Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Decolonial Framework for Understanding the Heritage of Mig...A visual and ethnography analysis of Yangjiabu woodblock pri...Brookes (Revisited)Building New Animism into UNESCO Management PlansCalling on Ghosts: Lessons in Creativity from the Ruins of J...CAPTIVATECaptivate - Spatial Modelling Research GroupChoreographing Cultural Heritage: Dance, Festivals and State...Concrete citizens: sculptural dockers and neighbours on two ...Contextualized Digital Heritage Workshop York - Barley Hall:...Cultural Assets and Vernacular Materials: Exploring Changing...Curating Senses and Feelings in the world of William Hogarth...Darb Zubyadah: Different Approaches to Cultural Interchange ...Desert Truffles and the Living Heritage of Qatar: Bridging E...Digitalisation of Heritage in New Zealand: Challenges and Op...Digitizing Cultural Heritage: Methodologies for Preservation...Dissonant Pasts: Lacunae, Memory and Forgetting in Public Sp...Djerba in Crisis: Vernacular Heritage at Risk in the Face of...Drawing the Modern Past: Orthographic Documentation and Digi...Enhancing heritage practice through spatial sound art: A sit...Furnishing a Future: Designing a Contemporary Lace for Gover...Games, Gaelic, and the Highlands: Cha B’ e Ruith Ach Leum ...Gender Equality: 40 years on!Genesis and Genealogies: Lieux de Mémoire and Counter-Monum...Greenwich Park Revealed - How the Past and Present has Futur...Guernica Orientale: A Visual Vocabulary of Anticolonial Resi...Heritage Without a Nation: Pearl Palace and the Limits of UN...House for a Superstar: Sets Fit for The Queen [The Queens Ho...Hypercraft Revisited: Lace and Parametric ModelingIlluminating the Past: The Role of Projection Mapping in Her...Illustrated Heritage: Using Comics to Illuminate and Preserv...Integrated digital approach for the knowledge process of the...Intersectional Identity and Urban Planning: Empowering Women...Introducing VirtuAlive: A Conservation PhD Project-Indirect ...Jamdani Weaving, House forms and Choices: Stories of Jamdani...Layers of Adaptation: Investigating Vertical Mobility and Ar...Leveraging Lieux de Mémoire for Healing: A Grenada Case Stu...Literary Fiction as Mode of Conserving Culturel HeritageLiving in Fear and Trust: A Comparative Study of the Histori...Loundspeaker Orchestra, ‘Voyages’ concert performanceMicro Art EngineeringMobile Digital Storytelling and Heritage InterpretationMorrísland* William Morris and IcelandNavigating Cultural and Natural Landscapes: Heritagization a...Now Hear Then: Introducing Geolocated Audio to Explore the E...Peckham Phygital by Club Virtual: weaving new narratives of ...Preserving Architectural Models - the Heritage and Conservat...Proximity, Peripheries, and Preservation: Rethinking the Edg...Repositioning the Prime Meridian: an Artist's Ongoing Explor...Revisiting Sound Heritage at Sites: Soundscape, Embodiment a...Scar or School?: A Nigerian Perspective on Preservation of B...Social GatheringSoundmirror: Reimaginiing our Coastal Landscape Through Soun...Staging Memory: Heritage Tourism and the Politics of Remembr...Sustaining Heritage through Craft: A Long-Term Approach to C...The Algorithmically Authorised Heritage Discourse as a Tool ...The Barrow in the Landscape – Destroyed, Restored, Redefin...The Cultural Importance and Application of Kuwaiti Al-Sadu W...The Fog of Authorship: Modern Architectural Heritage and the...The Leather HubThe Missing Building: Participatory Design, Identity, and Be...The Politics of Verticality: Heritage and the Cornish Landsc...The Role of Interactive Spatial Storytelling in Reviving Cul...The triadic concept of heritage recordingThe Wild Nature of our Heritage: Does heritage benefit the m...Together stronger: Training citizens & professionals to prot...Tracing Social Cohesion Discursive Repertoires in UNESCO Doc...Triage in the Combat Zone: alternative artistic approaches t...Ulster’s Orange Halls: heritage worth surrendering?Use of Dissonant Built Heritage: The Case of Former Site of ...Violence and Heritage. Postpreservation in Chilean Sites of ...Waking Sleeping Giants: The Painted Hall, Greenwich and othe...Welcome and introductionWhy is it so hard to work with relations and not only object...YouTube and Dominant Heritage Representations
Schedule

IN-PERSON London Heritages. Section B

Critical Questions – Contemporary Practice
The Politics of Verticality: Heritage and the Cornish Landscape.
H. Simson & N. Whyte
11:45 am - 1:15 pm

Abstract

Our collaborative research brings into critical focus the landscape image as central to understanding the failure of the hegemonic imagination to recognise and act upon the urgent crises of the Anthropocene. We argue that conventional aesthetic structures of landscape reproduced in art and the heritage sector, are a constraining factor in our ability to address the realities of climate and environmental change. In the UK the idea of landscape is bound up with tourism and an aestheticised view of the industrial past. Cornwall’s landscapes are particularly susceptible here and will provide us with a basis for discussion. We will outline critical questions for the heritage sector that challenge conventional western visual structures, which remain based on the perspectival, rationalised space of Cartesian horizontalities. Taking Maritime Greenwich and the extractivist mindset of the UK’s navigational past as a starting point, we will show how the horizontal mapping of space, as enshrined in the Royal Observatory, is deeply implicated in the limitations of how landscape is understood today, and how this structuring of space is unfit for a 21st century heritage sector. Cornish histories and geologies facilitate a g/local focus and will help us to establish a critique of the horizontal. We will reframe space via its temporal and vertical planes, identifying the underground as a central site defined not through economics and extraction, but as a landscape of transformation, bringing into focus its more-than-human dimensions. We will show how a latent material and spiritual underground must inform the collective landscape imagination.

Biography

Henrietta Simson completed an MA and a PhD at the Slade, UCL. Her doctoral thesis (2017), supervised by Professors Joy Sleeman, Alison Wright and Lisa Milroy RA, explored landscape through medieval and early Renaissance visual forms, the materiality of the image, and Renaissance perspective’s role in the history of representational image-making. She has published widely on the landscape image and has presented her work at international institutions. She is currently researching the spiritual and material implications of caves, mines and wilderness in contemporary and medieval landscapes.

Nicola Whyte is Associate Professor of landscape and history at the University of Exeter where she is co-Director of the Centre for Environmental Arts and Humanities. She has published widely on environmental and social entanglements in the early modern and post-medieval periods. She is interested in transdisciplinary approaches, crossing temporal and spatial boundaries and working with archival fragments to bring into view alternative pasts that help re-envisage the present and future at a time of climate and ecological crisis. Her PhD thesis, supervised by Professor Tom Williamson, examined plebeian perceptions and experiences of the landscape in Norfolk villages between c.1500 and 1800 (2006).