Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Decolonial Framework for Understanding the Heritage of Mig...A visual and ethnography analysis of Yangjiabu woodblock pri...Brookes (Revisited)Building New Animism into UNESCO Management PlansCalling on Ghosts: Lessons in Creativity from the Ruins of J...CAPTIVATECaptivate - Spatial Modelling Research GroupChoreographing Cultural Heritage: Dance, Festivals and State...Concrete citizens: sculptural dockers and neighbours on two ...Contextualized Digital Heritage Workshop York - Barley Hall:...Cultural Assets and Vernacular Materials: Exploring Changing...Curating Senses and Feelings in the world of William Hogarth...Darb Zubyadah: Different Approaches to Cultural Interchange ...Desert Truffles and the Living Heritage of Qatar: Bridging E...Digitalisation of Heritage in New Zealand: Challenges and Op...Digitizing Cultural Heritage: Methodologies for Preservation...Dissonant Pasts: Lacunae, Memory and Forgetting in Public Sp...Djerba in Crisis: Vernacular Heritage at Risk in the Face of...Drawing the Modern Past: Orthographic Documentation and Digi...Enhancing heritage practice through spatial sound art: A sit...Furnishing a Future: Designing a Contemporary Lace for Gover...Games, Gaelic, and the Highlands: Cha B’ e Ruith Ach Leum ...Gender Equality: 40 years on!Genesis and Genealogies: Lieux de Mémoire and Counter-Monum...Greenwich Park Revealed - How the Past and Present has Futur...Guernica Orientale: A Visual Vocabulary of Anticolonial Resi...Heritage Without a Nation: Pearl Palace and the Limits of UN...House for a Superstar: Sets Fit for The Queen [The Queens Ho...Hypercraft Revisited: Lace and Parametric ModelingIlluminating the Past: The Role of Projection Mapping in Her...Illustrated Heritage: Using Comics to Illuminate and Preserv...Integrated digital approach for the knowledge process of the...Intersectional Identity and Urban Planning: Empowering Women...Introducing VirtuAlive: A Conservation PhD Project-Indirect ...Jamdani Weaving, House forms and Choices: Stories of Jamdani...Layers of Adaptation: Investigating Vertical Mobility and Ar...Leveraging Lieux de Mémoire for Healing: A Grenada Case Stu...Literary Fiction as Mode of Conserving Culturel HeritageLiving in Fear and Trust: A Comparative Study of the Histori...Loundspeaker Orchestra, ‘Voyages’ concert performanceMicro Art EngineeringMobile Digital Storytelling and Heritage InterpretationMorrísland* William Morris and IcelandNavigating Cultural and Natural Landscapes: Heritagization a...Now Hear Then: Introducing Geolocated Audio to Explore the E...Peckham Phygital by Club Virtual: weaving new narratives of ...Preserving Architectural Models - the Heritage and Conservat...Proximity, Peripheries, and Preservation: Rethinking the Edg...Repositioning the Prime Meridian: an Artist's Ongoing Explor...Revisiting Sound Heritage at Sites: Soundscape, Embodiment a...Scar or School?: A Nigerian Perspective on Preservation of B...Social GatheringSoundmirror: Reimaginiing our Coastal Landscape Through Soun...Staging Memory: Heritage Tourism and the Politics of Remembr...Sustaining Heritage through Craft: A Long-Term Approach to C...The Algorithmically Authorised Heritage Discourse as a Tool ...The Barrow in the Landscape – Destroyed, Restored, Redefin...The Cultural Importance and Application of Kuwaiti Al-Sadu W...The Fog of Authorship: Modern Architectural Heritage and the...The Leather HubThe Missing Building: Participatory Design, Identity, and Be...The Politics of Verticality: Heritage and the Cornish Landsc...The Role of Interactive Spatial Storytelling in Reviving Cul...The triadic concept of heritage recordingThe Wild Nature of our Heritage: Does heritage benefit the m...Together stronger: Training citizens & professionals to prot...Tracing Social Cohesion Discursive Repertoires in UNESCO Doc...Triage in the Combat Zone: alternative artistic approaches t...Ulster’s Orange Halls: heritage worth surrendering?Use of Dissonant Built Heritage: The Case of Former Site of ...Violence and Heritage. Postpreservation in Chilean Sites of ...Waking Sleeping Giants: The Painted Hall, Greenwich and othe...Welcome and introductionWhy is it so hard to work with relations and not only object...YouTube and Dominant Heritage Representations
Schedule

IN-PERSON London Heritages. Section B

Critical Questions – Contemporary Practice
Digitizing Cultural Heritage: Methodologies for Preservation and Documentation – Islamic Miniatures as a Model
M. Alqahtani
3:00 pm - 4:30 pm

Abstract

This research paper explores the potential of digital technology in preserving and documenting cultural heritage, specifically Islamic miniatures, considering the variables of different pictorial schools (the Indian pictorial school and the Ottoman pictorial school). Islamic miniatures are a cultural and artistic treasure that contains the history of the Islamic Civilization visually, showcasing the evolution of ideas and knowledge. They serve as a valuable tool for documenting social and scientific life across different eras. To assess the significance of digital technology in the field of cultural heritage, specifically Islamic miniatures, the research relies on a descriptive methodology from the artistic and architectural aspects of miniatures, and a systematic analysis of the digital technologies used in preserving and documenting miniatures to achieve the desired objectives. The study sample consists of seven Islamic miniatures housed at the King Salman Center for Islamic Research and Studies in Riyadh, dating back to the 12th–13th centuries Hijri (18th–19th centuries AD). The research relied on direct observation as a primary tool to examine documentation methods, focusing on preserving intricate details, original colors, and geometric proportions, while ensuring their revival without direct physical contact. The study draws its observations from advanced digital technologies in the field of information technology, specifically: 1. Optical Scanning 2. 3D Scanning 3. Procreate Software The findings indicate that integrating digital technology with Islamic miniatures significantly contributes to their preservation, protecting them from deterioration while offering new opportunities for research and study. This provides innovative ways. This, more broadly, helps preserve cultural heritage and ensure its continuity in the digital age by creating an integrated, easily accessible digital archive.

Biography

Muzhirah Alqahtani – Assistant Site Security and Protection Specialist at the Heritage Commission – MA in Islamic Archaeology, King Saud University, 2020 •Researcher at the Heritage Commission – Archaeological Sites Department, 2023 •Teaching Assistant in Archaeology, Maran Private University, Riyadh, 2019 Researches: •A Comparative Study Miniatures of the Grand Mosque in the Manuscripts of Dalā’il al-Khayrāt by al-Jazuli 12th-13th/18th-19th Centuries A.H Preserved at the King Faisal Center in Riyadh: ,2020 Conferences: Co-author of a Collaborative Research Paper: “Epigraphic Survey in Yanbu, Saudi Arabia