UNESCO’s Slave Route Project was first launched in 1995 with the sole mission of breaking the silence that shrouds the history of slavery and bringing it into universal memory. The Elmina and Cape Coast Castles, and many forts and castles in Ghana were made UNESCO heritage sites. These places have become sacred for the African diaspora to whom heritage tourism targets as its primary audience. As these sites evoke strong emotional responses to the historical narrativization of slavery from tourists, commerce, and the lives of locals continue a few kilometers away from. These heritage efforts render these sites as palimpsestic, where heritage narratives tend to marginalize local communities that were affected by slavery and are living with its haunting presence even today. How do these sites become political mergers of international heritage initiatives and an economically driven national tourism agenda? When these sites become a compensatory commemoration of the transatlantic slave trade, how do they evoke a new exclusive form of silencing of communities that live with the sites every day? This paper analyses the politics of remembrance through heritage tourism in Ghana, and the implications on the relationship and growing tensions between Ghanaians and the African diaspora during a time of unprecedented return “home” to Africa.
Nana Kwame Brobbey is a first-year PhD student in Comparative Literature at Pennsylvania State University. My research focuses on the intersection of trauma and memory relating to the transatlantic slave trade in Africa, examining how this traumatic history is memorialized through literature, contemporary cultural productions, and heritage tourism. My research interests explore how literary and artistic works reflect intergenerational trauma, break the culture of silence, and offer alternative spaces to heritage tourism for acknowledgment and possibly reconciliation.