Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A Decolonial Framework for Understanding the Heritage of Mig...A visual and ethnography analysis of Yangjiabu woodblock pri...Brookes (Revisited)Building New Animism into UNESCO Management PlansCalling on Ghosts: Lessons in Creativity from the Ruins of J...CAPTIVATECaptivate - Spatial Modelling Research GroupChoreographing Cultural Heritage: Dance, Festivals and State...Concrete citizens: sculptural dockers and neighbours on two ...Contextualized Digital Heritage Workshop York - Barley Hall:...Cultural Assets and Vernacular Materials: Exploring Changing...Curating Senses and Feelings in the world of William Hogarth...Darb Zubyadah: Different Approaches to Cultural Interchange ...Desert Truffles and the Living Heritage of Qatar: Bridging E...Digitalisation of Heritage in New Zealand: Challenges and Op...Digitizing Cultural Heritage: Methodologies for Preservation...Dissonant Pasts: Lacunae, Memory and Forgetting in Public Sp...Djerba in Crisis: Vernacular Heritage at Risk in the Face of...Drawing the Modern Past: Orthographic Documentation and Digi...Enhancing heritage practice through spatial sound art: A sit...Furnishing a Future: Designing a Contemporary Lace for Gover...Games, Gaelic, and the Highlands: Cha B’ e Ruith Ach Leum ...Gender Equality: 40 years on!Genesis and Genealogies: Lieux de Mémoire and Counter-Monum...Greenwich Park Revealed - How the Past and Present has Futur...Guernica Orientale: A Visual Vocabulary of Anticolonial Resi...Heritage Without a Nation: Pearl Palace and the Limits of UN...House for a Superstar: Sets Fit for The Queen [The Queens Ho...Hypercraft Revisited: Lace and Parametric ModelingIlluminating the Past: The Role of Projection Mapping in Her...Illustrated Heritage: Using Comics to Illuminate and Preserv...Integrated digital approach for the knowledge process of the...Intersectional Identity and Urban Planning: Empowering Women...Introducing VirtuAlive: A Conservation PhD Project-Indirect ...Jamdani Weaving, House forms and Choices: Stories of Jamdani...Layers of Adaptation: Investigating Vertical Mobility and Ar...Leveraging Lieux de Mémoire for Healing: A Grenada Case Stu...Literary Fiction as Mode of Conserving Culturel HeritageLiving in Fear and Trust: A Comparative Study of the Histori...Loundspeaker Orchestra, ‘Voyages’ concert performanceMicro Art EngineeringMobile Digital Storytelling and Heritage InterpretationMorrísland* William Morris and IcelandNavigating Cultural and Natural Landscapes: Heritagization a...Now Hear Then: Introducing Geolocated Audio to Explore the E...Peckham Phygital by Club Virtual: weaving new narratives of ...Preserving Architectural Models - the Heritage and Conservat...Proximity, Peripheries, and Preservation: Rethinking the Edg...Repositioning the Prime Meridian: an Artist's Ongoing Explor...Revisiting Sound Heritage at Sites: Soundscape, Embodiment a...Scar or School?: A Nigerian Perspective on Preservation of B...Social GatheringSoundmirror: Reimaginiing our Coastal Landscape Through Soun...Staging Memory: Heritage Tourism and the Politics of Remembr...Sustaining Heritage through Craft: A Long-Term Approach to C...The Algorithmically Authorised Heritage Discourse as a Tool ...The Barrow in the Landscape – Destroyed, Restored, Redefin...The Cultural Importance and Application of Kuwaiti Al-Sadu W...The Fog of Authorship: Modern Architectural Heritage and the...The Leather HubThe Missing Building: Participatory Design, Identity, and Be...The Politics of Verticality: Heritage and the Cornish Landsc...The Role of Interactive Spatial Storytelling in Reviving Cul...The triadic concept of heritage recordingThe Wild Nature of our Heritage: Does heritage benefit the m...Together stronger: Training citizens & professionals to prot...Tracing Social Cohesion Discursive Repertoires in UNESCO Doc...Triage in the Combat Zone: alternative artistic approaches t...Ulster’s Orange Halls: heritage worth surrendering?Use of Dissonant Built Heritage: The Case of Former Site of ...Violence and Heritage. Postpreservation in Chilean Sites of ...Waking Sleeping Giants: The Painted Hall, Greenwich and othe...Welcome and introductionWhy is it so hard to work with relations and not only object...YouTube and Dominant Heritage Representations
Schedule

IN-PERSON London Heritages. Section B

Critical Questions – Contemporary Practice
Sustaining Heritage through Craft: A Long-Term Approach to Conservation at the Old Royal Naval College
Z. Krzyzanowska & K. Kintrea
9:45 am - 11:15 am

Abstract

As one of the United Kingdom’s most significant historic sites, The Old Royal Naval College in Greenwich, a key landmark within the Maritime Greenwich World Heritage Site, represents a complex conservation challenge. Over the course of our long-term engagement with the ORNC, a key challenge has been balancing the conservation needs with increasing pressures on the site. This is further complicated by a critical shortage of skilled craftspeople in the UK, threatening the sustainability of the heritage sector. Reliance on larger contractors can result in short-term, cost-driven approaches that are less able to deliver the nuanced skills required for historic fabric conservation. The increasing scarcity of craftspeople— such as stonemasons, carpenters, leadworkers — further undermines efforts to maintain the quality and authenticity of repair work. Without a concerted effort to nurture and retain these skills, there is a real danger that invaluable crafts skills will be lost. This paper argues that establishing direct, long-term relationships with experienced craftspeople offers a more effective and sustainable model for conservation. Such partnerships deepen site-specific understanding, support continuity of care, and provide opportunities for training and mentoring, helping to safeguard endangered heritage skills. Drawing on recent case studies from our conservation projects at the ORNC, this paper examines the benefits of this approach, including enhanced knowledge retention, more consistent collaboration between architects, surveyors, and craftspeople, and higher-quality outcomes. It concludes by advocating for policy reform to support traditional craft training, apprenticeships, and funding structures that prioritise sustainable, skills-based conservation over short-term contracting models.

Biography

Zanna Krzyzanowska is a practicing architect at Martin Ashley Architects and an Associate Lecturer at Oxford Brookes University, where she earned her MArchD with a specialisation in International Architectural Regeneration and Development. Her work focuses on the conservation and adaptation of historic buildings, combining hands-on professional experience with academic research. Zanna’s research explores the relationship between identity, memory, and built heritage, with a strong interest in traditional building crafts.

Kieran Kintrea is a Chartered Building Surveyor (MRICS) and RICS Certified Historic Building Professional, a Partner and Conservation Surveyor at Martin Ashley Architects. He has a longstanding and active role at the Old Royal Naval College in Greenwich, where he previously worked as the in-house Building Surveyor, managing the measured term contract and overseeing the care and maintenance of this highly significant heritage site. Since joining MAA in 2016, he has continued to lead key conservation projects at the ORNC, including the award-winning Painted Hall HLF project. Kieran holds a BSc (Hons) in Building Surveying from Anglia Ruskin University.