach to C...The Algorithmically Authorised Heritage Discourse as a Tool ...The Barrow in the Landscape – Destroyed, Restored, Redefin...The Cultural Importance and Application of Kuwaiti Al-Sadu W...The Fog of Authorship: Modern Architectural Heritage and the...The Leather HubThe Missing Building: Participatory Design, Identity, and Be...The Politics of Verticality: Heritage and the Cornish Landsc...The Role of Interactive Spatial Storytelling in Reviving Cul...The triadic concept of heritage recordingThe Wild Nature of our Heritage: Does heritage benefit the m...Together stronger: Training citizens & professionals to prot...Tracing Social Cohesion Discursive Repertoires in UNESCO Doc...Triage in the Combat Zone: alternative artistic approaches t...Ulster’s Orange Halls: heritage worth surrendering?Use of Dissonant Built Heritage: The Case of Former Site of ...Violence and Heritage. Postpreservation in Chilean Sites of ...Waking Sleeping Giants: The Painted Hall, Greenwich and othe...Welcome and introductionWhy is it so hard to work with relations and not only object...YouTube and Dominant Heritage Representations
Schedule

IN-PERSON London Heritages. Section B

Critical Questions – Contemporary Practice
Digitalisation of Heritage in New Zealand: Challenges and Opportunities in Contemporary Practice
R. Jadresin Milic
1:00 pm - 2:30 pm

Abstract

The digitalisation of heritage offers significant opportunities and complex challenges. This paper presents findings from three focus groups conducted as part of the ongoing research project “Digitalisation of Heritage in New Zealand”. Building on our previous survey results published in the Architectural Science Review (2024), this study delves deeper into the critical questions facing the heritage sector. Our research aligns with the Maritime Greenwich conference themes, addressing heritage conservation and preservation in a global context. Unlike Maritime Greenwich, New Zealand’s major cities face unique challenges, including the need for structural strengthening and a lack of heritage recognition. Through focus groups with industry professionals, heritage practitioners, community representatives, and academics, we gathered diverse perspectives on using digital tools to document, preserve, and share cultural heritage. These discussions highlighted both opportunities and challenges presented by digitalisation. Our methodology involved focus groups across various New Zealand regions, representing a wide range of stakeholders. Sessions were facilitated by our research team. A semi-structured format allowed for both guided discussion and open-ended dialogue, which was recorded, transcribed, and thematically analysed to identify key themes and insights. Key themes include the democratisation of heritage through digital access, technology’s role in enhancing engagement with heritage sites, and maintaining authenticity in digital representations. The findings underscore digitalisation’s critical role in preserving heritage values for future generations. This paper contributes to the global dialogue on heritage preservation in the digital age – contemporary practice, offering insights and recommendations for leveraging digital technologies to enhance the appreciation and understanding of our shared cultural heritage.

Biography

Renata Jadresin Milic is an associate professor at the School of Architecture, head of the Bachelor of Architectural Studies (BAS) and head of the History, Conservation and Heritage Postgraduate Research Group at UNITEC Institute of Technology in Auckland, New Zealand. In addition to teaching design, history, and theory of architecture and research methods, she is engaged in research focused on the theory and practice of heritage preservation. Renata leads research projects involving the local community, industry partners, Unitec faculty and students, using the most advanced methodologies for heritage.